No monarchy in the history of
the Kingdom of England has garnered a cult following quite like the
Tudors (1485-1603). The betrayals, wars, and religious reforms of the
Tudor dynasty have been depicted in numerous films and in the Showtime
series, The Tudors.
One perception that we get from these pop
culture portrayals of the lustful King Henry VIII and the tumultuous
life of Bloody Mary is that Tudor England lacked ethnic diversity.
At the College of Arms in London on a
60-foot-long vellum manuscript sits an image of a man atop a horse, with
a trumpet in hand and a turban around his head. This is John Blanke, a
black African trumpeter who lived under the Tudors. The manuscript was
originally used to announce the Westminster Tournament in celebration of the 1511 birth of Henry, Duke of Cornwall, Henry VIII’s
son. Blanke was hired for the court by Henry VII. The job came with
high wages, room and board, clothing, and was considered the highest
possible position a musician could obtain in Tudor England.
Blanke was no anomaly, but was one of hundreds of West and Northern
Africans living freely and working in England during the Tudor dynasty.
Many came via Portuguese trading vessels that had enslaved Africans
onboard, others came with merchants or from captured Spanish vessels.
However once in England, Africans worked and lived like other English
citizens, were able to testify in court, and climbed the social
hierarchy of their time. A few of their stories are now captured in the
book, Black Tudors by author and historian Miranda Kaufmann.
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