[George
Shirley, Emeritus Professor of Voice, The University of Michigan
School of Music, Theatre & Dance]
John Malveaux of
www.MusicUNTOLD.com
sends a link to the Keynote Address presented by Professor George Shirley, Distinguished
University Emeritus Professor of Voice
at The University of Michigan,
at the African
American Art Song Alliance Conference at the University of
California, Irvine
February
9–12,
2012:
We
present a brief excerpt from Prof. George Shirley's remarks:
“African
American Song Alliance
'My
Responsibility to Music, and to Those Who Deserve to be Educated by
it'
“Greetings,
colleagues and friends, and an especial paeon of praise and gratitude
to Dr. Darryl Taylor, who created the African American Song Alliance
a decade-and-a-half ago in order to address the glaring lack of
awareness of, and respect for, a body of creative work that has
imbued the cultural heritage of our nation with its distinctive
richness. I am honored to be invited to address this celebratory
Conference, and I have selected a topic I feel to be of no little
urgency for all of us who value music -- the art form we respect and
love -- and who cherish the contribution of those esteemed composers
and poets who have given birth to the vibrant treasury of art songs
of African America. I wish to nurture this legacy with every passing
year, and it is this desire that propels the thrust of my remarks
today.
“When,
in 1987, I accepted the invitation to return from the East Coast to
the State of Michigan to teach at The University of Michigan School
of Music, Theatre & Dance, I was painfully aware of the fact that
Music Education in America’s public schools was not as valued as it
had been when I was a pupil in the system. I was not prepared,
however, for just how bad things had become in Detroit where I grew
up, and where I had enjoyed a stellar musical preparation from home,
church, and school. My memories of music making are rich with
vignettes from my earliest years of performing with my parents at
church related functions as well as in public school music classes
and presentations.
“These
two powerful influences shaped the core of my life into a critical
mass of musical endeavor, eventuating in teaching and professional
performance. Such was the case, I am sure, for many of you, and for
numerous of my fellow students whose names are now celebrated by
music lovers around the world. But, more importantly, countless souls
who have enjoyed the challenge and pleasure of expressing themselves
through music in their formative years, and who have not become
professional musicians, have benefited none the less from the
mind-stimulating discipline and spirit-nurturing joy that musical
study and performance provide.”
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