By Seth Colter Walls
Feb. 15, 2019
Feb. 15, 2019
At the Juilliard School, the pianist Aaron Diehl studied both classical and jazz traditions. And in the years since, he’s chosen to follow each of those paths — and sometimes both, simultaneously.
Mr.
Diehl has played with Cécile McLorin Salvant and Wynton Marsalis. His
own recordings as a bandleader have revealed him to be not only a stylish improviser, but also a composer worth watching.
In
recent years, he has revived the practice of interpreting Gershwin’s
concert music through an improvisatory filter. His imaginative yet
idiomatic turn in the Concerto in F with the New York Philharmonic at
their opening-night gala in 2016
contained the hardest-swinging note I’ve ever heard inside David Geffen
Hall. (It was an interpolated low D that Mr. Diehl tossed off with
casually elegant force toward the end of the first movement.)
This
weekend, Mr. Diehl plays “Rhapsody in Blue” (on Saturday) and the less
familiar “Second Rhapsody” (on Sunday) with the Los Angeles Philharmonic
as part of the brief but potent series “William Grant Still and the Harlem Renaissance.
“The challenge
is creating this balance between the improvisation and the written
score,” Mr. Diehl said of his approach to “Rhapsody in Blue.”
Gershwin,
in a way, is the exception this weekend: The rest of the Philharmonic’s
programming puts the spotlight on black composers. William Grant
Still’s symphonies serve as anchors of the programs, the First on
Saturday and the Fourth on Sunday.
Symphonic
arrangements of works by Duke Ellington also appear all weekend, and a
new piece — Adolphus Hailstork’s “Still Holding On” — will have its
premiere on Sunday. (It’s one of the 50-plus commissions the orchestra has made as part of its centennial season.)
An earlier orchestral miniature by Mr. Hailstork, “Celebration,” was captured in the 1970s for Columbia Records’s Black Composers Series, a set which was recently remastered and reissued. That recording was the conductor Thomas Wilkins’s introduction to Mr. Hailstork’s music.
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