Tuesday, July 31, 2018
Marlon Daniel wins prize at Bucharest Symphony International Conducting Competition
Marlon Daniel
(Photo by Bob Estremera)
Dr. Christine Gangelhoff writes:
On
July 28, 2018 after a grueling week of outstanding performances, The
Bucharest Music Institute announced the winners of the 2018 Bucharest
Symphony International Conducting Competition.
28 outstanding conductors selected from 17 different countries from around the world were represented.
Marlon
Daniel (representing the United States of America) was winner of the
“Special Prize” with distinction from the Bucharest Symphony Orchestra
and the Bucharest Music Institute (BMI).
The Bucharest Symphony described his performances as with “Elegance and Style.”
StarTribune.com: South African composer celebrates 'Mandela's message'
Curtain call with Goitsemang Lehobye, Osmo Vanska & Bongani Ndodana-Breen
Dr. Bongani Ndodana-Breen writes:
Dear Friends:
Wonderful review of a sensational evening in Minneapolis! World premiere of my "Harmonia Ubuntu” by the Minnesota Orchestra led by Osmo Vanska.
South African tour dates of the Minnesota Orchestra are at www.minnesotaorchestra.org/satour
Best wishes,
-B
Minneapolis Star Tribune
South African composer celebrates 'Mandela's message' with Minnesota Orchestra premiere
By
Terry Blain
Special to the Star Tribune
July 19, 2018
Among Saturday’s many
festivities, the Minnesota Orchestra will premiere an orchestral work
called “Harmonia Ubuntu,” a tribute to the late South African leader
Nelson Mandela by Cape Town composer Bongani Ndodana-Breen. We spoke
with the composer via Skype about his new piece, specially commissioned
by the orchestra — and about Mandela’s legacy.
Q: The Minnesota Orchestra commissioned your new piece, which you call “Harmonia Ubuntu.” Can you elaborate on the title?
A: Ubuntu
is what Nelson Mandela stood for. It’s an African philosophy which says
my humanity is tied to your humanity, my dignity to your dignity, and
how I treat you. That was Mandela’s message. And he went to prison for
it for 27 years.
Q: Were you excited to get the commission?
A: To
celebrate the legacy of Mandela is a beautiful thing, especially at a
time when the world faces so much inhumanity, hate and divisions. Like
Martin Luther King Jr. and Gandhi, Mandela can show people the potential
of actually being human.
Monday, July 30, 2018
Civil Rights Groups File Amicus Brief in Support of Race Conscious Admissions at Harvard
Students for Fair Admissions v. Harvard Challenges the College’s Race-Conscious Holistic Admissions Policy
WASHINGTON, D.C.
– The national Lawyers’ Committee for Civil Rights Under Law, the
Boston-based Lawyers’ Committee for Civil Rights and Economic Justice,
Asian Americans Advancing Justice (AAAJ), and pro bono counsel, Arnold
& Porter, today filed an amicus curiae, “friend of the court,” brief
in the U.S. District Court for the District of Massachusetts to support
the defendant’s motion for summary judgement in the lawsuit challenging
Harvard’s race-conscious holistic admissions policy (Students for Fair Admissions (SFFA) v. Harvard).
The
coalition is participating as special “amicus plus” status and
represents a cohort of racially diverse applicants, current students,
and alumni at Harvard College including African American, Latino, Native American, and Asian American students.
“Forty
years of precedent affirms the constitutionality of a university’s
limited use of race in college admissions,” said Kristen Clarke,
president and executive director of the Lawyers’ Committee for Civil
Rights Under Law. “Harvard’s holistic, individualized consideration of
race addresses the pervasive inequalities that persist across our
society. Any efforts to reverse this approach is a threat to colleges
and universities nationwide.”
“The
consideration of race is an important aspect of a university's holistic
review process and is essential in building a dynamic learning
environment,” said Nicole Ochi, supervising attorney at Asian Americans
Advancing Justice - Los Angeles. Despite what Edward Blum and Students
for Fair Admissions claim, Asian Americans benefit from race-conscious
holistic review; in fact, the majority of Asian Americans support
affirmative action policies. Asian Americans Advancing Justice will not
stand for our communities being used as a cover to end affirmative
action, which would have devastating effects on all communities of color
-- including Asian Americans.”
