Florence Price at the piano, 1941
Photo: Arkansas Educational Television Network
John Malveaux of www.MusicUNTOLD.com writes about Classical KUSC Radio in Los Angeles:
Kathy Crandall (LA Opera League) shared the following with MusicUNTOLD:
Kathy Crandall (LA Opera League) shared the following with MusicUNTOLD:
KUSC's Open Ears is an online series about composers, musicians, and conductors who deserve more recognition. Read about the first African American woman to have a symphonic work performed by a major orchestra, Marian Anderson's performance in front of Lincoln Memorial and the incredible, all-too-brief life of conductor Calvin Simmons.
Click here to read all of KUSC's Open Ears articles
Posted by Gail Eichenthal · 2/12/2018
About Open Ears: So many people who made
invaluable contributions to classical music were underappreciated in
their time, or have been nearly lost to history. That’s why KUSC is
starting Open Ears, a series of stories about composers, musicians, and
conductors who deserve more recognition. You can learn more and explore
other articles here.
Florence B. Price, the first African American woman to have a
symphonic work performed by a major orchestra, is having a moment. I
think there’s a good chance that moment will stretch into decades. Her
music–largely unheard since her death in 1953–is constantly surprising:
the sound world of Wagner and Dvorak infused with quirky changes of mood
and pace, striking combinations of instruments and the unmistakable
roots of her Southern heritage, the strains of gospel and Juba.
Price was born in Little Rock, Arkansas in 1887. She attended the New
England Conservatory, one of few prestigious music schools of the era
to admit Black students. To escape the rampant racism of her native
state, she moved to Chicago, where she intensified her musical studies
and began to blossom as a composer of songs, piano pieces, and
eventually four symphonies and other orchestral scores. In fact, it was
conductor Frederick Stock and the Chicago Symphony that gave that
historic performance of Price’s First Symphony in 1933. Though all this,
she was also raising children and dealing with a messy divorce.
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