[TOP: Florence B. Price BOTTOM: Edmond Dede; Hot Springs Music Festival; Richard Rosenberg, Conductor; Naxos 8.559038 (2000)]
By Gary Panetta
Posted Feb 05,
2012
“African-American contributions to classical music are
acknowledged to a degree in music textbooks - when it comes to
figures such as William Grant Still and Coleridge Taylor.” “A
concert at 7:30 p.m. Tuesday at Eureka College, however, opens a few
more chapters into what is an intriguing and complicated story.
'Free Men and Free Minds'/'Migrations,' sponsored by the Peoria
Symphony Orchestra and featuring pianist John Orfe and visiting
vocalist Carren Moham, looks at two largely unexplored time periods
of African-American music.
“One is
before the Civil War, when legions of free African-Americans, who
also happened to be composers, left the United States for Europe -
especially France, where they began to produce a large body of
fascinating classical music, most of which has gone unacknowledged
and unperformed in any major way. They include figures such as Edmond
Dede (1827-1901), a New Orleans-born Creole and child-prodigy who was
forced to flee to Mexico because of white
hostility.”
“The
other period consists of the decades after the Civil War and into the
20th century, when industrialization lured many African-Americans to
northern cities in quest of work. One of this migration's greatest
cultural creations was jazz and blues. But what's less known is that
classical music resulted as well - song cycles such as 'Out of the
South' by Florence Beatrice Price (1887-1953), which sets to music
poetry by Harlem Renaissance writers such as Langston Hughes and Paul
Lawrence Dunbar.”
“The
concert grew out of Stelluto's research into music for the symphony's
international concert, which will be held in March."
“I started looking up Florence Beatrice Price who was the first
black American woman whose work was performed by the Chicago
Symphony...” “But it's not just the composers, it's also
their influence. For instance, Wilhelm Grosz, an Austrian-born
composer who fled the Nazis, wrote a series of 'Afrika-Songs' in the
early 1930s. They're German translations of Langston Hughes poetry,
and the music is jazz-influenced.”
“'Free
Men, Free Minds'/'Migrations'
-
What:
Concert exploring the music of African-American composers who fled
the United States before the Civil War as well as those who composed
in the decades following. The featured performers are John Orfe, a
pianist and composer who has performed internationally and is the
resident composer for the Peoria Symphony; and Carren Moham, a
professor of music at Illinois Wesleyan University. She has performed
with Tulsa Opera, Virginia Opera, Opera Columbus and many other
organizations.
-
When: 7:30
p.m. Feb. 7.
-
Where: Becker
Auditorium at Eureka College.
-
Tickets:
$10. Call 467-6420 for more information. The Peoria Symphony's
2011-12 chamber music series is sponsored by Eureka College.”
[Edmond Dédé (1827-1903) and Florence B. Price (1887-1953) are profiled at AfriClassical.com, which features a complete Works list for Florence B. Price by Prof. Dominique-René de Lerma, http://www.CasaMusicaledeLerma.com]
[Edmond Dédé (1827-1903) and Florence B. Price (1887-1953) are profiled at AfriClassical.com, which features a complete Works list for Florence B. Price by Prof. Dominique-René de Lerma, http://www.CasaMusicaledeLerma.com]
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