“Arnold
& Porter is pleased to be working with our clients and other groups
who encourage programs to ensure diverse student populations in
universities,” said Lawrence Culleen, partner at Arnold & Porter. “Such
programs are especially important in our nation’s most selective
institutions. We are proud to stand with our clients and collaborate
with our colleagues in the legal community to defend these principles.”
“These
students stand together because they – and many of their white peers –
know the need for meaningful representation of all communities of color
in a place as powerful as Harvard,” said Matt Cregor, education project
director at the Boston-based Lawyers’ Committee for Civil Rights and
Economic Justice. “If these future leaders graduate with a better sense
of who we are together, then I have greater hope for who we can be as a
country.”
The students’ brief will address three issues:
- The students affirm that ethno-racial diversity produces distinct benefits which are educational, personal, and professional;
- Students explain how Harvard’s current affirmative consideration of race complies with the parameters set forth by the Supreme Court: it is individualized, flexibly appreciates all forms of diversity, and does not treat race as a predominant factor, and;
- Students affirm that Harvard’s vested interest in promoting greater representation of, and diversity within, students of color compels the continued consideration of race.
In
2014, the anti-affirmative action group Students for Fair Admissions
orchestrated the lawsuit against Harvard, claiming its race-conscious
admissions policy intentionally discriminated against Asian Americans
and violates Title VI of the Civil Rights Act.
Today’s amicus filing follows a recent move by
the U.S. Department of Education to rescind the guidance documents that
explain the parameters of affirmative action in higher education, and action by the U.S. Department of Justice involving
race-conscious admissions policies in the higher education context,
including investigations into the diversity efforts of Harvard College,
among others.
About the Lawyers’ Committee for Civil Rights Under Law:
The Lawyers’ Committee for Civil Rights Under Law (Lawyers’ Committee), a
nonpartisan, nonprofit organization, was formed in 1963 at the request
of President John F. Kennedy to involve the private bar in providing
legal services to address racial discrimination. Now in its 55th year,
the Lawyers’ Committee is continuing its quest to “Move America Toward
Justice.” The principal mission of the Lawyers’ Committee for Civil
Rights Under Law is to secure, through the rule of law, equal justice
for all, particularly in the areas of criminal justice, fair housing and
community development, economic justice, educational opportunities, and
voting rights. For more information, please visit https://lawyerscommittee.org
AaronAsk: Weekly mentoring for a creative life: A Wrinkle in Time-So What? (2:57)
Aaron P. Dworkin writes:
|
Sunday, July 29, 2018
Spector Travel of Boston: Ethiopia Tour Captures Festival & Hidden Treasures April 1-9, 2019
Spector Travel of Boston, Inc.:
ETHIOPIA
Religious Festival . Ancient Lands . Adventure
Apr 01 - Apr 09, 2019
A CULTURE LOVER'S
JOURNEY THROUGH
ETHIOPIA
www.spectortravel.com
Saturday, July 28, 2018
NOBLE Retired Members Meeting - Sunday, July 29, 2018, 1:00 pm - 2:00 pm
There will
be a retired members' meeting on Sunday, July 29, 2018 from 1 pm - 2 pm,
in room 316, at the Diplomat Resort and Spa. All retired members are
encouraged to attend.
The topics for open discussions will include, but will not be limited to:
1. Classes/training at the national conferences that are relevant to retired members
2. Sharing of retirement information/experiences
3. Reengaging retired members back into NOBLE
4. Mentoring NOBLE's young people
5. Engaging with your community
6. Finances
7. Transitioning to a new job, and
8. Challenges that retired members may face when moving to a new city
I'm looking forward to seeing all retired members there.
Charles Fonseca
Retired Members' Committee Chairman
ABC7Chicago.com: Chicago Unites: A Concert for Inclusion Sept. 5, 4:00 PM & 6:30 PM
ABC 7 Chicago
Thursday, July 26, 2018
Chicago (NEWS RELEASE) (WLS) --
WHAT:
On
Wednesday, September 5, Chicago United will partner with the Chicago
Sinfonietta to create Chicago Unites, a free public concert at the
Pritzker Pavilion in Millennium Park. The concert, part of Chicago
United's 50th anniversary and the Sinfonietta's 30th anniversary
celebrations, will be a concert for inclusion in Chicago and will bring
together business leaders, as well as residents from throughout
Chicagoland, for a musical celebration of the city's diverse people and
diverse business community.
