The New York Times
January 11, 2019
The welcome revival of interest in the composer Florence Price continues this week, with the release of a buoyant recording of her First and Fourth symphonies, with the Fort Smith Symphony of Arkansas conducted by John Jeter.
Both works bear trace influences of folk forms — including, as the musicologist Douglas W. Shadle writes in the liner notes,
a reference to “Wade in the Water” during the Fourth’s opening
movement. But there are as many sections that seem like a composer
channeling her own individual muse. Among the most compelling moments is
the close of the Fourth — a scherzo full of slaloming melody (and, in
the final minutes, some pleasingly potent tutti chords). SETH COLTER WALLS
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