John Wineglass,
http://www.johnwineglass.com/newsite/
http://www.johnwineglass.com/newsite/
Southeast Symphony Orchestra
The Southeast Symphony Orchestra program of February 8, 2014 was titled AN AMERICAN PORTRAIT. The concert opened with Duke Ellington Medley,
arr. Calvin Custer followed by The Entertainer, Scott Joplin, arr.
Richard Sargeant. Trumpeter Courtney Jones was an outstanding selection
for the Concerto for Trumpet, Alexsandra Pakhmutova. Pakhmutova was the
only European composer on the program. Courtney Jones blowing was
effortless, clear, and sunny.
The
second half offered compositions with historical and contemporary
themes. Jeannie Gayle Pool Ph.D provided a pre-performance talk about
the life of Zenobia Powell Perry. Zenobia began composing for orchestra
while a student at Wilberforce before the University had an orchestra.
Zenobia discovered that most in the community were unaware that
Wilberforce was an important station in the Underground Railroad and she
worked for many years on an opera about the history of Wilberforce. We
heard five movements (Juba, Tawawa House, Jumping Over the Broom, Fire
Music, and Sunday Dance Tune) of Suite from Tawawa House by Zenobia
Powell Perry, orch. Jeannie Gayle Pool Ph.D.
The unquestionable highlight of the afternoon was the performance of composer John Wineglass's Someone Else's Child with William Allen Young, Narrator. Please see http://www.youtube.com/watch?v=mtX0UhWA0xo.
Not only was the music and text deeply engaging, Wineglass has the
potential to bring a new and desperately needed audience to the concert
hall.
I sat near a group of 15
or so young ladies, Alpha Kappa Alpha Sorority, Incorporated, Theta Alpha Omega Chapter Their sponsors selected the concert as a special cultural
activity for the ladies. As a group they generally exhibited a
courteous reaction throughout the concert and brief moments of
appreciation. However, they were all captured almost immediately by Wineglass's Someone Else's Child.
Each stood in applauding the performance and did not move until the
lights in the auditorium came up to indicate with certainty the concert
had ended.
Thanks
John Malveaux
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