The concert program will focus on
the mix of cultures in Chicago with a message of inclusiveness and
unity, featuring music from many different cultural influences, from
Fanfare for the Common Man by American composer Aaron Copland to
Huapango de Moncayo, the unofficial national anthem of Mexico, and
Festive Overture by African American Composer William Grant Still.
The
concert will culminate in the audience joining together to sing John
Lennon's classic "Imagine," featuring the Sinfonietta, Musicality and
Waubonsie Choir.
New York Amsterdam News: Eileen Southern, classical pianist, historian and musicologist
Dr. Eileen Southern (1920-2002)
Herb Boyd
7/26/18
A recent visit to the National Museum of African-American History and
Culture was made all the more stunning with the discovery of a quote
from famed musicologist and historian Dr. Eileen Southern. “The enduring
feature of Black music is neither protest nor self-expression; it is
communication, and one cannot imagine a time when Black musicians will
have nothing to say, either to others or to God,” is Southern’s quote
that appears in the museum’s official guide.
That is just a sample of her expansive insight on the evolution of
Black music, much of which she dispensed in lectures, classrooms,
articles, interviews and books, none more popular than her seminal “The
Music of Black Americans” (1971).
Born Eileen Jackson in Minneapolis, Minn., Feb. 19, 1920, she spent
her formative years in Minneapolis, Chicago and Sioux Falls, S.D. She
was the eldest of three children and raised alternately by divorced
parents. No matter the location or parent, the piano lessons were
consistent, and at age 7 she performed her first concert. Music was such
a part of the household—her father was a competent violinist and her
sisters sang—that she thought all families were similarly involved.
She earned her bachelor’s and master’s degrees from the University of
Chicago in 1940 and 1941, respectively, keeping to the study of
classical music as her mother insisted, although she often delved into
the blues and jazz. With her degrees in hand, she accepted a teaching
position at Prairie View Agricultural and Mechanical College in Texas.
It was there she met Joseph Southern and they married immediately. Along
with her maternal duties—the couple had a daughter Myra and adopted
Edward—Southern acquired additional training at Boston University and
Juilliard, all of which enhanced the numerous concert engagements across
the country.
In 1951, she attended New York University to work on her doctorate,
focusing on Renaissance music. It wasn’t long before she was a tenured
professor at York College in Queens. When students at Brooklyn College
began demanding Black Studies, a music curriculum was developed and
Southern’s expertise was invaluable. This commitment and activity were
instrumental in pushing her deeper into the study of the music and the
desire for a more extensive discussion of it. “The Music of Black
Americans” was the result and it gave her increased renown and a sense
of fulfillment.
Friday, July 27, 2018
Janet Harper of CBMR: Where to obtain the sheet music of Chevalier de Saint-Georges
Violin Concertos, Op. 5, Nos. 1 & 2;
Op. 3, No. 1; Op. 8, No. 9
Bernard Thomas Chamber Orchestra
Jean-Jacques Kantorow, Violin
Arion 68093 (1990)
Janet Harper of the Center for Black Music Research at Columbia College Chicago writes:
Op. 3, No. 1; Op. 8, No. 9
Bernard Thomas Chamber Orchestra
Jean-Jacques Kantorow, Violin
Arion 68093 (1990)
Janet Harper of the Center for Black Music Research at Columbia College Chicago writes:
Where to obtain the sheet music of Chevalier de Saint-Georges
Six online sources for purchasing sheet music:
Two online sources with access to free sheet music:
https://catalog.hathitrust.org/Record/005024755 -- some are limited views, while others are full views
Some libraries allow their scores to be checked out. Contact your local library to interlibrary loan scores from another library. For a list of scores by Saint-Georges that have been cataloged by various libraries, please see, http://www.worldcat.org/search?q=au%3ASaint-Georges%2C+Joseph+Bologne%2C&qt=hot_author#x0%253Amsscr-%2C%2528x0%253Amsscr%2Bx4%253Adigital%2529format and http://www.worldcat.org/identities/lccn-n79-113767/
Janet Harper
CBMR Reference, Instruction & Community Engagement Librarian
Center for Black Music Research, Columbia College Chicago
618 S. Michigan Ave., Suite 600, Chicago, IL 60605
2018-07-27
John Malveaux: Annelle Gregory to perform music of William Grant Still in L.A. Sept. 2
Annelle Gregory
John Malveaux of
writes:
July 26, 2018 MusicUNTOLD contracted violin virtuoso Annelle Gregory to perform classical music by African American composer William Grant Still during Assemblymember Reggie Jones-Sawyer, Sr "Free" End of Summer Music & Cultural Celebration scheduled Sunday, Sept 2, 2018-Christmas Tree Lane (all grass area)-in front of the renovated Los Angeles Coliseum. Headliners are Grammy winners Poncho Sanchez and Deniece Williams.
