Saturday, January 31, 2009

Kazem Abdullah, African American Conductor, Makes Debut at Metropolitan Opera

The Chicago classical music radio host Sergio Mims alerted us to the Metropolitan Opera debut of Kazem Abdullah. An interview with PlaybillArts.com is followed by a review from The New York Times:
PlaybillArts.com
By Robert Hilferty
27 Jan 2009 
Kazem Abdullah makes his Met Opera debut conducting Orfeo ed Euridice Jan. 28 and 31. The young maestro discusses his approach to the job, the scarcity of African-American conductors, and how his speech impediment has factored into his work. 'There’s no set course if you want to be a conductor,' says Kazem Abdullah, 29, who makes his Met debut this week in Orfeo ed Euridice. An assistant conductor there the past four seasons, he now emerges from that shady underworld, taking center pit on Wednesday and Saturday. 'I’m not nervous,' said the Indiana-born, Dayton-raised musician, whose exotic name was bestowed by his Sierra Leonean father. 'It’s going to be lots of fun.'”

Abdullah started on clarinet, excelling to the point where he could play in the New World Symphony under Michael Tilson Thomas. He had already flirted with conducting in classes at Aspen and Verbier, but decided to go the whole hog in Miami.” “'Kazem’s this calm, sunny, constructive personality in the service of rather difficult music,' said an impressed Tilson Thomas.” “Black conductors are rare— the last one in a similar position to his was Calvin Simmons, who died tragically at age 32 in 1982. And there are of course other fine conductors out there like James DePriest. But Abdullah envisions more African American interest in classical music during the hopeful Age of Obama, in a 'globalized world where more and more people have access to this art form.' He himself was ignited as a kid catching great black singers like Price, Norman and Battle on radio broadcasts and 'Live from Lincoln Center.' Abdullah is slated to conduct Scott Joplin’s Treemonisha in 2010 at the Chatelet in Paris. 'Joplin was trying to find legitimacy as a black classical composer,' he said. 'So I feel simpatico. To think this son of slaves created such a great opera about the African American experience!'”  [Full Post]  [James DePreist (b. 1936) and Scott Joplin (1868-1917) are profiled at AfriClassical.com]

NYTimes.com
Music
By Anthony Tommasini
Published: January 30, 2009
For Wednesday’s performance Ms. Blythe also seemed to inspire the conductor Kazem Abdullah, in his Met debut, who took over for James Levine. The Indiana-born Mr. Abdullah, 29, is an assistant conductor on the Met staff. Mr. Abdullah conducted a confident performance, especially during the lively dances, and was impressively responsive to the singers during their long stretches of orchestra-accompanied recitative, which must flow with a combination of urgency and flexibility.  [Full Post]

Collaborative Piano Blog: Raymond Jackson at Bethesda's Strathmore on February 10

Our friend Chris Foley of Toronto sends us a very interesting post on Raymond Jackson, a pianist who is on the faculty of Howard University:
Friday, January 30, 2009
If you're in the Washington, D.C. area in early February, you might want to take the drive out to Bethesda, Maryland on the evening of February 10 to hear an innovative program given by pianist and Howard University faculty member Raymond Jackson at Strathmore. Entitled From Beethoven to Eubie Blake: Discoveries and Connections, this lecture recital juxtaposes the music of European composers with composers of African descent. The recital will take place at 7:30pm on February 10 in The Mansion at Strathmore, 10701 Rockville Pike, North Bethesda, MD 20852. Tickets are $25. Here's the program: 'From Beethoven to Eubie Blake: Discoveries and Connections'. A Lecture Recital Featuring Works for the Keyboard by Composers of European and African* Descent.” [Full Post]

Composers of African Descent on the program are Frederick Eliot Lewis (1846- ? ); Samuel Coleridge-Taylor (1875-1912); Hall Johnson (1888-1970); and James Hubert “Eubie” Blake (1883-1993). The post ends with this comment: “I really like the way that Jackson juxtaposes these styles alongside each other, and in my experience audiences have responded highly favorably to this type of programming. Best of luck to Raymond for what looks to be a fascinating recital.”

Friday, January 30, 2009

Jean-Claude Halley: Daniel Marciano Enhanced Image of Saint-Georges With Historical Fact

[Le Chevalier de Saint-Georges; Published by the Conseil Régional de la Guadeloupe (Regional Council of Guadeloupe) (2005)]

Yesterday AfriClassical posted: “Daniel Marciano On Discovery of Death Report of Le Chevalier de Saint-Georges”. Monsieur Marciano is a former professor at the University of Franche-Comté in Besançon, France. Today Jean-Claude Halley of Guadeloupe has contributed a comment in French.  It can be found on the blog, just below yesterday's post.  Our English translation follows:

This article published on the website of Bill Zick in the USA is not surprising. It brought to mind Daniel Marciano's constant attitude of enhancing the image of Le Chevalier de Saint-Georges, while rigorously adhering to historical fact. I still recall with emotion the first exchanges between Besançon and Guadeloupe and the words of Daniel's invaluable writings. Subsequently, the sequence of events and the findings of researchers showed the qualities of that rare Chevalier enthusiast. Daniel collaborated with spontaneity and efficiency in the little children's book published by Guadeloupe, and always responded positively to all requests. Jean-Claude HALLEY”

Montclaire String Quartet & Pennsylvania Sinfonia Play Music of William Grant Still Jan. 31

[Africa: Piano Music of William Grant Still; Denver Oldham, piano; Koch 3 7084 2H1 (1991)]

The music of the African American composer William Grant Still (1895-1978), who is profiled at AfriClassical.com, will be heard at two performances on Saturday, January 31, 2009. The ensembles will be the Montclaire String Quartet and the Pennsylvania Sinfonia Orchestra:

WVSymphony.blogspot.com/
“On Saturday night (January 31), Kanawha United Presbyterian Church will be the site of the Montclaire String Quartet's second subscription concert. Beginning at 8 p.m., the group will present an array of works by American composers including Charleston-born George Crumb.” “The remainder of the concert will feature other works by American composers including Darol Anger, Zhou Long, Scott Lindroth, Ljova and William Grant Still.”

By SUSAN KALAN
The Express-Times
“It's a new collaborative event -- one that's sure to create quite a 'Clash' in the community. It's a gospel choir competition where the audience will have a say in Saturday's 'Faith! -- A “Clash” of the Valley Choirs' at Allentown Symphony Hall. The event is being presented as a kickoff to Black History Month by the Pennsylvania Sinfonia Orchestra in cooperation with various community organizations. Sinfonia conductor Allan Birney says the event will include music by black composers William Grant Still and Mary Howe.” “Birney says the Sinfonia will be performing works by Still and Howe for the first time. 'It's been interesting getting to know about these pieces,' he says. 'I've been doing a fair amount of listening in deciding what to do and have happily come to terms.' The word is 'lyrical,' he explains, with performances of Howe's 'Sand' and 'Stars,' and Still's 'Serenade' and 'Mother and Child.'” Geoff Gehman of The Morning Call adds: “Throughout the evening the Pennsylvania Sinfonia Orchestra plays pieces by two prominent African-American composers: William Grant Still (1895-1978), who wrote symphonies and arranged music for blues master W.C. Handy, and Mary Howe (1882-1964), who wrote symphonic poems and co-founded the National Symphony Orchestra.”






Thursday, January 29, 2009

Daniel Marciano On Discovery of Death Report of Le Chevalier de Saint-Georges

[Le chevalier de Saint-Georges, le fils de Noémie (Le Chevalier de Saint-Georges, Noémie's Son);
Daniel Marciano; Thespis (2005)]

On January 15, 2009 AfriClassical posted “Biographer Pierre Bardin Discovers Death Report of Le Chevalier de Saint-Georges (1745-1799)” Daniel Marciano is a Professor Emeritus at l'Université de Franche-Comté at Besançon, France. Prof. Marciano kindly translated the death report and the accompanying remarks of Pierre Bardin. He is an author of an historical novel and plays, and maintains a website on Le Chevalier de Saint-Georges in French. At the invitation of Jean-Claude Halley of the blog Guadeloupe Attitude, Daniel Marciano gives his opinion of the historical significance of the discovery:

J.C. Halley invited me to react to P. Bardin’s latest discovery and among other things I wrote: When dealing with fiction, turning a character into a victim on purpose is a dramatic process in order that the reader may feel sorry for such a beautiful soul, alone at the end of his life, forgotten by all after his death. However, biographical rigor forbids one to state anything which was not corroborated by reliable archive documents.

