Fred Onovwerosuoke
(St. Louis American)
On January 9, 2015 AfriClassical postred:
William Grant Still (1895-1978) and Scott Joplin (c.1867-1917) are profiled at AfriClassical.com,
which features a Bibliography and comprehensive Works List for each by Prof. Dominique-René de
Lerma, http://www.CasaMusicaledeLerma.com.
FredO at the Sheldon
January 22, 2015
By Chris King
Works by a living, local black composer will
be performed in “Sheldon Classics: Africa,” a program of “music
inspired by the rhythms and sounds of Africa” that will be presented at
The Sheldon at 8 p.m. Wednesday, January 28.
Fred
Onovwerosuoke will have his compositions performed by pianist Peter
Henderson and members of the St. Louis Symphony Orchestra, with SLSO
principal percussionist Will James also performing two works for solo
marimba.
Onovwerosuoke – best known
as FredO – has illustrious company in Henderson’s set list: ragtime
legend (and composer for opera and ballet) Scott Joplin (ca. 1867-1917)
and William Grant Still (1895-1978), who remains “the most recognized
African-American composer of classical chamber music,” FredO said.
Henderson
will play selections from Onovwerosuoke’s “Five Kaleidoscopes for
Piano,” which was commissioned by Rebeca Omordia (a Romanian-Nigerian
pianist living in London), and “Six Sketches for Oboes and Piano”
featuring Laura Ross on oboe.
FredO
was born in Ghana to Nigerian parents but has been based in St. Louis
since the early 1990s, except for seven years commuting up and down the
Mississippi River to New Orleans. He has been able to make a living as a
composer since Hurricane Katrina, which attracted volunteers from
Oxford University in England, who insisted on publishing his music after
they helped to salvage his manuscripts from the floodwaters.
That
Oxford University Press publication “Songs of Africa: 22 Pieces for
Mixed Voices” (2008) shows his years of experience writing and arranging
for the St. Louis African Chorus, which he formed in 1994 (and which
now survives as African Musical Arts Inc.). That book led to many other
publications as a composer, and music publishing royalties have become a
revenue stream for FredO’s family – thanks in large part to Robert De
Niro using some of Onovwersuoke’s compositions in his 2007 film about
the birth of the CIA, “The Good Shepherd.”
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