The Los Angeles Philharmonic will perform symphonic music by William
Grant Still during February 2019 in celebration of their 100th
anniversary. See Annelle Gregory website http://annelleviolin.com/
Thursday, July 26, 2018
Chicago Sinfonietta: Images of Diversity September 22-24, 2018
"The
orchestra's collaboration with Steep Theatre Company, the new
visuals...both will contribute to making this very special. I can hardly
wait!" —Peter Boyer, composer
|
|
Black Pearl Chamber Orchestra: A Royal Performance For Kings & Queens July 27, 7 PM
Jeri Lynne Johnson
Artistic Director
Black Pearl Chamber Orchestra
Dell Music Center of Philadelphia Presents
A Royal Performance For Kings & Queens
Featuring PHILADANCO! Philadelphia Dance Company and the Black Pearl Chamber Orchestra
Friday, July 27, 7 PM
New Music Horizons Special Event Concert August 17, 7:30 PM, St. Louis, MO
Intercultural Music Initiative / African Musical Arts
The Intercultural Music Initiative opens it
2018-19 concert season with a special event concert titled, "New
Musical Horizons" featuring international flute soloist Sami Junnonen
from Finland, Nigerian-American pianist Echezonachukwu Nduka, and
American flutist Wendy Hymes in a recital Friday, August 17th at 7:30
PM. The concert will take place at Parkway UCC Church, 2841 N Ballas Rd, Saint Louis, MO 63131.
The Program will include Variations on a Pende Folk Melody for Solo Flute by Fred Onovwerosuoke, Chant de Linos for Flute and Piano by André Jolivet, Divertissement Grec for Two Flutes and Piano by Philippe Gaubert, and Andante & Rondo for Two Flutes and Piano, Op. 25 by Albert Franz Doppler. Also, Montagues and Capulets from Sergei Prokofiev's "Romeo & Juliet, and Sonata in E Minor by Ludwig Van Beethoven.
Tickets are $20 general admission, $10 students/seniors, and may be
purchased in advance by calling (314) 289-4051 or at the door.
Junnonen will also give a masterclass for area flutists on Saturday,
8/18 from 2:00 - 5:30pm, also at Parkway UCC Church. The cost is $30 for
performers and $10 for students. Flutists interested in performing can
contact Wendy Hymes at info@wendyhymes.com for more information.
Nduka will give a masterclass on African Pianism, on Wednesday 8/15 at
the Centene Center for Arts & Education. Registration required by
calling 314-266-8705
Sami Junnonen
Echezonachukwu Nduka
Wendy Hymes
|
|
Wednesday, July 25, 2018
Indie Memphis Announces New Black Creators Forum November 1-2, 2018
The Finalists for the Black Filmmaker Residency (Pictured Above) are Invited to Pitch at the Black Creators Forum
Black Creators Forum (Nov. 1-2, 2018) is a Symposium of Speakers and Discussions, Ending in a Pitch Contest Open to Industry and the Public; Finalists and Winner of Indie Memphis Black Filmmaker Residency in Screenwriting Invited to Pitch Projects at BCF
(July 24, 2018 | Memphis, TN) Indie Memphis Film Festival is pleased to announce its continued commitment to supporting black filmmakers, present and future, with the new Black Creators Forum, running November 1st and 2nd
at the Hattiloo Theatre. The Black Creators Forum will run before and
parallel with the opening of the Indie Memphis Film Festival (November
1st - 5th, 2018), and is a two-day symposium of workshops and invited
speakers led by notable black filmmakers and critics with a wide
interdisciplinary range, including fine art, music, and online content.
The goal is to explore ways black filmmaking can find creativity and
sustainability from other mediums, and to ease the barrier of entry for
black artists who would like to work in film.