Personally I pitied St-G in my novel as I was working towards a movie but most biographers put a wrong emphasis on St-G suffering from discrimination, unable to found a family, giving the impression at times that his life was a constant ordeal. In fact on the whole he led an enviable life, conducted the best orchestras of the XVIIIth century, was admired by the ladies of the court and was the friend of Kings and Princes. I inserted a long comment on this point in my web site called Victimisation et Oubli [Victimized and Forgotten]. The last document P. Bardin discovered is precious inasmuch as his discovery shows that the most eminent representatives of the fencing community admired him, and grieved for St-G’s death. People were close to him when he died.”






ArtZone.co.za: Cape Town City Ballet to dance in the Caribbean

[Cape Town City Ballet]

“South Africa's Premier ballet company has been invited to dance in Martinique. Professor Elizabeth Triegaardt, Executive Director of the Cape Town City Ballet (CTCB) is pleased to announce that the company has been invited to participate in an exciting cultural collaboration arranged by the Paris-based Foundation Sphere, on the French island of Martinique in the Caribbean. The invitation was initiated by Keith Mackintosh, Artistic Co-ordinator for CTCB, through the Monte Carlo based producer Patricia Panton. It will involve some of CTCB's dancers performing in the Scott Joplin opera called Treemonisha. Performances take place in the Atrium in Fort de France, the capital of Martinique, in early March.

“Triegaardt is delighted that this invitation comes in the company’s 75th anniversary year, as it continues the tradition of the company performing on the international stage. In recent years the CTCB has performed in China and Ireland and individual guest dancers have been invited to perform with companies and festivals in America, Hong Kong and Zimbabwe. The group, headed by Mackintosh, will include six dancers namely Celeste George, Noluyanda Mqulwana, Wendy – Lee Michaels, Manie Irving, Xola Putye and Warren May, together with Artistic Director Robin van Wyk who will oversee the choreographic aspect. The group leaves for Martinique, via Paris, directly after their three performances of La Sylphide at the Masque Theatre in Muizenberg in February.” [Full Post]

Adams, Still & Tamusuza Heard at University of Louisiana Monroe Concert



[Top: Justinian Tamusuza; Middle: William Grant Still (Photo is the sole property of William Grant Still Music, and is used with permission.); Bottom: H. Leslie Adams] 

AfriClassical was pleased to learn that a Black History Month Concert at the University of Louisiana at Monroe will honor African American composers H. Leslie Adams, William Grant Still, John Work and Eugene Hancock, along with Ugandan composer Justinian Tamusuza (b. 1951), who has been in touch with us by E-mail:

Concert commemorates February’s Black History Month at ULM
News-Star news services • January 28, 2009 
The University of Louisiana at Monroe’s Division of Music will commemorate Black History Month with a special concert of inspiring music and texts by African-American composers and writers, starting at 7:30 p.m., Feb. 3, in the Emy-Lou Biedenharn Recital Hall. ULM vocal faculty Susan Olson and Louis Nabors, and Visual and Performing Arts Associate Dean Matthew James, with voice performance graduate student Bianca Jackson, will sing inspirational pieces by H. Leslie Adams, William Grant Still, John Work, and Eugene Hancock. Coralie White, ULM piano faculty, will assist. James Boldin, French Horn, will play the music of Justinian Tamusuza, while William Grant Still is the composer of a piece performed by Scot Humes, Alto saxophone.” [Full Post] [H. Leslie Adams (b. 1932) and William Grant Still (1895-1978) are profiled at AfriClassical.com





Wednesday, January 28, 2009

JazzLives on Composer James P. Johnson: “'CALL 1-800-STRIDE' RIGHT AWAY!”

[Victory Stride: The Symphonic Music of James P. Johnson; The Concordia Orchestra; Marin Alsop, Conductor; Music Masters 67140 (1994)]

January 28, 2009
“What’s all this? Scott E. Brown wrote a wonderful book about our man James P. Johnson, A Case of Mistaken Identity: The Life and Music of James P. Johnson (Scarecrow Press, 1986). Johnson, as many of you will know, taught Fats Waller, composed 'Charleston,' 'Runnin’ Wild,' 'If I Could Be With You One Hour Tonight,' 'Mule Walk,' and many others. To my ears, he is the most satisfying of the great Stride players. But he also wrote longer works, including an opera, DE ORGANIZER, with libretto by Langston Hughes — 'Third Stream' works bridging jazz and classical music. His more ambitious compositions received insufficient notice, and he may well have died a disappointed man. Scott is up here in New York for a few days to do research at the New York Public Library, and he is looking for people who saw James P. play. That’s not an impossibility: James P. was at the keyboard in 1950 and perhaps beyond. If you have any information for Scott (a pile of acetates in the kitchen cabinet, perhaps) email him at jpjstride@aol.com, or call him at 443-528-1444 (cell).” [Full Post]

Prof. Dominique-René de Lerma of Lawrence University in Wisconsin explains the origin of Johnson's best-known and underappreciated classical work Yamekraw: A Negro Rhapsody, “Written in celebration of a black community on the outskirts of Savannah, Yamekraw: A Negro Rhapsody (1927) was first performed by Fats Waller in a Carnegie Hall concert organized by William C. Handy. It seems most likely that Johnson's relative inexperience in orchestral writing prompted him to ask William Grant Still to rework the score in 1928.” Dr. De Lerma adds: “His first stroke in 1940 did not prevent him from presenting a concert of his own works at Carnegie Hall in 1944, but a much more serious stroke occurred in 1951, confining him to bed until his death.” James Price Johnson (1894-1955) was born on Feb. 1 and is profiled at AfriClassical.com

'Scraps From The Operas' by African American Composer Justin Holland Recorded in MP3 Format

[Scraps From The Operas Arranged For Two Guitars By Justin Holland © 2009 Donald Sauter (884502007442)]

Donald Sauter sends news of an MP3 recording of opera arrangements by Justin Holland (1819-1887), an African American composer, guitarist and teacher who is considered the first African American professional in Cleveland, and is profiled at AfriClassical.com
http://cdbaby.com/cd/jhguitarduo

"Justin Holland was born to free black parents in Norfolk County, Virginia on July 26, 1819," Barbara Clemenson writes in her article Justin Holland: Black Guitarist in the Western Reserve. Guitarist Douglas Back has made a recording which includes five works of the composer, American Pioneers of the Classic Guitar, Mento Music Press SMM 3023 (1994). It can be ordered at his website, http://www.DouglasBack.com Back writes that Justin Holland made his name known in his lifetime to amateur guitarists across the country: “Although Holland seldom performed in public, he developed a national reputation as a composer and arranger for the guitar. To the average amateur guitarist of the day, his numerous arrangements made his a household name. Of his approximately 350 published works for the guitar, which include two acclaimed methods, only about one-third are extant.”






Innovate2Uplift.net: 'Raisin' the Buzz: At the table with Aaron Dworkin'

Posted by Sidney on January 28, 2009
"Violinist Aaron Dworkin is on unique double mission - to enrich the classical music art form with diverse interpretation, fresh creativity, and artistic excellence and to use classical music education to improve the quality of life for young African Americans and Latinos. He lives this mission as the President and CEO of the Sphinx Organization, a non-profit he founded in 1996. I recently sat down with him to get to know more about him, his work, and his approach to changing our world for the good of all. After reading this interview, please show Aaron Dworkin and the Sphinx Organization some love by offering comments, viewing the Sphinx promotional video, and/or giving support for the impact they are achieving.

