Conference Schedule
African American Art Song Alliance 2012
The African American Art Song Alliance Conference
“Roots and Branches”
Thursday, February 9
Attendees arrive 4PM,
Crowne Plaza
17941 Von Karman Avenue
Irvine 92614
(949) 863-1999
www.crowneplaza.com/irvineca
Welcome
Registration in Lobby Atrium, Crowne Plaza Hotel
Beginning 3:00PM
Welcome Reception, 5:00PM UCI Art Gallery
Welcome Concert
Africa's Varied Influence
William Chapman Nyaho and Louise Toppin in concert
WSH 7:30PM
Friday, February 10
Flowers
9:00 AM
Plenary Session
Opening Remarks, Darryl Taylor
Welcome, Dean Joe S. Lewis, Claire Trevor School of the Arts
Chronology: Hansonia Caldwell, California State University, Dominguez Hills
9:30
Performance
Contemporary Leanings
Songs of Richard Thompson, Gary Powell Nash, and Adolphus Hailstork
10:30 AM
Keynote Address
George Shirley, Joseph Edgar Maddy Distinguished Professor of Music
11:00 AM
Lecture
“The Role of Social Media and PR in the Development and Exposure of African American Performing Artists”
Patrick D. McCoy, Freelance Writer, Radio Host
11:30
Lecture
“The African American Concert Singer: San Francisco 1925-65, In Paradisium”
Bill Doggett, Exhibitions Archivist, and Curator
12:30 PM
Lunch (on your own)
2:00 PM
Performance
Celebrating H. Leslie Adams
Lecture
“Representing Women in Three Recent South African Operas”
Naomi André, The University of Michigan
4:30 PM
Performance
Songs from Southeastern Louisiana
Valerie Jones-Francis, soprano and Wilfred Delphin, piano
5:30 PM
Dinner (on your own)
7:00
Performance
Evening Bouquet
Saturday, February 11
Branches
(Tribute to Robert Owens)
9:00
Performance
Classically Black – Piano Music by Composers of African Decent
Richard Alston, piano
9:30 AM
Lecture-Performance
“Voodoo by H. Lawrence Freeman: The First African American Opera on Broadway in 1928”
Bruce Faulk, New York University
10:00 AM
Lecture
The Black Composer in Opera
Anthony Davis, University of California, San Diego
10:40 AM
Panel Discussion
Presence of Black Composers in Opera
H. Leslie Adams
Adolphus C. Hailstork
Robert Owens
Richard Thompson
Anthony Davis, moderator
12:00
Performance
Opera excerpts:
1:00 Lunch (on your own)
3:00
Lecture-Performance
Robert Owens: A Life in Song
Jaime Reimer, sopano, University of Nebraska, Lincoln
Byron Sean, piano
Performance
Robert Owens, Composer
Tearless (Hughes), Op. 9
Heart on the Wall (Hughes)
Rimbaud Cabaret (Arthur Rimbaud)
3 Songs (Claude McKay), Op. 41
Dinner (on your own)
8:00PM
Gala Event
The Music that We Are (poems of Rumi)
Robert Owens, actor and piano
Sunday, February 12
and Roots…Spirituals
10:00AM
Panel Discussion
Art Song and Spiritual Practice
Jacqueline Hairston
Albert McNeil
Roland Carter
Willis Patterson, moderator
12:00PM
Performance
Spirituals as Art Song/Spiritual Art Song
Three Daily Songs, Rison (Hancock/Cornwall)
Sacred Songs, Ellington (Anita Johnson/Thompson)
Spiritual Art Songs, Carter (Gail Robinson-Oturu/Carter)
Give Me Jesus, Curtis (Bonita Hyman/Tucker/cello TBA)
Changed My Name, Curtis (Hyman/Tucker/cellist)
Balm in Gilead (Stephenson/Tucker/cellist)
Departure
“Roots and Branches”
Thursday, February 9
Attendees arrive 4PM,
Crowne Plaza
17941 Von Karman Avenue
Irvine 92614
(949) 863-1999
www.crowneplaza.com/irvineca
Welcome
Registration in Lobby Atrium, Crowne Plaza Hotel
Beginning 3:00PM
Welcome Reception, 5:00PM UCI Art Gallery
Welcome Concert
Africa's Varied Influence
William Chapman Nyaho and Louise Toppin in concert
WSH 7:30PM
Friday, February 10
Flowers
9:00 AM
Plenary Session
Opening Remarks, Darryl Taylor
Welcome, Dean Joe S. Lewis, Claire Trevor School of the Arts
Chronology: Hansonia Caldwell, California State University, Dominguez Hills
9:30
Performance
Contemporary Leanings
Songs of Richard Thompson, Gary Powell Nash, and Adolphus Hailstork
Dream Variations, Richard Thomspon
Raymond Tymas-Jones, tenor and Richard Thompson, piano,
Two Songs (of Paul Laurence Dunbar), Nash
Why Fades a Dream, Nash
Marcia Porter, soprano and Richard Thompson, piano
The Heavens Declare, Adolphus C. Hailstork
JoAnne Stephenson, mezzo-soprano and Wallace Cheatham, piano
Four Romantic Love Songs
Roderick George, tenor and Fred Dade, piano
10:30 AM
Keynote Address
George Shirley, Joseph Edgar Maddy Distinguished Professor of Music
11:00 AM
Lecture
“The Role of Social Media and PR in the Development and Exposure of African American Performing Artists”
Patrick D. McCoy, Freelance Writer, Radio Host
11:30
Lecture
“The African American Concert Singer: San Francisco 1925-65, In Paradisium”
Bill Doggett, Exhibitions Archivist, and Curator
12:30 PM
Lunch (on your own)
2:00 PM
Performance
Celebrating H. Leslie Adams
Lullaby Eternal (Joette McDonald)4:00
Jennifer Lindsay, soprano and Maria Thompson Corley, piano
Love Memory (Dunbar)
*Night People (McDonald)
Jayme Alilaw, soprano and Maria Thompson Corley, piano
The Wider View
To the Road (Dunbar)Marquita Lister, soprano and Marvin Mills, piano
Homesick Blues (Hughes)
Li’l’ Gal (Dunbar)
Love Come and Gone (Georgia Douglas Johnson)
The Wider View (R.H. Grenville)
Love Rejoices (James Dillet Freeman)
Hymn to Freedom
Thy Mighty ArmCarmen Balthrop, soprano, Roderick George, tenor, and Peter Lightfoot, baritone
Lead Gently, Lord
Hallelujah!
