This
thesis presents extended program notes for a recorded graduate
classical guitar recital consisting of the following works for solo
guitar with string quartet and chamber orchestra: Mario
Castelnuovo-Tedesco: Quintet for Guitar and Strings, Op. 143; Leo
Brouwer: Concerto No. 3 (“Elegiaco”). Both works are pioneering
and invaluable contributions to guitar literature. Tedesco’s
Quintet for Guitar and Strings, Op. 143 is the first quintet ever
composed to properly showcase the virtuosity of the guitar within a
chamber setting. Concerto “Elegiaco” demonstrates the refinement
of Leo Brouwer’s use of post-modern tonality and minimalism within
classical form, and showcases his unique compositional
style.
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