"Q: Why did you start The Sphinx Organization?
Dworkin: As a young person, I often found myself to be the only one or one of less than a handful of musicians of color. As a student at the Interlochen Arts Academy, and later, the University of Michigan, in various orchestras and as an audience member, I began to question why this was the case. I decided to do something about it by launching a national competition for young black and Latino string players to address the under representation of these groups in classical music."  [Full Post]  [Aaron P. Dworkin (b. 1970), is profiled at AfriClassical.com]

Tuesday, January 27, 2009

Celso Machado, Afro-Brazilian Classical Guitarist & Composer Born in Brazil Jan. 27, 1953

Celso Machado is an Afro-Brazilian composer, guitarist, lyricist and singer who was born in Ribeiro Preto, Brazil on January 27, 1953. He is profiled at AfriClassical.com and has a website of his own, http://www.CelsoMachado.com The works he writes and performs are played by guitarists in both classical and world music genres. At age seven Celso began performing in street bands. He first performed in Canada in 1986; he moved there three years later. His many CDs consist of music composed by himself and others. Machado has composed sound tracks for several documentary films. His score for the film In the Company of Fear won a Leo Award in 2000 in Canada. Publication of Machado's sheet music has resulted in many performances by other guitarists. The French firm Éditions Henry Lemoine has published a volume of his music whose title translates to Brazilian Popular Music for Flute and Guitar.

On Nov. 24, 2008 AfriClassical reported: “'Jogo da Vida' Makes Celso Machado World Solo Artist in 2008 Canadian Folk Music Awards”. Earlier we wrote “CoastReporter.net has published an overview of the globe-trotting guitarist's career on November 14, 2008: 'On top of the world music: Celso Machado' by Jan DeGrass, Arts and Entertainment Writer, Reporter. The article reports that the nomination of Jogo da Vida is the fourth honor he has received in 2008."   The current repertoire of the Zagreb Guitar Quartet includes two works of Celso Machado, Danças Populares Brasileiras (Brazilian Popular Dances) and Folguedo. The Quartet is scheduled to play Folguedo on February 2, 2009 at the American University of Sharjah in Dubai, United Arab Emirates. 

Monday, January 26, 2009

At Juilliard, Ritz Chamber Players Play Alvin Singleton, Jonathan Bailey Holland & George Walker



[Top: George Walker: Orchestral Works; Cleveland Chamber Symphony; Edwin London, Conductor; Albany Records 270 (1998). Center: Jonathan Bailey Holland. Bottom: Alvin Singleton] 

THE JUILLIARD SCHOOL presents
February 13 at 6 p.m.
Formed in 2002 by artistic director and clarinetist Terrance Patterson, the Ritz Chamber Players are the first chamber music ensemble in the U.S. made up exclusively of musicians spanning the African diaspora. In addition to performing the classical repertoire, the group highlights works by contemporary African American composers. The Players have performed at prestigious music venues around the country; they made their international radio debut with the BBC in 2005 and appeared on national television as performers at the 37th Annual NAACP Image Awards in 2006. This concert includes works by African American composers Alvin Singleton, Jonathan Bailey Holland and George Walker.

The Juilliard School, Morse Hall, 165 West 65th Street. FREE ADMISSION; no tickets required. For more information: http://www.juilliard.edu [George Walker (b. 1922) is profiled at AfriClassical.com, where one can find a Works List and Bibliography compiled by Dr. Dominique-René de Lerma, Professor of Music, Lawrence University, Appleton, Wisconsin.]






Lincoln Center Series 'exploring contributions of African-American artists to New York City Opera'

[Canvas rendering of the Troubled Island mural created by Noni Olabisi on the William Grant Still Art Center in Los Angeles. All rights reserved by the artist.]

Lincoln Center for the Performing Arts will mark Black History Month 2009 and celebrate the contributions of African-Americans to the arts with a variety of programs. For the complete listing, visit http://www.LincolnCenter.org
New York City Opera in collaboration with the Schomburg Center for Research in Black Culture presents A three-part series exploring contributions of American-American artists to New York City Opera.
January 28 at 7 p.m.
I’m on My Way”: Black History at City Opera
City Opera partners with Harlem’s Opera Noire to spotlight the company’s proud history of nurturing African-American artists and works. The evening features live performances of excerpts from Anthony Davis’s The Life and Times of Malcolm X, Leroy Jenkins’s The Mother of Three Sons, Kurt Weill’s Lost in the Stars, and Richard Danielpour and Toni Morrison’s Margaret Garner, as well as historical slides and recordings and commentary.
February 11 at 7 p.m.
One Fine Day”: A Tribute to Camilla Williams
The trailblazing soprano Camilla Williams made her debut at City Opera in 1946, becoming the first African-American female singer to perform in a major American opera house. This special evening celebrate Miss Williams, a distinguished singing teacher and a favorite artist of Dr. Martin Luther King Jr. The 88-year-old diva will offer warm and witty observations on her illustrious career and memorable life. The tribute includes audio and video clips, spoken and sung tributes, and the world premiere of a film specially created for this occasion by musician and filmmaker Richard Glazier.
March 31 at 7 p.m.
Troubled Island”: 60th Anniversary Celebration
First performed at City Opera on March 31, 1949 William Grant Still’s Troubled Island, about the 1791 rebellion by Haitian slaves, (the libretto was by poet Langston Hughes), was the first work by an African-American composer to be presented by a major American opera company; it was also the first world premiere ever presented by City Opera. Soloists from Harlem’s Opera Noire will offer a condensed concert performance of this American masterwork.
All events take place at the Schomburg Center for Research in Black Culture, 515 Malcolm X Boulevard. Tickets for each evening: $10; Call 212-491-2206 or go to: http://www.telecharge.com.
[William Grant Still (1895-1978) is profiled at AfriClassical.com]







National Public Radio: 'Boys Choir Of Kenya Gets Recording Contract'; Audio Excerpts Heard

[Boys Choir of Kenya: Amerika Jambo; J. Muyale Inzai, Director; AMP Records AGCD 2085]

Yesterday AfriClassical posted: “African Musical Arts, Inc.: 'Obama's Kenyan choir signs deal'”. Today on Morning Edition, National Public Radio's senior national correspondent, Linda Wertheimer, gave a succinct account of the recording deal between the Boys Choir of Kenya and Universal Music, one of the “Big Four” firms in the global market for recorded music. Several brief excerpts of the Choir's singing can be heard in the story, which is 1 minute and 18 seconds long:

National Public Radio
Morning Edition
“January 26, 2009 · The Boys Choir of Kenya flew to Washington last week to perform at inauguration ceremonies honoring Barack Obama's Kenyan heritage. On the way home, while at London's Heathrow Airport, a music executive presented the group with a contract.” [The CD Boys Choir of Kenya: Amerika Jambo is available at http://www.africanchorus.org/

Sunday, January 25, 2009

Detroit Free Press: 'Former winner Elena Urioste to solo at Sphinx competition'

[Elena Urioste]

BY MARK STRYKER • FREE PRESS MUSIC WRITER • January 25, 2009
At 22, violinist Elena Urioste is still studying at the Juilliard School, but she's on a fast track. With professional management behind her, she has embarked on a solo career. This week Urioste returns to Detroit for the 12th annual Sphinx Competition for young African-American and Latino string players, the launching pad for her success. Urioste won the Sphinx junior division in 2003 and the senior division in 2007. At this year's event, she'll team up with another former Sphinx winner, Melissa White, at next Sunday's Finals Concert. The pair will perform part of Prokofiev's Sonata for Two Violins. The Sphinx competition, founded by MacArthur fellow Aaron Dworkin, has become a signature national event for its efforts to promote minorities in classical music. The competition doles out more than $100,000 annually in prizes, scholarships and performance opportunities. [Full Post] [The Founder/President of The Sphinx Organization is violinist Aaron P. Dworkin, who is profiled as a Musician of African Descent at AfriClassical.com]

