[Regina Harris Baiocchi]
Digital Commons @ University of Nebraska - Lincoln
The Contributions of Twentieth Century African
American Composers to the Solo Trumpet Repertoire: A Discussion and
Analysis of Selected works by: Ulysses S. Kay, Adolphus C. Hailstork,
Regina Harris Baiocchi, and Charles Lloyd, Jr
Orrin Wilson, University of Nebraska - Lincoln
Abstract
While there has been a constant growth in the academic study of
African American composers who have written concert and recital music,
their contributions to the solo trumpet repertoire has received far less
attention. Many African American composers' works stretch far beyond
the realm of spirituals, Negro folk songs, choral works, jazz, and
popular music.
The composers in this document are noteworthy because
they represent just a few of the various African American musicians who
have composed works for the solo trumpet. Each composer's work
represents cultural and historical trends intended to counter negative
perceptions of Black culture. These composers also represent the
stylistic components that are associated with recognizable elements of
Black music within the Black Nationalistic vernacular, such elements
are: call and response, the use of spirituals, and jazz influences.
This dissertation will focus on the following works: Ulysses Simpson Kay's Tromba for Trumpet and Piano; Adolphus Cunningham Hailstork's Sonata for Trumpet and Piano; Regina Harris Baiocchi's Miles Per Hour for Unaccompanied Trumpet; and Charles Lloyds Jr's. The Crucifixion for Trumpet and Piano. The methodological approaches of this study include biography, compositional style analysis, and cultural history. The aim of this study is to increase the awareness within the academic community of the solo trumpet works by African American composers, thus encouraging further investigation and performance of their works.
This dissertation will focus on the following works: Ulysses Simpson Kay's Tromba for Trumpet and Piano; Adolphus Cunningham Hailstork's Sonata for Trumpet and Piano; Regina Harris Baiocchi's Miles Per Hour for Unaccompanied Trumpet; and Charles Lloyds Jr's. The Crucifixion for Trumpet and Piano. The methodological approaches of this study include biography, compositional style analysis, and cultural history. The aim of this study is to increase the awareness within the academic community of the solo trumpet works by African American composers, thus encouraging further investigation and performance of their works.
Subject Area
African American Studies, Black studies, Music
Recommended Citation
Orrin Wilson,
"The Contributions of Twentieth Century African American Composers to
the Solo Trumpet Repertoire: A Discussion and Analysis of Selected works
by: Ulysses S. Kay, Adolphus C. Hailstork, Regina Harris Baiocchi, and
Charles Lloyd, Jr"
(January 1, 2011).
ETD collection for University of Nebraska - Lincoln.
Paper AAI3461362.
[Adolphus C. Hailstork (b. 1941) and Ulysses S. Kay (1917-1995) are profiled at AfrClassical.com, which features a complete Works List for Ulysses S. Kay by Prof. Dominique-René de Lerma, http://www.CasaMusicaledeLerma.com]
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