UCI Orchestra, Stephen Tucker, conductor
Lecture
“Representing Women in Three Recent South African Operas”
Naomi André, The University of Michigan
4:30 PM
Performance
Songs from Southeastern Louisiana
Valerie Jones-Francis, soprano and Wilfred Delphin, piano
5:30 PM
Dinner (on your own)
7:00
Performance
Evening Bouquet
Velvet Shoes, White | Sonya Baker, soprano and Margaret Simmons, piano |
Nails, White | |
Mon Pauvre Coeur | Celeste Bembry, soprano and Ann Sears, piano |
Daffodils, Hailstork | Brandi Q. Hancock, soprano and Margaret Simmons, piano |
Citadel, Still | Celeste Headlee, soprano and Lukas Swidzinski, piano |
Winter’s Approach, Still | |
Club Woman, Motley | Anita Johnson, soprano and Richard Thompson, piano |
Daedalus, Fly Away Home, Motley | |
Mae’s Rent Party. Motley | |
Miracles, Motley | |
From Miss Wheatley’s Garden, Powell | Makeda Hampton, soprano and Ann Sears, piano |
Worthwhile (Songs of Laurence Hope), Burleigh | Dione Parker-Bennett, soprano and Byron Sean, piano |
Kashimiri Song, Burleigh | |
Three Spirit Songs, Hailstork | Jeanine Wagner, soprano and Margaret Simmons, piano |
Candle Lightin’ Time, Coleridge-Taylor | JoAnne Stephenson, mezzo-soprano and Wallace Cheatham, piano |
Dreams, Cooper | Albert Lee, tenor and Lukas Swidzinski, piano |
Two Songs for baritone, Tillis | Peter Lightfoot, baritone and Richard Alston, piano |
The Winding Road, Dett | Ivan Griffin, bass-baritone and Margaret Simmons, piano |
God Understands, Dett | |
Oh Lord, The Hard Won Miles, Dett | |
Dream Variation, Cooper | Albert Lee, tenor and Lukas Swidzinski, piano |
Dreams, Cooper | |
Sea Calm, Cooper | |
Among the Fuchsias, Burleigh | |
Jersey Hours, Kay | Joy Harrell, soprano and Nina Scolnik, piano |
“My Legacy” Baity | Gail Robinson-Oturu, soprano and Fred Dade, piano |
“Education” Baity | |
The Breath of a Rose, Still | Wayne Jennings, tenor and Fred Dade, piano |
Brown Baby, Still | |
“Zuihou de Lianqu”, Nash | Anita Johnson, soprano and Richard Thompson, piano |
“Mu Gua (The Quince)”, Nash | |
“Fire of Love and War” Nash - needs cello | |
“Nie Ni Ren (You and I)” | |
What lips my lips have kissed, Owens | Jahmaul Abiodun Bakare, tenor and Richard Alston, piano |
Euclid Alone | |
“You Came, Too” Niki Giovanni Songs, Cheatham | Jennifer Odom Cioban, soprano and Wallace Cheatham, piano |
“Friendship” Niki Giovanni Songs, Cheatham | |
“Three Quarters Time” Niki Giovanni Songs, Cheatham | |
Im Nebel, Owens | Phillip Harris, baritone and Lukas Swidzinski, piano |
Songs of Leslie Savoy Burrs | Lisa Edwards-Burrs, soprano |
Forever Thine, Dawson | Richard Heard, tenor and Fred Dade, piano |
Jump Back, Honey, Jump Back, Dawson | |
The Rugged Yank, Dawson | Babatunde Akinboboye, baritone and Nina Scolnik, piano |
Song of Ruth, Hailstork | Jennifer Lindsay, soprano and Maria Thompson Corley, piano |
Slave Song, Hailstork | Trevor Neal, bass-baritone and Wallace Cheatham, piano |
Creole Folk Songs, Nickerson | Bonita Hyman, mezzo-soprano and Nina Scolnik, piano |
Brown-skinned Gal, Okoye | VaShawn McilWain, baritone and Pheaross Graham, piano |
3 Lieder fur eine tiefe Stimme mit Kavierbegleitung, Op. 47, Owens | Trevor Neal and Wallace Cheatham |
Silhouette, Rector | Quentin Brandel, tenor and Victoria Kirsch, piano |
Still Here, Rector | |
Dream Variations, Rector | |
The Silver Swan, Ingram | Kimberly Davis, soprano and Marvin Mills, piano |
