Awadagin Pratt (V. Richard Haro)
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Leonard Slatkin
Guest Writer
Guest Writer
February 22, 2014
I have been working on a new chapter of a book about the
challenges faced by the classical music industry.
...
In their time, Beethoven
and Haydn were both described as Moors. The former wrote some of his
most significant music for the black violinist George Bridgetower.
Before that, Le Chevalier de Saint-Georges was France’s most prominent
black composer. And in England, Samuel Coleridge-Taylor had considerable success with a work he wrote entitled “Hiawatha’s Wedding Feast.”
As
classical music began to establish roots in America, more and more
black musicians began to explore alternative styles and genres in which
to express their individuality. Scott Joplin, William L. Dawson and
Ulysses Kay were among the pioneers in the compositional world.
Performers such as Dean Dixon, Leo Brouwer and Paul Freeman became role
models for the young black musicians who would follow in their
path-breaking mold.
Today, we can find more and more
African-American musicians working in the classical music arena. Denyce
Graves, James Lee III, Awadagin Pratt and Eric Owens are among those
whose names grace the stages of the most prestigious musical
institutions throughout the world. American conservatories continue to
be beacons of inclusiveness, and one can see diversity in action at the
Juilliard School in New York, Curtis Institute of Music in Philadelphia or Colburn School in Los Angeles.
For
35 years, the Detroit Symphony Orchestra has paid tribute to the
contributions of African Americans in what might be termed
non-ephemeral music. Classical Roots celebrates a variety of styles and
genres that are a shared musical experience. It has been my honor to lead several of these concerts. The DSO will
welcome that most distinguished of artists, Kathleen Battle, who will be
the featured soloist in selections of songs and spirituals.
Leonard Slatkin is the conductor of the Detroit Symphony Orchestra.
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