By Thomas May
SEATTLE
— Last fall, the Smithsonian’s National Portrait Gallery began to
display, among its recent acquisitions, a photograph of the composer
George Walker. It shows him close up, his right index finger and thumb
bearing down on a pencil with the precision of a surgeon, at work on the
manuscript score of his Sinfonia No. 5.
The image of Dr. Walker, who died last summer at the age of 96,
was captured by the photographer and filmmaker Frank Schramm, a close
friend. They had known each other since Mr. Schramm heard a broadcast of
Dr. Walker’s Sinfonia No. 3 in 2004 and, he said, “immediately
gravitated to his work.”
Living
within a couple of miles of Dr. Walker in New Jersey, Mr. Schramm would
pay regular visits to his house in Montclair — helping out with errands
and at the same time using his camera to document his life and work,
right up to the end.
“George was 81
when I met him, so there was already a sense of time running out,” Mr.
Schramm said. “But he was so focused. We would listen to and discuss
music. It became like an unsolicited master class for me.”
Just two months before his death, Dr. Walker had been keenly
anticipating the opportunity to experience Sinfonia No. 5, “Visions,” in
a concert hall, Mr. Schramm recalled. He was looking forward to the
first live performance, which will be given by the Seattle Symphony Orchestra on April 11. (A studio recording, made in 2017, is available on Albany Records.)
The piece, which was completed in 2016, in part conveys Mr. Walker’s response to the 2015 shooting at the Emanuel African Methodist Episcopal Church
in Charleston, S.C. “He looked back and saw the other work he had done
and thought this could be the last one,” said Gregory Walker, the older
of Dr. Walker’s two sons. “And he felt an urgency about getting it out
there.”
“Visions” crowns a long
career in which Dr. Walker produced more than 90 compositions, including
intimate pieces for solo piano (his primary instrument), and
large-scale orchestral and choral works. It was the last score he
completed; at the time of his death, he had embarked on a piece
commissioned by the Los Angeles Philharmonic.
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