["The
Continents" - Concerto for Jazz Quintet & Chamber Orchestra
(CD 1); Jazz Standards / Improvisations (CD 2); Chick Corea /
Orchestra (with Jazz Quintet) / Steven Mercurio; Deutsche
Grammophon 2
CD 4779952 (2012)]
On
March 27, 2012 AfriClassical posted: “Members of Imani Winds &Harlem Quartet Join Chick Corea on 2-CD set 'The Continents' from Deutsche Grammophon.” The
Continents was
brought to our attention by Michael S. Wright, our friend in the
United Kingdom.
We have featured the Harlem Quartet and the Imani Winds as long as we have been blogging. Our principal interest in the 2-CD set involves the roles played in the recording project by violinists Ilmar Gavilan and Melissa White of the Harlem Quartet, and all five members of the Imani Winds. They are Valerie Coleman, flutist; Toyin Spellman-Diaz, oboe; Mariam Adam, clarinet: Jeff Scott, French horn and Monica Ellis, bassoon.
We have featured the Harlem Quartet and the Imani Winds as long as we have been blogging. Our principal interest in the 2-CD set involves the roles played in the recording project by violinists Ilmar Gavilan and Melissa White of the Harlem Quartet, and all five members of the Imani Winds. They are Valerie Coleman, flutist; Toyin Spellman-Diaz, oboe; Mariam Adam, clarinet: Jeff Scott, French horn and Monica Ellis, bassoon.
These
seven performers participated in recording CD1, Concerto
for Jazz Quintet and Chamber Orchestra.
Its movements are 1. Africa, 2. Europe, 3. Australia, 4. America, 5.
Asia, and 6. Antarctica. Chick Corea writes the liner
notes:
“Making music for a combination of orchestral
musicians and jazz musicians has endless possibilities. Appreciation
for the abilities each has for the other makes for an atmosphere
charged with high interest, creative communication and new ideas.
This was the setting for the composing and recording of The
Continents –
for me, a dream come true.
“The process of making the
recording was magical.” “The music may have its technical flaws,
as perfection was never the goal – but I'm pleased that the music
was made in the Spirit of Play, which was the original intent of the
composition after being invited to write a 'piano concerto in the
spirit of Mozart' by the Wiener Mozartjahr.”
We
wondered how the classical and jazz fusion project felt for the two
classical performers drawn from the Harlem Quartet, and the members
of the Imani Winds Quintet. Stuart Wolferman of Unfinished Side
Productions was kind enough to provide the impressions of Monica
Ellis, bassoonist for the Imani Winds. Monica's comments begin with
Chick Corea's introduction to her ensemble:
“He heard us
play in Marciac, France with Wayne Shorter and met us there for the
first time, which spawned the desire to work together. He was very
impressed with that project. So when he wanted to record this piece
he wanted us specifically to be a part of the wind section,
appreciating our sensitivity to understanding jazz and classical
worlds.
“Thoughts on the experience:
-unbelievable
musical textures within the music
-surprises
around every corner
-high
level of musical camaraderie
-wonderful
to have an open recording feel of allowing the music to breathe
because there was ample amount of time to get the best results.
“Chick
trusted our opinions and thoughts about his music and allowed for us
to give input, which was incredible. He is very nurturing and puts
out such a great energy. You couldn't do anything but make great
music."
Monica
Ellis, Imani Winds bassoonist
The
comments of Chick Corea and Monica Ellis persuade us that the jazz
composer and the innovative classical performers of color were very
much on the same page and were equally pleased with the recording
sessions and the final version of Chick Corea's Concerto for Jazz
Quintet and Chamber Orchesta recently
released by Deutsche Grammophon. The orchestral disc of this 2-CD
set was a successful experiment from our perspective. The
composition is more jazz than classical, but the performers from the
Harlem Quartet and the Imani Winds have a vital, vibrant role in
'Chick Corea The Continents.'
Disclosure:
A
review copy of this 2-CD set was provided by the record label.
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