AFRICAN CLASSICAL MUSIC TAKES CENTRE STAGE
AWARD-WINNING PIANIST REBECA OMORDIA
EXPLORES HER AFRICAN HERITAGE
Rebeca
Omordia, a prize-winning classical pianist, explores the music of her
Nigerian heritage on her new CD 'Ekele, Piano Music by African
Composers' (HTGCD 188), featuring music of a number of composers from
Nigeria, both living and recent, whose music has remained largely
unknown in the West. This collection showcases the works of Ayo Bankole, Fred Onovwerosuoke and Christian Onyeji, and is designed to bring this music to a wider audience.
Rebeca
Omordia was born in Romania to a Romanian mother and a Nigerian father
and is a great advocate of Nigerian classical music. She graduated from
the National Music University in Bucharest and was awarded scholarships
to study at Birmingham Conservatoire and later at Trinity College of
Music. She won international competitions in Romania and Hungary and was
awarded the Delius prize in 2009, which led to a collaboration with
Julian Lloyd Webber, playing with him at Wigmore Hall and King’s Place
and on Radio 3. She plays regularly with the leading Romanian Orchestras
and has performed in the UK with such artists as Raphael Wallfisch,
Chi-Chi Nwanoku, Elizabeth Llewellyn and Mark Bebbington.
The
CD opens with the remarkable Second Piano Sonata of Ayo Bankole,
subtitled ‘The Passion’ which is clearly inspired by the last days of
Christ. Despite his tragic murder at only 41, and that of his wife,
Bankole was able to leave a notable body of music, including two piano
sonatas, of which ‘The Passion’ is particularly impressive, clearly
showing his Christian inspiration.
In
great contrast in terms of scale and inspiration, are two much lighter
suites by Bankole, of which the better-known is the African Suite,
dating originally from 1957. This is followed by The Nigerian Suite in
which the section entitled ‘Variations for Little Ayo’ was written for
the composer’s son, Ayo Junior, now an established composer in his own
right. Ayo Jnr’s sister, Femi, was the inspiration and dedicatee of ‘Ya
Orule (Borrow a Roof!).
Ayo
Bankole’s example led the way for later composers such as Fred
Onovwerosuoke, now known internationally from his chant ‘Bolingo’ used
in the 2006 film The Good Shepherd, with Robert de Niro. His ‘24 Studies
in African Rhythms’ is arguably the most important work by a black
Africa composer for solo piano to have appeared in recent decades.
The
youngest of the three composers on this disc is the Igbo musician
Christian Onyeji, who has studied and worked almost entirely within the
African continent, and the three final pieces are characteristic works
of the South African Batswana tribe - ‘Echoes of Traditional Life’, the
shorter study ‘Ekele’ (‘Greeting’), and the composer’s own solo piano
transcription of his choral piece ‘Ekele Diri Chineke’ (‘Thanks be to
God’), which has achieved a notable measure of popularity throughout
Africa in both its original and transcribed versions.
Antony Barlow, Arts Publicity
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