[William
Grant Still (Photo is the sole property of William Grant Still Music,
and is used with permission)]
Yale University Library posts the Table of Contents of an oral interview with William Grant Still and Verna Arvey Still. It was conducted by Liz Gant in Los Angeles on November 22, 1972:
AMERICAN MUSIC SERIES
William Grant Still (and Mrs. Still)
With Liz Gant
Los Angeles, CA
November 22, 1972
TABLE OF CONTENTS
Early interest in music--playing the violin--college--playing in
Columbus, Ohio--composing--looking up to other Negro musicians--working
with W.C. Handy--Still’s parents--book: Oranges and Lemons--Harlem--joining
the Navy--playing violin in the Navy--working in New York after the
war--returning to Oberlin--studying theory and composition--W.C.
Handy--Harlem: prominent Negro clubs including. Cotton Club--learning
about instruments--composing operas--playing Negro shows.
“Telephone Hour”--“Old Gold Hour”--Paul Whiteman--composing and arranging--Guggenheim Fellowship--work in film studios--G Minor Symphony--And they lynched him on a Tree--Deep River Hour--Sahdji.
Work with Alain Locke—setting his poetry—composing and arranging in the thirties—coming of television—traveling—young composers.
[William Grant Still (1895-1978) is profiled at AfriClassical.com, which
features a comprehensive Works List by Prof. Dominique-René de
Lerma,
http://www.CasaMusicaledeLerma.com. Recordings, sheet music and books of William Grant Still are
available at
www.WilliamGrantStill.com,
which is operated by the composer's daughter Judith Anne Still]
No comments:
Post a Comment