New Blog Devoted to Music of William Grant Still

[Symphony No. 1 (Afro-American) (24:10); William Grant Still; Detroit Symphony Orchestra; Neeme Järvi, Conductor; Chandos 9154 (1993)] 

A blogger named Marlene launched a blog in January 2009 on the music of the African American composer William Grant Still (1895-1978). Its title is Still, William Grant” Several recordings have been reviewed, including the Chandos CD of the composer's most famous symphony, his Symphony No. 1 (Afro-American). As others have noted, William Grant Still is an All-American composer who wrote for radio, television programs and films, and composed the theme for the 1939 New York World's Fair. His classical compositions have been compiled by Dr. Dominique-René de Lerma, who has generously made the Works List available to AfriClassical.com, a website at which William Grant Still is profiled in detail. An excellent source of his sheet music and recordings is William Grant Still Music, operated by the composer's daughter, Judith Anne Still. Today's post follows:

Sunday, January 25, 2009
Still: Symphony No. 1; Ellington: Suite form “The River” Manufacturer: Chandos
Number Of Discs: 1
William Grant Still composed a large body of excellent music that deserves the widest possible circulation. He merged his mastery of the jazz vernacular with classical forms learned at Wilberforce and Oberlin. Even while studying later with an iconoclast like Edgar Varese, Still sought to extend the historical focus of the Harlem Renaissance into his compositions, injecting the "Afro-American" symphony especially with folk-inspired touches of impressionism and neo-Romanticism. The work seeks a broad sweep and bears resemblances to Gershwin and Ellington in the mix of pop and swing elements into the symphonic language. The coupling is a fitting one, in part because Ellington struggled for years to create a large-scale work that could indeed be considered rightfully "orchestral" outside his own big band's works. The Suite from the River is an ideal revelation, taking Ellington's sectionally orchestral thinking (where the orchestra was a conglomerate of different sections playing off each other) to levels that reach Still's well-schooled use of the symphony orchestra as a vehicle. Neeme Järvi does a fine job leading the Detroit Symphony Orchestra in rendering these two unlikely but deserving works. --Andrew Bartlett (Posted by Marlene)

African Musical Arts, Inc.: 'Obama's Kenyan choir signs deal'


[Boys Choir of Kenya; Director Joseph Muyale Inzai signed the contract at Heathrow Airport]

Dr. Fred Onovwerosuoke of African Musical Arts, Inc. sends us this press release:
An African youth choir has been signed by Universal Music after performing at President Barack Obama's inauguration celebrations in the US. The Boys Choir of Kenya signed the deal in the transit lounge at London's Heathrow Airport as they returned home to Nairobi from Washington DC. They were the only international choir to sing at the inauguration. The choir, who are aged between 13 and 24, put on an impromptu performance for passengers before flying on to Kenya. They have toured the US several times, and their performances have raised school fees for their members, as well as helping them take on several orphans. Artistic director Joseph Muyale said: "We heard about the record deal about two days ago. I felt delighted on behalf of the boys. "We began from humble beginnings and to be recognised by a large recording company is so humbling and quite an honour. We just thank God." Universal Classics A&R representative Tom Lewis signed the contract at Heathrow Airport's Terminal 4.

He only saw the choir for the first time at the weekend, after a colleague advised him to watch a clip of them online. Lewis said: "It has been frantic. I didn't know how I was going to get to see the choir - they're not allowed to leave the airport because they're in transit. "At one point, I even considered buying a ticket so I could join them. But we've been allowed into the departures lounge." He added: "I went onto YouTube and I saw their CNN performance and I thought, 'Wow - I do not want anyone else working with them.'" The Boys Choir was formed in Nairobi in 1998 but expanded to members from outside the Kenyan capital in 2004.  They now have 40 singers.They were asked to sing at several events surrounding the inauguration of President Obama, whose father came from Kenya - although he never managed to see them perform. The choir's repertoire includes a wide-ranging number of pieces from traditional Masaai and Samburu chants to contemporary songs from around Africa. They will now share a label with the likes of Amy Winehouse, U2 and The Rolling Stones. 






Saturday, January 24, 2009

The Lydian Singers Display 400 Photos of 'Hiawatha's Wedding Feast' of Samuel Coleridge-Taylor


[Photos © TriniView.com]

On Saturday, October 4, 2008 AfriClassical posted a review of the presentation in Trinidad and Tobago of a work of the Afro-British composer Samuel Coleridge-Taylor (1875-1912): “Newsday: Lydians Present Samuel Coleridge-Taylor's 'Hiawatha's Wedding Feast'”. It opened:THE STAGE of Queen’s Hall was transformed into a Native American Village as the Lydians with Steel, presented Scenes from the Song of Hiawatha, a trilogy composed by Samuel Coleridge-Taylor.” 

Today AfriClassical received an E-mail from Jan of The Lydians, with links to 404 striking and dramatic color photos, © TriniView.com: “Greetings from the Lydians! Dear Mr. Zick, Here are some of the pictures from the Launch of the Opera!
And here are some photos taken at our 6 night performance of 'Scenes from the Song of Hiawatha!'
Sincerely, The Lydians Visit us at our website: http://www.thelydianstt.com” AfriClassical is grateful to The Lydians for this photographic record.  Samuel Coleridge-Taylor is profiled at AfriClassical.com

Trumpeter Wilmer Wise Performs Works of Hale Smith & Ulysses Kay at Black History Concert

[African American Trumpeter Wilmer Wise; Photo from website of The Jazz Museum in Harlem]

Wilmer Wise is an African American trumpeter with a distinguished career spanning many decades. He recently made this comment at the discussion forum TrumpetMaster.com, where he is Artist-in-Residence: “Black History Concert, I am playing a concert on February 21 that may interest some of you NYC people. I am playing works by Hale Smith, Jimmy Owens, Ulysses Kay and other composers. There will some discussion about my history. There is limited seating..........act fast. Here's a link-Upcoming Events at Flatbush-Tompkins Wilmer”

Flatbush-Tompkins Congregational Church is located at 424 East 19th Street, Brooklyn, NY 11226 Telephone (718) 282-5353 Fax (718) 940-0988 Email: info@ftcchurch.net The website of the church announces: “Black History Month Celebration, Saturday, February 21, 2009 at 7:00 pm Ticket Cost: Adults $20, Children $10 Special Performances by Tenor Jason Brown and Trumpeter Wilmer Wise” [Hale Smith (b. 1925) and Ulysses S. Kay (1917-1995) are profiled at AfriClassical.com Works Lists and Bibliographies have been compiled for both composers by Dr. Dominique-René de Lerma, Professor of Music, Lawrence University, Appleton, Wisconsin. Prof. De Lerma has generously made them available for use at the website.]






Friday, January 23, 2009

Ritz Chamber Players Perform 'Songs for Soprano and Piano' of George Walker Jan. 28, 2009

[Photo Courtesy of George Walker (b. 1922)]

Ritz Chamber Players
Jacksonville, Florida
Terrance Patterson, Artistic Director
George Walker, Composer-in-Residence
Opening Concert
Wednesday, January 28, 2009, 7:30 p.m.
In Remembrance of the Dream
The 7
th Annual Humanitarian Award and Concert
Honoree: The Honorable Henry Lee Adams, Jr.,
United States District Judge for the Middle District of Florida
Ludwig van Beethoven String Trios, Op. 9 No. 1 in G Major
George Walker Songs for Soprano and Piano
The Bereaved Maid, text by Anonymous
I Went to Heaven, text by Emily Dickinson
I got a letter from Jesus text by Anonymous
Sweet, Let Me Go, text by Anonymous
Anthony Davis In This House of Blues
Schumann Piano Quartet in E-flat major, Op. 47

Founded in 2002 by Artistic Director and clarinetist Terrance Patterson, the Ritz Chamber Players perform chamber works from the traditional European repertoire, as well as highlight works by contemporary African American composers. Composer-in-Residence George Walker is profiled at AfriClassical.com






Four Works of Scott Joplin Heard in the Film 'The Curious Case of Benjamin Button'

[The Curious Case of Benjamin Button; Paramount (2009)]

The African American composer Scott Joplin (1868-1917) is the author of four soundtracks in The Curious Case of Benjamin Button, the film which has received 13 nominations for the 81st annual Oscar Awards. A 2-CD set of the soundtracks is already on sale:
Filmmakers dogged pursuits earn Oscar's attention
by John Horn
January 23, 2009
Thursday's nominations for the 81st annual Oscars brought a leading 13 nominations to 'Benjamin Button,' while 'Slumdog Millionaire' collected 10 nominations, with each shortlisted for best picture, director and adapted screenplay.”