The event will be programmed by Indie Memphis Senior Programmer Miriam Bale and produced by Jason Farmer, Indie Memphis board member and
owner of Black Lens Productions. “With the rich cultural, arts and
musical legacy of Memphis as the backdrop, creating vibrant stories in
our own tenor and tone on film is a natural, organic progression,” said
Farmer, ”The Black Creators Forum in conjunction with the Indie Memphis
Film Festival was created to give voice and vision to empower artists
who can meet a growing demand for new media.”
The
two-day event of closed door discussions will conclude with a public
pitch event on November 2nd, 2018. A dozen filmmakers will pitch
projects, including finalists of the inaugural Indie Memphis Black Filmmaker Residency in Screenwriting program, as well as the winner of the Residency, Alex Huggins.
Huggins will receive a $7500 unrestricted cash grant and a two month
residency in Memphis to work on his feature film screenplay, Mason Dixon.
“There
was an incredible range of subjects and tones among the finalists’
projects—from a coming-of-age period piece about pop culture just before
Beyoncé to a perverse comedy adventure, best described as if John
Waters were a queer woman. Ultimately the selection committee went with
Alex Huggins and his strong vision as a writer-director,” said Bale.
“But we want to see all these projects made. Our intention is that the
Forum and its pitch event will bring these new talents to the attention
of producers, funders, and future collaborators.”
The
Residency finalists were decided by Indie Memphis staff and a board
member from 106 applications, and the winner was decided by an
independent selection committee of black film professionals.
Indypendent.org: The Dream Unfinished: Music of George Walker & Tania Leon, July 27
George Walker
Tania Leon
July 25, 2018
Dream Unfinished is an
orchestra that plays to keep families together. Friday’s performance,
the last of the season, features the music of George Walker, Vijay Iyer,
Tania Leon, Kareem Roustom and Huang Ruo. Special guests include
violinist Jennifer Koh. Immigrant rights leaders from Haitian Women for
Haitian Refugees, the New Sanctuary Coalition, the New York Immigration
Coalition and DRUM (Desis Rising Up and Moving) will deliver remarks as
well.
619 Lexington Ave., Manhattan
Tuesday, July 24, 2018
Sergio Mims: Classical Source: Chineke! and Wayne Marshall at Queen Elizabeth Hall
Sergio A. Mims writes:
I've
sent you a review of the latest Chineke! Orchestra concert which took
place this past Saturday at Queen Elizabeth Hall at the Southbank Centre in
London. I was there and I can without question testify that it was a
fantastic concert and pianist Stewart Goodyear was simply brilliant.
Classical Source
Saturday, July 21, 2018 Southbank Centre, London – Queen Elizabeth Hall
Reviewed by Amanda-Jane Doran
There was an exuberant and theatrical vibe at the Queen Elizabeth Hall
for Chineke!’s most-recent outing; this time the emphasis was on jazz.
The curtain-raiser was Aaron Copland’s Music for the Theater (1924), a
zany caper in five movements and here showcasing the outstanding talents
of trumpeters Gabriel Dias and Jay Phelps, and the ensemble of eighteen
captured the rapidly changing moods of knockabout humour and pathos
with precision and swing.
***
Julian Joseph’s Carry that Sound encompasses the musical language of
symphony orchestra, big band and chamber ensemble with impressive
writing for strings and an irresistible sax trio. Rushing violins
underpin punchy melodies for clarinet and trumpet and the dramatic use
of percussion and timpani rolls brings the work to a dramatic close.
Chineke! performed with enormous verve and energy; and the Weill (Suite
from The Threepenny Opera), with its jazz and cabaret references, linked
well to what had gone before.
Brixton Blog: Brixton Chamber Orchestra Performs Samuel Coleridge-Taylor's Nonet
Samuel Coleridge-Taylor (1875-1912)
Brixton Blog [U.K.]
Alan Slingsby
22 July
The Cressingham Gardens Rotunda – one of the many things that makes the
demolition-threatened estate special – hosted a concert by the Brixton
Chamber Orchestra last night (22 July) that was a contrast to the noise
and bustle of the Lambeth Country Show a few hundred yards away.
***
Local but internationally famous Black British composer Samuel Coleridge-Taylor (1875—1912) was represented by a Nonet.
