William Grant Still (1895-1978) is profiled at AfriClassical.com, which features a comprehensive Works List by Dr. Dominique-Rene de Lerma.
Shaun Matthew Conducts Scarborough Symphony
Bob Shingleton of On An Overgrown Path writes:
News of a rare performance of a William Grant Still Symphony in England and Mozart's Requiem in Africa - http://goo.gl/xgSq5D
Regards
Bob
On An Overgrown Path
February 16, 2016
A recent post
suggested that anyone who thinks I am overstating the disruptive impact
of technology on classical music should use journalism as a case study.
This view was vindicated by the announcement a few days later that the Independent newspaper will cease publication of a print edition.
I also pointed out that the response of the London Symphony Orchestra
to disruptive technology, surplus capacity, and faltering demand is to
increase capacity by building an expensive new concert hall - aka museum of sound - for their designate music director Simon Rattle. Debate continues as to how Sir Simon should be provided with the hall he feels he deserves; which reminds me of this story about one of his illustrious predecessors in Berlin. Herbert von Karajan
was conducting at the same Bayreuth Festival as Hans Knappertsbusch.
Backstage in the Festspielhaus there were just two lavatories at the end
of a long corridor. Karajan's personal secretary, it is said, put a
notice on one, 'For the exclusive use of Herr Karajan'. An hour later a
notice appeared on the other one written by Knappertsbusch, 'For all the
other a-holes'.
My post opined that non-celebrity professional and amateur ensembles -
aka all the other a-holes - will have an important future role as they
are better positioned to weather the inevitable collapse of classical music's top-heavy financial model. Among these ensembles is the Scarborough Symphony Orchestra in Yorkshire, England. On 30th April they perform William Grant Still's Symphony No.1, ‘Afro-American’ conducted by musician of colour Shaun Matthew - see photo above. This follows on from their UK première performance of William Grant Still’s Symphony No.2 in the orchestra's 2012 season.
That the Scarborough Symphony should give the UK premiere of an
important 20th century symphony is a sad comment on the myopic
programming of the prestigious London orchestras. That the Scarborough
orchestra give these innovative concerts not in a designer concert hall
but in the town's Methodist Central Hall, is an even sadder comment on celebrity music making.
Three weeks after that noteworthy Scarborough concert, the 175th anniversary of the premiere of Mahler's Eighth Symphony is belatedly celebrated by the augmented forces of the Norwich Philharmonic Orchestra & Chorus conducted by Matthew Andrews.
Performances of this gargantuan symphony are rare, and what makes this
Norfolk and Norwich Festival 'Symphony of a Thousand' even more
noteworthy is that the venue is a multipurpose exhibition hall at Norfolk Showground; thereby emulating the 1910 premiere performance conducted by the composer in the cavernous Neue Musik-Festhalle at the Munich exhibition showground.
Finally, the thread of musicians of colour
leads this post to Morroco. The town of Essaouira on Morocco's Atlantic
Coast has many musical connections. Most notable is the famous annual Gnawa festival celebrating the music of the brotherhoods that practise the animistic rituals of folk Islam. Another connection that was explored here some years back
is with rock music icons, including Jimi Hendrix and Cat Stevens. And
Paul Bowles made some of his celebrated field recordings of Moroccan
music among the Jewish community of Essaouoira in the early 1960s. But on April 29th Essaouira connects with a very different musical tradition when L'Orchestre Philharmonique du Maroc (Philharmonic Orchestra of Morocco) perform Mozart's Requiem.
Formed in 1996, L'Orchestre Philharmonique du Maroc is a professional
orchestra of eighty musicians; the majority of the musicians are
Moroccan who are supplemented by Europeans, and their chief conductor is
Frenchman Olivier Holt.
Mozart is famous for his connections with secret brotherhoods, so
Essaouira is an unlikely but appropriate venue for this performance of
his masterpiece. The Requiem is part of the annual Printemps Musical Des Alizés classical music festival in Essaouira. Chamber music recitals are given in the atmospheric Dar Souiri, but larger works such as the Requiem are given in the multi-purpose Salle Omnisports.
Like Scarborough and Norwich, Essaouira lacks a purpose-built concert
venue, yet alone state-of-the-art designer hall. But there is still a
burning passion for classical music, and that is what really matters. I
will be at the Norwich Mahler performance; but very inconveniently, the
Grant Still symphony and Mozart Requiem clash. So sorry Scarborough, as I
have yet to master the art of bilocation, I will be in Essaouira.
No complimentary tickets or other rewards
involved in this post. Any copyrighted material is included as "fair
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Comment by email:
Thank you for this, and also for another excellent post. I am thrilled
to hear of Shaun Matthew's ongoing pioneer work there. And how I wish I
could be with you in Essaouira! Do let u know about the event via the
blog. If this is blog retirement for you, your audience (save a few) are extremely pleased! Best, and safe travel, JMW [John McLaughlin Williams]
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