Diversity mural / University of the Fraser Valley
Susan Raab
October 21, 2015
Calls for increased diversity are no longer episodic or quixotic;
they are regularly heard across our business and cultural landscapes.
And, if trends we see currently with Millennials continue, the need to
cultivate diverse arts audiences will increase. Advertising Week
this year identified the need to focus on diversity as a main theme,
pointing out that while Millennials represent our “largest (and most
diverse) generation, most marketing decisions and campaigns are run by
alarmingly non-diverse groups.” Science News reported, too, that Americans are growing more genetically diverse, “choosing mates with ethnic backgrounds different from their own.”
In the arts, the desire for change bumps up against a number of
challenging realities. One is that there are fewer non-white artists and
organizations in traditional areas of the arts, such as classical
music, and it takes time and a commitment to arts education to effect a
change. Afa Sadykhly Dworkin, president and artistic director of the
nonprofit Sphinx,
and her husband, Aaron Dworkin, who is a MacArthur fellow who served in
the Obama administration, have been working to change that for quite
some time. Sphinx, headed by Ms. Dworkin as president, operates programs
that reach “over 100,000 students, as well as live and broadcast
audiences of over two million annually.” Last week, for example,
Syracuse, which has “the highest rate of concentrated poverty among
black and Hispanic communities” in the U.S., benefited by having the Sphinx Virtuosi ensemble perform at schools throughout the city and at the Red House Arts Center at Syracuse University.
Dworkin, whose organization is based in another struggling city,
Detroit, and who runs yearlong programs there, has seen the impact arts
education can make, providing “a place of refuge and a place where
[children] can feel confident, where they can have fun and have a break
from their everyday challenges.”
As in other traditional areas of art, “classical orchestras tend to be overwhelmingly white.
According to a 2012 report by the League of American Orchestras, only
4.5 percent of orchestra musicians are black or Latino—hardly
representative of the general population, which, according to the 2010
census, was 13.6 percent black and 16.3 percent Hispanic or Latino.”
Sphinx has been responding to that in a variety of ways,
including providing free violins and lessons to elementary students in
underserved communities, hosting a summer camp to work with aspiring
young musicians who “demonstrate aptitude toward classical music but
lack resources and access,” and by sponsoring an annual national string
competition for Black and Latino youth. Red House Arts Center
has worked similarly on the local level in Syracuse, to help
underserved populations by “creating opportunities…and bringing the arts
to students in struggling Syracuse elementary schools reaching 2,200
kids each day.”
“In the Syracuse City School District, about 10 percent of students
in kindergarten through eighth grade play instruments, and about 65
percent participate in choral ensembles. In high school, students
generally choose one or the other, or participate in art classes,”
according to the Syracuse New Times. Sarah Gentile, supervisor
of fine arts there, has been working had to improve that, but that type
of change requires funding, parental and community support.
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