IMDB.com reports that the soundtracks for The Curious Case of Benjamin Button include four composed by Scott Joplin: Country Club, Elite Syncopations, The Chrysanthemum and Bethena (A Concert Waltz). All but Bethena are performed by Joplin himself, according to the credits. Joplin's creative range is wider than many people realize, as evidenced by tomorrow's opening of Scott Joplin and Treemonisha, a production of Opera Memphis.  Scott Joplin is profiled at AfriClassical.com






Wednesday, January 21, 2009

Prince George's Philharmonic Plays 'Ballade in A Minor, Op. 33' of Samuel Coleridge-Taylor Feb. 7

[Samuel Coleridge-Taylor; Chicago Sinfonietta; Paul Freeman; Cedille 90000 055 (2000)]

Maestro Charles Ellis left this post in the Guest Book at AfriClassical.com on Wednesday, 1/21/09, 7:34 AM: “Just a note to make you aware that I will be conducting the Ballade in A minor with the Prince George's Philharmonic in concert on Feb 7, 2009 at Prince George's Community College in Largo, Maryland. Anyone interested in hearing Coleridge-Taylor's early masterpiece may consult our website for ticket information. Charles Ellis, Music Director, Prince George's Philharmonic, http://pgphilharmonic.org/

Charles Ellis, Conductor - Thomas Pandolfi, Piano

  • Wagner...............................Overture to Rienzi

  • Paderewski.........................Piano Concerto in A Minor, Op. 17

  • Coleridge-Taylor..................Ballade in A Minor, Op. 33

  • Schubert.............................Sym. No. 8 in B Minor, D. 759 'Unfinished'

Venue: Prince George's Community College
General Admission: $20, Seniors: $18, Age 18 and under free (ticket required). Tickets go on sale the night of the concert beginning at 7 pm, cash or check only. Tickets can be purchased in advance, by check. All seating is unreserved. Free Parking.”

Excerpt from Samuel Coleridge-Taylor (1875-1912) Page at AfriClassical.com:
Coleridge-Taylor rose to prominence in 1898, the year he turned 23, on the strength of two works. The first was his Ballade in A Minor. It was commissioned for the prestigious annual Three Choirs Festival at the suggestion of the British composer Edward Elgar (1857-1934). The piece was a critical and popular success.”

Detroit Symphony Orchestra Hosts Sphinx Finals Concert February 1 at 2 PM; Tickets Only $12

[Clayton Penrose-Whitmore - 1st Place Laureate 2008]

The 12th annual Sphinx Competition for young Black & Latino string players presented by Chase invites string musicians under the age of 27 to apply for one of the most prestigious competitions nationwide. The first place Senior and Junior Division winners will receive opportunities to appear as soloists with the New York Philharmonic, Detroit, Atlanta, Boston, Baltimore, Cleveland, Seattle and Puerto Rico Symphonies, as well as other major orchestras around the country.

The Finals Concert for Senior Division Finalists hosted by the Detroit Symphony Orchestra, features the three Senior Division Laureates competing for final placement (1st, 2nd or 3rd place).  This concert takes place on Sunday, February 1 at 2:00 p.m. at The Max M. Fisher Music Center in Detroit, MI. Tickets only $12! Group discount available. Purchase by phone at 313-576-5111 or visit http://www.detroitsymphony.com/  Detroit native Damon Gupton conducts the all Black and Latino Sphinx Symphony Orchestra.  Guest artists include Melissa White and Elena Urioste, past winners of the competition. The Founder/President of The Sphinx Organization is Aaron P. Dworkin (b. 1970), a violinist who is profiled as an outstanding Musician of African Descent at AfriClassical.com 






Tuesday, January 20, 2009

Nyaho/Garcia Piano Duo Begins Tour With Works of Onovwerosuoke & Walker in Louisiana Feb. 4

[Dr. William Chapman Nyaho & Susanna Garcia of the Nyaho/Garcia Duo]

TheAdvertiser.com/
January 20, 2009
“Duo-pianists William Chapman Nyaho and Susanna Garcia will begin their four-state tour at 7:30 p.m. Feb. 4 in the Ducrest-Gilfrey Auditorium of Angelle Hall on the University of Louisiana Lafayette campus. The duo will perform a work written for them by Nigerian composer Fred Onovwerosuoke.  The program will also feature other works by composers of the African Diaspora and Latin American composers. Other composers whose works will be performed are New Orleans jazz artist Alvin Batitste and Lafayette’s Jonathan Kulp. Guest artist Eric Taylor will join them in a performance of George Walker’s 'Five Fancies for Clarinet and Piano.' Tickets are $10 for adults, $5 for students; and free for UL students, faculty and staff. Information: 482-6016.” 

The Nyaho/Garcia Duo is committed to performing music of composers of African or Hispanic heritage, as well works of contemporary, American and women composers. The Duo has a recording to its credit as well: Aaron Copland: Music for Two Pianos, Centaur 2405 (1998).  [William Chapman Nyaho and George Walker are profiled at AfriClassical.com]

Grand Rapids Symphony Double Bassist Joseph Conyers Joins Atlanta Symphony

On March 25, 2008 AfriClassical posted an item about a bassist in Michigan's Grand Rapids Symphony: “Joseph Conyers, a Bassist '...who plays with authenticity that transcends mere technique.'” We were happy to read about him yesterday:
By Pierre Ruhe
The Atlanta Journal-Constitution
Monday, January 19, 2009
As the nation takes an unprecedented step toward Martin Luther King Jr.’s dream with racial integration at the White House, the Atlanta Symphony continues to take its own, smaller steps toward that goal. The 17th annual 'A King Celebration' concert —- performed Thursday in Morehouse College’s King International Chapel and broadcast nationally today to an estimated audience of 2.5 million —- celebrated the life and legacy of the civil rights leader.

Yet the significant news onstage came without mention. The orchestra has just hired its second African-American musician, a double bassist named Joseph Conyers. A Savannah native, not yet 30, he comes to the ASO from an orchestra in Michigan. As a section bassist, Conyers’ job here will be to blend in with his colleagues —- even as his presence suggests that, yes, the situation can get better, and likely sooner rather than later. (Unlike political campaigns, orchestras are more or less meritocracies, where candidates audition initially behind a screen.)”

Ulysses Kay’s 1953 'A Lincoln Letter' is a brief, poignant setting of words the president sent a widow who had lost five sons in the Civil War. Morehouse Glee Club director David Morrow coaxed lovely sounds from his a cappella choirs. Morehouse professor Uzee Brown, a bass, sang the solo lines with gravitas. Brown also arranged the evening’s encore: a stirring version of 'We Shall Overcome.'” [Ulysses S. Kay (1917-1995) is profiled at AfriClassical.com]






Johannesburg Philharmonic Orchestra Performs Mzilikazi Khumalo's Opera 'Princess Magogo'

[J.S. Mzilikazi Khumalo (b. 1932)]

Joburg.org.za/
City of Johannesburg > News Update
Written by Thabiso Mphelo
Tuesday, 20 January 2009
From farce to opera, with the internationally acclaimed South African work, Princess Magogo, on at the theatre from 26 April to 10 May. Composed by Mzilikazi Khumalo, the opera pays tribute to the rich musical life and key moments of the late Zulu Princess Magogo ka Dinuzulu, the mother of the prince and politician Mangosuthu Buthelezi. It includes her original compositions and the tale of how she gave up true love for an arranged marriage.