He lived in South Norwood and Croydon. In his day, he sold out the Royal Albert Hall for weeks at a time with his music-drama Hiawatha’s Wedding Feast.
Today, his music is rarely performed and few have heard of him. As
fellow South-Londoners, BCO champions his music whenever possible.
The Nonet played by the BCO was composed in 1894, while Coleridge-Taylor
was completing his studies at the Royal College of Music.
“The energy sustained throughout is astounding, and the variation in
texture across the ensemble continually reinvigoratos the sound,” says
BCO director Matthew O’Keeffe.
Times of London: Chi-chi Nwanoku's Chineke!...played two rarities with dazzling elan
Chi-chi Nwanoku
Richard Morrison
July 23, 2018
Concert review: Triple Concert at Castle Howard, Yorkshire [5 Stars]
Glynn’s ingenious vision had three ensembles performing simultaneously three times, with the audience moving between them
For me, however, the highlight came in the Long Gallery, where Chi-chi
Nwanoku’s Chineke! — here transformed into a nine-piece outfit — played
two rarities with dazzling elan.
The first was Franz Hasenöhrl’s audacious arrangement for just six instruments of Strauss’s vast orchestral tone-poem Till Eulenspiegl.
It shouldn’t work but, bizarrely, does. That was followed by the Nonet
written by the black British Victorian composer Samuel Coleridge-Taylor.
Ardent and tuneful, it loses its way occasionally, but fully deserved
this spirited resuscitation.
Ryedale Festival (ryedalefestival.com) runs to July 29
Trent Johnson Premieres Opera "Kenyatta" & Oratorio "Wittenberg" in New Jersey
Narrator Kirk Robbins, Composer Trent Johnson and Tenor Sam McKelton as The Inquisitor
Kevin Maynor and Rod Dixon, as Jomo Kenyatta and Oginga Odinga
Bass Baritone Brace Negron as Martin Luther
Kenyatta, Act 2 Scene 5
Trent Johnson writes:
Two Recent Premieres for composer Trent Johnson
Organist and composer Trent Johnson recently had
two successful premieres, his opera "Kenyatta" and his oratorio
entitled, "Wittenberg - The Story of Martin Luther."
On November 19,
2017, Trent's opera Kenyatta, commissioned by Trilogy: an Opera Company, was
premiered at the New Jersey Performing Arts Center in Newark, New Jersey. This
new work tells the story of Kenya's first president, Jomo Kenyatta, and the ensuing political conflict with vice
president Oginga Odinga. Bass Kevin Maynor sang the role of Kenyatta, while
tenor Rod Dixon sang the role of Oginga Odinga. The soloists, chorus, orchestra
and the Newark City Ballet were led by conductor Julius Williams.
Music critic, Paul Somers of Classical New Jersey
wrote, "Kenyatta is an effective presentation of history with an
orchestral score which ably supports the action. Johnson uses the standard
operatic devices of scena, orchestrally supported recitative, and big
arias."
“Bass Kevin Maynor as
Kenyatta…. conveyed the dignity and the humanity of Kenyatta, the nation's
first president, with musicality and drama.”
"Odinga was sung with great power by Chicago
based tenor Rod Dixon. His ringing tenor and immaculate diction won over the
audience very quickly. His Act II solo scene praising his pro-Soviet version of
nationalism with its climactic high C, elicited cheers from the audience."
"The "stars" of Trent Johnson's
new opera Kenyatta were for many the djembe, the African drums in the pit
played enthusiastically by Wilson Torres and Jimmy Musto, which set the tone
throughout the 3 Act evening. Their tempo and rhythms changed for each dramatic
situation, but always they reminded us that this was an African drama set in
the context of Kenya having shaken off British rule."
On March 18, 2018, Trent Johnson led the
premiere of his oratorio, "Wittenberg - The story of Martin Luther"
scored for narrator, soloists, chorus, and orchestra. This new work tells of
the German reformer's journey from monk to reformer, with the centerpiece of
the work being his famous trial in the German city of Worms.
The work featured
narrator, Kirk Robbins, bass baritone Brace Negron as Martin Luther, tenor, Sam
McKelton as the Inquisitor, the Oratorio Singers of Westfield, NJ and members
of the New Jersey Symphony Orchestra, conducted by Trent Johnson. The concert also featured works by
Mozart, Beethoven and Copland.
Subscribe to:
Posts (Atom)