7:30 PM; Friday, July 3, 2020
Free
PLFUGERVILLE, TX —The Austin Chamber Music Festival,
dedicated to serving Central Texans by expanding knowledge,
understanding, and appreciation of chamber music through the highest
quality instruction and performance, will host its 24th Annual Austin
Chamber Music Festival free and online now through August 8.
The virtual festival will feature a lineup of accomplished artists and performers, with Artistic Director Michelle Schumann hosting interviews and performances every weekend through Aug. 8. Concert attendees will have a chance to chat with the artists and other audience members via the live Zoom program, and will gain insight on what makes chamber music so fascinating. For more information, or to register click HERE.
The virtual festival will feature a lineup of accomplished artists and performers, with Artistic Director Michelle Schumann hosting interviews and performances every weekend through Aug. 8. Concert attendees will have a chance to chat with the artists and other audience members via the live Zoom program, and will gain insight on what makes chamber music so fascinating. For more information, or to register click HERE.
Lineup for the 24th Annual Austin Chamber Music Festival includes:
Black Voices
7:30 p.m.; Friday, July 3, 2020
Free
RSVP
Sonata in G Minor for Cello and Piano, Op. 19 | Sergei Rachmaninov (1873–1943)
Bassoon Set | Adolphus Hailstork (b. 1941)
***
Piano Trio in D Major, Op.70 No.1 “Ghost” | Ludwig van Beethoven (1770–1827)
Lecolion Washington, bassoon
Anyango Yarbo-Davenport, violin
Derek Menchan, cello
Artina McCain, piano
Michelle Schumann, piano
Black Voices
7:30 p.m.; Friday, July 3, 2020
Free
RSVP
7:30 PM CT Zoom event “doors” open (URL provided upon registration)
7:45 PM CT Pre-concert talk begins with Michelle Schumann & Festival Artists
8:00 PM CT Concert program begins
Anyango Yarbo-Davenport, Derek Menchan, Ebonee Thomas, Lecolion
Washington, and Artina McCain share stories about the life of an artist
along with music by William Grant Still, Coleridge-Taylor Perkinson, and
more.
Program
Deserted Plantation | William Grant Still (1895–1978)- Spiritual
- Young Missy
- Dance
Sonata in G Minor for Cello and Piano, Op. 19 | Sergei Rachmaninov (1873–1943)
- Andante
Bassoon Set | Adolphus Hailstork (b. 1941)
***
Piano Trio in D Major, Op.70 No.1 “Ghost” | Ludwig van Beethoven (1770–1827)
- Allegro vivace e con brio
Lecolion Washington, bassoon
Anyango Yarbo-Davenport, violin
Derek Menchan, cello
Artina McCain, piano
Michelle Schumann, piano
Anyango Yarbo-Davenport
Born and raised in Munich (Germany), violinist Anyango
Yarbo-Davenport was born into the musical family of American soprano
Africa Yarbo-Davenport and the late Austrian conductor Hans Peter
Jillich. She regularly performs in venues such as Carnegie Hall, Kennedy
Center, Royal Festival Hall London, Teatro Mayor Bogotá, Mozarteum Saal
Salzburg, and Teatro Colon. Her performances can be heard on Radio
& TV in the US, South America and Europe. She is the winner of the
Theodore Presser Scholar Award, International Competition for Romantic
Music, IBLA World Competition Italy, Jugend Musiziert Germany,
Alpen-Adria Wettbewerb, MTNA USA, the Rotary Club Salzburg Prize, among
others. Anyango’s upcoming recording “Invisible Threads” – works for
violin and piano by Bartok, Messiaen and a commissioned sonata by
composer Juan Antonio Cuellar – was awarded the coveted research prize
of the Banco Santander de Colombia with additional sponsorship of the
Banco de la Republica de Colombia.
Derek Menchan
A “classically” trained ‘cellist, Menchan holds a Master’s Degree
from the Manhattan School of Music, whence he was awarded the Pablo
Casals Award for Musical Accomplishment and Human Endeavor.
Having shared the stage and worked with artists from all genres,
including Ray Charles, Diana Ross, Robert Plant and Jimmy Page, Stevie
Wonder, Kennedy and Rod Stewart; conductors Leonard Slatkin, Kurt Masur,
‘cellists Janos Starker, Mstislav Rostropovich, Harvey Shapiro, and
many more, Menchan has carved out his own signature sound and approach
to music, from its composition to performance and production.
Ebonee Thomas
Flutist Ebonee Thomas is originally from Plano, TX and holds degrees
from Southern Methodist University and the New England Conservatory of
Music. She was Principal Flute of the Knoxville Symphony for 3 seasons,
Principal Flute of the Florida Grand Opera, and Second Flute with the
Houston Symphony. Ebonee completed a fellowship with the prestigious New
World Symphony under the direction of Michael Tilson-Thomas, where she
performed the North American premiere of Christian Lindberg’s flute
concerto The World of Montuagretta. She has performed with the Los
Angeles Philharmonic and other orchestras nationwide, most recently
including the Dallas and Fort Worth symphonies. Ebonee has a passion for
educating and teaches a full studio of private students.
Lecolion Washington
Lecolion Washington, Jr. is the Associate Professor of Bassoon in the
Rudi E. Scheidt School of Music at the University of Memphis. He is the
bassoonist of the Memphis Woodwind Quintet, and he serves as the
director of Bassoonapalooza and of the Shelby County Bassoon Band. Prior
to joining the University of Memphis faculty, he was the Assistant
Professor of Bassoon at the University of Missouri-Columbia.
Artina McCain
Described as a pianist with “power and finesse” (Dallas Arts
Society), Artina McCain, enjoys an active career as a solo and chamber
performer, educator and lecturer. She has performed nationally and
internationally throughout Europe, China, and the United States.
McCain’s solo and chamber performances have been heard on radio shows in
Chicago, Austin, Toronto, and Hong Kong.
Michelle Schumann
Hailed for her “sensitive, flexible, and tempestuous dexterity”
(Fanfare Magazine), pianist Michelle Schumann has built a reputation for
evocative and moving performances. Since 2006, Michelle has served as
Artistic Director of the Austin Chamber Music Center, where she “is
fearlessly expanding our definition of chamber music” (Austin
American-Statesman). Her brand of performance includes an enthusiastic
interplay with the audience and her trademark includes bringing diverse
music together under a blanket of narrative events.
Schumann is artist-in-residence and professor of piano at the
University of Mary Hardin-Baylor. She received a Doctor of Musical Arts
degree from the University of Texas at Austin and additionally holds a
Performance Diploma from the Vienna Conservatory.
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