Little Lamb, Ingram | |
Silence, McLin | Yolanda Johnson, soprano and Sean Byron, piano |
The Unlucky Apple, McLin | |
If I could give you all I have, McLin | |
When I look into your eyes, H. Smith | Darryl Taylor and Brent McMunn |
Love’s Apothesis, Thompson | Frances Young, soprano and Richard Thompson, piano |
Young, I know why the caged bird sings, Thompson |
Branches
(Tribute to Robert Owens)
9:00
Performance
Classically Black – Piano Music by Composers of African Decent
Richard Alston, piano
9:30 AM
Lecture-Performance
“Voodoo by H. Lawrence Freeman: The First African American Opera on Broadway in 1928”
Bruce Faulk, New York University
10:00 AM
Lecture
The Black Composer in Opera
Anthony Davis, University of California, San Diego
10:40 AM
Panel Discussion
Presence of Black Composers in Opera
H. Leslie Adams
Adolphus C. Hailstork
Robert Owens
Richard Thompson
Anthony Davis, moderator
12:00
Performance
Opera excerpts:
Voodoo, By H. Lawrence Freeman | Dione Parker Bennett, soprano and Byron Sean, piano |
Vanqui, Leslie Savoy Burrs | Carmen Balthrop, soprano, Kei Akagi, piano and Elie Choate, harp |
Costaso by William Grant Still | Albert Lee, tenor, VaShawn McIlwain, baritone, and Brent McMunn, piano |
Amistad, Anthony Davis | Marquita Lister, soprano and Richard Thompson, piano |
3:00
Lecture-Performance
Robert Owens: A Life in Song
Jaime Reimer, sopano, University of Nebraska, Lincoln
Byron Sean, piano
"Bright be the place of thy soul" (Lord Byron) from Stanzas for Music3:30
"If" (Dunbar) from Image, Op. 15
"From a dark tower" (Countee Cullen) from Three Countee Cullen Songs, Op. 27
"For a poet" (Cullen) from Three Countee Cullen Songs, Op. 27
Performance
Robert Owens, Composer
Tearless (Hughes), Op. 9
VagabondsPhillip Rogers, bass-baritone and Robert Owens, piano
Luck
Exits
Walls
Chippy
Dancers
Grief
Prayer
Heart on the Wall (Hughes)
HeartLouise Toppin, soprano and Robert Owens, piano
Remembrance
Havana Dreams
Girl
For dead mimes
Rimbaud Cabaret (Arthur Rimbaud)
Le Dormeur de valDarryl Taylor, countertenor and Robert Owens, piano
Au Cabaret-Vert
Rages de Césars
Revé pour l’Hiver
3 Songs (Claude McKay), Op. 41
The LynchingA Cycle of Six Negro Spirituals
If we must die
To the White fiends
The CrucifixionDonnie Ray Albert, baritone and Robert Owens, piano
You may bury me in the Eas’
Po Mourners got a Home at las’
Home in-a dat Rock
Calvary
Go on, Brother
Dinner (on your own)
8:00PM
Gala Event
The Music that We Are (poems of Rumi)
Robert Owens, actor and piano
Sunday, February 12
and Roots…Spirituals
10:00AM
Panel Discussion
Art Song and Spiritual Practice
Jacqueline Hairston
Albert McNeil
Roland Carter
Willis Patterson, moderator
12:00PM
Performance
Spirituals as Art Song/Spiritual Art Song
Three Daily Songs, Rison (Hancock/Cornwall)
Sacred Songs, Ellington (Anita Johnson/Thompson)
Spiritual Art Songs, Carter (Gail Robinson-Oturu/Carter)
Give Me Jesus, Curtis (Bonita Hyman/Tucker/cello TBA)
Changed My Name, Curtis (Hyman/Tucker/cellist)
Balm in Gilead (Stephenson/Tucker/cellist)
Departure
[H. Leslie Adams, Henry Thacker Burleigh, William Chapman Nyaho, Samuel Coleridge-Taylor, William Levi Dawson, R. Nathaniel Dett, Duke Ellington, Adolphus C. Hailstork, Ulysses S. Kay, Hale Smith and William Grant Still are featured at AfriClassical.com]
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