Operatic talent from the Black Tie Ensemble, Tina Mene and Thembisile Twala will alternate in the role of Princess Magogo. Director Themi Venturas teams up with acclaimed artist Andrew Verster on set and costume design, Shembe dancers and the Johannesburg Philharmonic Orchestra. Princess Magogo is at the Nelson Mandela Theatre at 8pm Thursdays and Fridays, and at 3 pm on Sundays. Tickets range from R90 excluding booking fees. [J. S. Mzilikazi Khumalo (b. 1932), South African Composer, Arranger & Choral Director, is profiled at AfriClassical.com

Monday, January 19, 2009

'Around The Neck' by Chad Becks Links to African American Guitarist Justin Holland's Page at AfriClassical.com

[Justin Holland; Photo Courtesy Douglas Back]

Around The Neck
Since we celebrate all that Martin Luther King Jr. did today, I thought we would look at a very unknown African American guitarist named Justin Holland. He was a revolutionary way ahead of his time. He lived from 1819 to 1887. Douglas Back writes in the liner notes of his recording American Pioneers of the Classic Guitar:

More than just a successful musician, Holland was also a dedicated humanitarian who worked all his life to promote and advance the causes of his race. Adopting the principles that education and assimilation were the best methods of overcoming racial barriers and prejudices, he immersed himself in the Eurocentric middle class culture of the day.

More information can be found on Justin Holland at: http://chevalierdesaintgeorges.homestead.com/holland.html

BlackPast.org, Online Reference Guide to African American History, Adds Barack Obama Page

Dr. Quintard Taylor is Professor of American History at the University of Washington, Seattle. He is also Founder and Website Director of BlackPast.org, a nonprofit organization staffed by numerous academics who volunteer their services. This collection of resources is useful to teachers and students throughout the school year, but has particular relevance to the observance of Black History Month. Several entries were written by us, including Black Composers and Musicians in Classical Music History.  Prof. Taylor sends this news today: “I wanted you to know that BlackPast.org (http://www.blackpast.org) has just established a Barack Obama Page which brings together in one central location all links to information on (and off) the website related to our new President. Click the Barack Obama Page button in the upper left corner of the BlackPast.org opening page for access to the Barack Obama Page.”

Here is an excerpt from the website: “BlackPast.org, an online reference center, makes available a wealth of materials on African American history in one central location on the Internet. These materials include an online encyclopedia of over 1,500 entries, the complete transcript of over 125 speeches given between 1789 and 2008, over 100 full text primary documents, bibliographies, timelines and four gateway pages with links to 50 digital archive collections. Additionally 75 major African American museums and research centers and over 400 other website resources on black history are also linked to the website.” 






Sunday, January 18, 2009

Alabama Symphony Performs African American Chamber Music on Inauguration Day 2009

[George Walker (b. 1922) is an African American composer who was born in Washington, D.C.]

The Alabama Symphony will perform a program of chamber music by African American composers on the same day President Barack Obama is inaugurated:
Concertmaster & Friends
Daniel Szasz, Violin
Anthony Pattin, Piano
January 20, 2009 - 7:30 PM
William Grant Still: Suite for violin and piano
George Walker: Sonata No. 1 for violin and piano
William Grant Still: Six Pieces for violin and piano
Scott Joplin: The Entertainer
Duke Ellington: Sophisticated Lady
David Baker: Blues (Deliver My Soul)
Arr. Heifetz: Deep River
Arr. Barrie Carson Turner: Down By the Riverside
Traditional: Sometimes I Feel Like a Motherless Child
Edwin Robertson: Saints Fantasy for violin and piano
[Duke Ellington, Scott Joplin, William Grant Still and George Walker are profiled at AfriClassical.com]





Saturday, January 17, 2009

Fishers Chamber Orchestra Plays Works of Coleridge-Taylor Perkinson January 31, 2009

[Coleridge-Taylor Perkinson Conducting the New Black Music Repertory Ensemble;
Photo courtesy of the Center for Black Music Research, Columbia College, Chicago]

Coleridge-Taylor Perkinson, who is profiled at AfriClassical.com, will be included in
the following program of Fishers Chamber Orchestra, http://www.FishersMusic.org
Conner Prairie Recital:
3:00 p.m. Saturday, January 31, 2009, Fishers, Indiana
Sonata for Violin and Harpsichord; J. S. Bach (1685-1750)
Caprice No. 1; Mark O'Connor (b. 1961)
Louisiana Blues Strut (a Cakewalk) (2002); Coleridge-Taylor Perkinson (1934-2004)
Duo for Violin and Viola in G Major; W. A. Mozart (1756-1791)
The Stream Flows (in two movements); Bright Sheng (b. 1955)
Caprice No. 2; Mark O'Connor
Blue/s Forms (1979); Coleridge-Taylor Perkinson
La Folia Variations; Antonio Vivaldi (1678-1741)

Davis Brooks, Violin; Associate Professor, Butler University, Indianapolis
Lisa Evans Brooks, Violin; Associate Professor, School of Music, Butler University
Kurt Fowler, Cello; Associate Professor, Indiana State University
John Glennon, Harpsichord; Completing Doctorate in Music at Indiana University
Sheldon Person, Viola; Indianapolis Symphony Orchestra


Boys Choir of Kenya at Inauguration Conservation Gala January 19, 2009


ICCF International Conservation Caucus Foundation
BOYS CHOIR OF KENYA

Respectfully Co-Presented by the African Musical Arts, Inc of St. Louis

Inauguration Conservation Gala

Monday, January 19, 2009
VIP & General Receptions 6:30 | Dinner & Program 7:30

The Andrew W. Mellon Auditorium | Washington, D.C.

Gala Co-Chairmen:

George H. W. Bush
& William Jefferson Clinton

Gala Honorees:

El Hadj Omar Bongo Ondimba
PRESIDENT, GABONESE REPUBLIC

Ed Norton
ACTOR, CONSERVATIONIST

DuPont
Accepted by Charles O. Holliday, Jr.

Brooklyn Philharmonic Plays 'Five Negro Folksongs in Counterpoint' of Florence B. Price Feb. 15

[Florence Beatrice Smith Price (1887-1953)]

Brooklyn Philharmonic
Sunday, February 15, 2009 at 4 PM
Brooklyn Public Library
S. Steven Dweck Center for Contemporary Culture
“Honoring Florence Price, the first African-American woman composer.  Readings of poetry by:
James Weldon Johnson, Paul Laurence Dunbar and others.
PRICE: Five Folksongs in Counterpoint
FREE CONCERT”

Dr. Dominique-René de Lerma, Professor of Music at Lawrence University in Appleton, Wisconsin, has compiled a Works List of the compositions of Florence B. Price. It appears on the Florence Price page at AfriClassical.com. Here is his entry on the work which will be performed at the concert of the Brooklyn Philharmonic:
5 Negro folksongs in counterpoint, for string quartet. 1. Calvary; 2. Clementine; 3. Drink to me only with thine eyes; 4. Shortnin’ bread; 5. Swing low, sweet chariot.

Friday, January 16, 2009

Biographer Gabriel Banat Comments on Discovery of Saint-Georges Death Report by Pierre Bardin

[Le Chevalier de Saint-GeorgesViolin Concertos, Op. 5, Nos. 1 & 2; Op. 3, No. 1; Op. 8, No. 9; Bernard Thomas Chamber Orchestra; Jean-Jacques Kantorow, Violin; Arion 68093 (1990)] 

On January 15, 2009, AfriClassical posted “Biographer Pierre Bardin Discovers Death Report of Le Chevalier de Saint-Georges (1745-1799)”. On January 16, 2009, we received a comment on the post from Gabriel Banat, author of The Chevalier de Saint-Georges: Virtuoso of the Sword and the Bow. His well-documented account was also published in 2006, a few months before Pierre Bardin's book appeared:

Dear Bill, Here is the gist of what I wrote to Pierre Bardin congratulating him on his latest find about "our" chevalier'(in English) and welcoming, (thanks to you, Bill letting me have a copy of his message) the opportunity to henceforth continue our mutual correspondence by e-mail.

