[Anthony R Parnther]
On Jan. 18, 2012
AfriClassical posted: “Southeast Symphony Orchestra with Anthony Parnther Perform Hailstork, Nash, Baker & Schwantner Feb. 12.”
John Malveaux of www.MusicUNTOLD.com
writes:
New music
director and conductor Anthony Parnther confidently set the stage for
the February 12, 2012 concert and a new critically needed role for
the Southeast Symphony Orchestra when he projected that future
African American History Month concerts may be unnecessary because
works by African American composers will be performed at every
concert. His strategy appears not to exclusively program African
American composers but to consistently expose and educate audiences
of neglected but worthy to be performed music and commissioning new
works. I noticed the orchestra included some significant additions
including Bob Watt, French Horn (retired from Los Angeles
Philharmonic Orchestra).
The first half offered the “STAR
SPANGLED BANNER” arranged by Dean Dixon; “BIG MEDISONAL
CEREMONIAL” by Gary Powell Nash; “MY LORD WHAT A MOURNING” by
Adolphus Hailstork; “MOTHER AND CHILD from Suite for Violin and
Orchestra” by William Grant Still, Violin soloist- William
Fitzpatrick; “NEW MORNING FOR THE WORLD: DAYBREAK OF FREEDOM” for
Narrator and Orchestra by Joseph Schwantner, narrator - William Allen
Young. The first half was a connecting bridge for me after attending
THE AFRICAN AMERICAN SONG ALLIANCE Conference Roots and Branches at
Claire Trevor School of the Arts-Music University of California,
Irvine on Feb 10 and 11. I sat near and briefly chatted with
composers Gary Powell Nash and Adolphus Hailstork.
The second half
began with the world premiere of "SUBTLE HUES OF BLACKBIRDS"
by Renee' C. Baker who also guest conducted her premiere. Vocal
solos of AMAZING GRACE by Lattrice Lawrence (soprano), A CITY CALLED
HEAVEN by Bradley Baker (baritone), and "HIS EYE IS ON THE
SPARROW" by Maiya Sykes (soprano) were all arranged by Kenneth
Applegate. The final selection in the program was "AMERICA THE
BEAUTIFUL" music by Samuel A Ward, arranged by Carmen Dragon.
The much deserved encore was "WADE IN THE WATER" with the
three soloists combining distinctly different audience pleasing vocal
agilities.
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