Cher Ami, etc., In the spirit of your generous words e.g. that "my work and yours complement
each other" I took the liberty to point out that, as you know,the two documents reproduced 
exclusively in my book, "The Chevalier de Saint-Georges, Virtuoso of the Sword and the Bow, 
(published in June, 2006) proved that the latter did not die alone. Moreover, a sentence in the 
obituary: "some time before his death, he stayed with his friend (Nicholas Duhamel)", and an 
entry in the second, "Nicholas Duhamel, Ex officer same house, rue Boucherat 13," signed by 
the collector of his remains, already corrected the "impression that he died alone and in his 
own house on rue Chartres".

Entry in doc. DQ839, City of Paris arch. by Chagneau, ("collector of remains") (Page 520 in my book). Obituary in "Courier des spectacles" June 10, 1799, by J.A.Cuvelier (Page 484 in my book). Thanks, Bill, and keep up the good work!  Gabriel Banat 

Thursday, January 15, 2009

Biographer Pierre Bardin Discovers Death Report of Le Chevalier de Saint-Georges (1745-1799)

[Saint-George/Mozart Quatuors à cordes; Quatuor Antarès; Integral Classic INT 221.125/1 (2003)]

The most recent authoritative biography of Joseph de Bologne, Le Chevalier de Saint-Georges, is Joseph de Saint-George, le Chevalier Noir, by Pierre Bardin. It was published in France by Guenegaud in 2006. On January 8, 2009 I received an E-mail from Monsieur Bardin, which I have translated as follows: "Dear Professor Zick, I want to share a discovery I recently made. It will surprise you and will undoubtedly expand on AfriClassical's biography of Le Chevalier de Saint-Georges, in addition to my book, Joseph de Saint George le Chevalier Noir. With my thanks, Regards, Pierre Bardin.” As webmaster of AfriClassical.com, and author of AfriClassical Blog, I am pleased and grateful that Monsieur Bardin has chosen to announce his discovery on my website and blog. Daniel Marciano is a Professor Emeritus at l'Université de Franche-Comté at Besançon, France. Prof. Marciano has graciously provided an English translation of the latest findings, for which I am also very appreciative:

As a conclusion:
The biography I wrote had already been published when I made an astonishing discovery in the archives of the police while trying to follow the steps of some among the men who enrolled in The Légion des Américains et du Midy” (aka The Saint-George Legion”).

The police superintendent of the Montreuil District was on duty on June 10th 1799, when at 8:00 PM, he had four visitors, well-dressed gentlemen who, after introducing themselves, had come to present a request. The first to identity himself was citizen Jean-Pierre Gomard, a fencing master, living on rue du Bout du Monde, No. 18, Division de Brutus. The next one was citizen Philibert Menissier, Jr., another fencing master, who resided on rue Neuve Sainte Eustache No. 12, Division de Brutus. Then came Major Charles François Talmet of the 9th Regiment of Hussards, a resident of Monceaux near Paris; the last one being Pierre Nicolas Beaugrand, a retiree (a former head clerk at the National Assembly), residing in Paris on rue Neuve des Petits Champs, No. 16, Division de la Butte des Moulins.

They all declared that “citizen Joseph Bologne, also called Saint-George, colonel of the 13th Combat Regiment, died today at 1:00 P.M., on rue Boucherat No. 13, division of the Temple and recorded at the City Hall of the 13th District, his body having been carried today in a coffin to the Temple de la Liberté et de l’Egalité of the 8th district. As the informants knew the deceased well and were his close friends, they expressed the desire to exhume his body and place it in a lead coffin. They had thus come to us to carry out their wishes and be certain they were not infringing upon the law, assuring us that all this was sincere and true and signed with us after we read the statement.

GOMARD - BEAUGRAND - Major TALMET - MENESSIER, Jr. -

PILLECAT, police superintendent.

Copies of this statement will be sent to the central and city administrations to close the matter according to the law.”

Thus, this discovery enables us to state, contrary to what has often been repeated, that Saint-Georges did not die alone, abandoned, and then forgotten. The people who appeared at the police station were very likely acting on behalf of a group of friends, among whom were fencing masters. This is shown by the presence of two of the most eminent representatives of the profession. This exceptional initiative proves the complete respect that so many people felt for this man, in refusing to allow his body to be buried in some anonymous place. They wanted to keep his body in the lead coffin and take it to a more appropriate spot. At last, this discovery enables us to know the place where Saint-Georges was buried. Indeed “The Temple de la Liberté et de l’Egalité” (“Temple of Liberty and Equality”) is Sainte Marguerite Church, whose name was changed as was done for so many churches at the time. It still exists on Rue de Chanzy in the 11th district, the adjoining cemetery being one of the most important in Paris at the time. Was the permit of exhumation granted? We may suppose it was, but once again, the relevant documents are missing. They disappeared, like millions of others, in the fires accompanying the repression of “The Commune” during the bloody week of May 1871.

Documents consulted: Archives of the police - Aa 173.

Section of Montreuil

Reports of the police superintendents






Monday, January 12, 2009

Part II. Black History & Classical Music Quiz Based on Biographies at AfriClassical.com

[Eleanor Alberga]

Part II. Black History & Classical Music 
Assignment or Quiz Based on Biographies at AfriClassical.com
Introduction: People of African descent have helped make Classical Music what it is today.
1 First African American Winner of Pulitzer Prize for Music 
2 Fled racism in New Orleans and conducted in France for 27 years
3 South African composer of My Country
4 Conducts diverse orchestra, the Chicago Sinfonietta
5 Jamaican composer of contemporary concert music
6 First African American woman whose symphony was performed by a major orchestra
7 Nigerian composer of orchestral music
8 A leading classical guitarist of our time
9 Published Jubilee Songs of the United States of America
10 Composer of Epitaph for a Man who Dreamed
11 Co-author of the The Charleston, which became a hugely popular dance
12 South African who composed the Zulu epic Ushaka
13 A leading composer of Puerto Rican danzas 
14 Pianist who first saw his instrument at age 16 
15 Father of Modern Nigerian Art Music 
16 His opera Guinevere has been sung in the U.S. and Europe 
17 Piano soloist who is also a member of a piano duo 
18 His score for the film In the Company of Fear won a Leo Award in Canada 

__Akpabot, Samuel Ekpe (1932-2000)
__Alberga, Eleanor (b. 1949) 
__Brouwer, Leo (b. 1939) 
__Burleigh, Henry T. (1866-1949)
__Chapman Nyaho, William (b. 1958)
__Dede, Edmond (1827-1903)
__Freeman, Paul (b. 1936)
__Hailstork, Adolphus C. (b. 1941)
__Johnson, James P. (1894-1955)
__Khumalo, J.S. Mzilikazi (b. 1932)
__Machado, Celso (b. 1953)
__Moerane, Michael Mosoeu (1909-1981)
__Morel Campos, Juan (1857-1896)
__Price, Florence B. (1887-1953)
__Sowande, Fela (1905-1987)
__Walker, George (b. 1922)
__Williams, Julius P. (b. 1954)
__Yifrashewa, Girma (b. 1967)

ANSWERS: Alberga, Eleanor 5; Akpabot, Samuel Ekpe 7; Brouwer, Leo 8; Burleigh, Henry T. 9; Chapman Nyaho, William 17; Dede, Edmond 2; Freeman, Paul 4; Hailstork, Adolphus C. 10; Johnson, James P. 11; Khumalo, J.S. Mzilikazi 12; Machado, Celso 18; Moerane, Michael Mosoeu 3; Morel Campos, Juan 13; Price, Florence B. 6; Sowande, Fela 15; Walker, George 1; Williams, Julius P. 16; Yifrashewa, Girma 14.






Pittsburgh Symphony Orchestra & Marcus Roberts Trio Perform James P. Johnson's 'Yamekraw'

[Victory Stride: The Symphonic Music of James P. Johnson; The Concordia Orchestra; Marin Alsop, Conductor; Music Masters 67140 (1994)]

Monday, January 12, 2009
Join the Pittsburgh Symphony Orchestra for its third annual 'Tribute' concert- a symphonic celebration of African American culture. This celebratory performance showcases a fusion of musical styles from the orchestral, jazz, gospel, and spiritual music traditions that reflect the diversity of American music. Hear the PSO with jazz pianist Marcus Roberts and his Trio perform James P. Johnson's 'Yamekraw,'"as well as George Gershwin's famous Rhapsody in Blue as you've never heard it before - with a jazz trio twist! This special performance also features the amazing sounds of the Mt. Ararat Baptist Church Massed Choir performing an arrangement of Richard Smallwood's 'Bless the Lord' and the anthem 'Lift Ev'ry Voice and Sing.' Arrive early at 7pm and stay after the concert to experience the Hill House Association's 'Live at the Hurricane,' a jazz combo performance accompanied by projected images by Pittsburgh photographer Teenie Harris in the Heinz Hall lobby. Posted by Verticus Erectus”

James Price Johnson was born in New Brunswick, New Jersey on February 1, 1894. His biography is James P. Johnson: A Case of Mistaken Identity by Scott E. Brown. Brown also wrote the liner notes for the CD Victory Stride: The Symphonic Music of James P. Johnson, Music Masters 67140 (1994). The biographer writes that Yamekraw: A Negro Rhapsody was the first work to bring to life Johnson's dream of being a serious composer: “The foreword to 'Yamekraw' describes the intent of the work as 'A genuine Negro treatise on spiritual, syncopated and “blue” melodies by James P. Johnson, expressing the religious fervor and happy moods of the natives of Yamekraw, a Negro settlement situated on the outskirts of Savannah, Georgia.” James Price Johnson died in New York City on Nov. 17, 1955 after suffering his eighth stroke at home.   Johnson is profiled at AfriClassical.com






CBC Radio 2 Blog: 'The blog Africlassical makes note' of Nathaniel Dett Chorale at Inauguration


CBC Radio 2 Blog
Posted by Li Robbins on Jan-11-09 at 06:00 PM 
As the week at Radio 2 has been focussed on Obama's Playlist, it seems appropriate to start off this week's roundup with the news that Canada's Nathaniel Dett Chorale will be performing at two Obama-inauguration related events in Washington D.C. -- singing at the Smithsonian on Martin Luther King Day (Jan. 19) and at a party at the Canadian Embassy on Jan. 20th. Kudos! The blog Africlassical makes note of this good news, and Good Deed A Day ends a post with a video of the group in performance with Jackie Richardson.  It's pretty great.  [R. Nathaniel Dett is profiled at AfriClassical.com]

Clarksdale Press Register: 'William Grant Still exhibit on display through January 16'

[William Grant Still: Inspired to Inspiring Exhibit, Clarksdale Press Register, Clarksdale, Mississippi]

William Grant Still exhibit on display through January 16
By ANDY ROSS
Staff Writer
Thursday, January 8, 2009 2:16 PM CST
Between the Delta Blues Museum, Theo's Rock 'n' Roll Museum, various Blues Trail markers and other cultural hotspots around Coahoma County, there is no shortage of information for those seeking out the rich musical heritage of Mississippi. The newest exhibit now on display at Carnegie Public Library is yet another location. William Grant Still: Inspired to Inspiring, tells the story of the Woodville, Miss. born composer who was the first African–American to conduct a major American symphony orchestra. Made up of eight free-standing panels, the exhibit begins with Still’s childhood in Miss. and Ark. and runs through his time working with W.C. Handy in Memphis, all the way to his years in Los Angeles creating musical scores for popular TV shows and movies. In addition to writing more than 150 compositions in his lifetime, Still is also known as one of the first composers to merge blues and jazz themes into traditional European classical forms. One of Still’s quotes displayed in the exhibits exemplifies this approach to music. In referring to his best known piece, Symphony No. 1 “Afro-American” Still writes: “I knew I wanted to write a symphony; I knew that it had to be an American work; and I wanted to demonstrate how the blues, so often considered a lowly expression, could be elevated to the highest musical level.” Inspired to Inspiring will be at Carnegie Library through Jan. 16. The exhibit is owned by Delta State University and will be on tour through various other libraries and academic institutions throughout Mississippi this year. [William Grant Still (1895-1978) is profiled at AfriClassical.com]

Zagreb Guitar Quartet to Play Music of Celso Machado at Dubai Concert Feb. 2, 2009

Zagreb Guitar Quartet
Jan. 11, 2009
"Zagreb Guitar Quartet will perform a concert in Dubai on February 2, 2009 at the American University of Shariah. The Quartet will perform works by George Frideric Handel, Jean-Philippe Rameau, Joaquín Turina, Celso Machado and Ivo Josipović.  More information forthcoming."

The current repertoire of the Zagreb Guitar Quartet includes two works of Celso Machado, Danças Populares Brasileiras (Brazilian Popular Dances) and Folguedo. Celso Machado (b. 1953) is a globe-trotting Afro-Brazilian guitarist, singer and composer who now lives in Canada. His personal website is http://www.CelsoMachado.com and he is also profiled at AfriClassical.com]

Sunday, January 11, 2009

Answers for Part I. Black History & Classical Music Quiz Based on Biographies at AfriClassical.com

[James DePreist, Conductor]

AfriClassical posted Part I. Black History & Classical Music Quiz on Jan. 10.
Answers:
2 Blanke, John (16
th Century)
11 Bonds, Margaret Allison (1913-1972)
12 Dawson, William Levi (1899-1990)
17 DePreist, James (b. 1936)
8 Dett, R. Nathaniel (1882-1943)
13 Ellington, Edward Kennedy “Duke” (1899-1974)
14 Garcia, José Mauricio Nunes (1767-1830)
7 Holland, Justin (1819-1887)
15 Jeanty, Occide (1860-1936)
10 Johnson, Francis B. (1792-1844)
3 Joplin, Scott (1868-1917)
16 Lambert, Lucien-Leon, Jr. (1858-1945)
9 Lamothe, Ludovic (1882-1953)
5 Saint-Georges, Le Chevalier de (1745-1799)
6 Sancho, Ignatius (1729-1780)
1 Still, William Grant (1895-1978) 
4 Wiggins, Thomas "Blind Tom" (1849-1908)

Saturday, January 10, 2009

Part I. Black History & Classical Music Quiz Based on Biographies at AfriClassical.com

[Margaret Allison Bonds, African American Composer and Pianist]

Part I. Black History & Classical Music
Assignment or Quiz Based on Biographies at AfriClassical.com
Introduction: Black History is part of the common record of humanity. It proves that people of African descent have been part of Classical Music since at least the 16th Century.

Write the number of each question next to the name of a composer or musician in the list
1 Composer of the Afro-American Symphony
2 Black trumpeter for King Henry VIII
3 The King of Ragtime
4 Blind slave was a musical genius
5 Best fencer in France
6 Britain's first Black voter
7 Classical guitarist who helped the Underground Railroad
8 Composer and pianist born in Canada
9 Haitian pianist nicknamed "A Black Chopin"
10 Led first African American musicians to visit Europe
11 Her work Troubled Water is based on a spiritual
12 Composer of Negro Folk Symphony
13 His Cotton Club Orchestra was on national radio, but only White people could attend its shows
14 Composer of Brazil's first opera
15 Music Director for the President of Haiti

16 Believed to be the first Black composer to make a recording
17 Conductor who received National Medal of Arts in 2005

__Blanke, John (16th Century)
__Bonds, Margaret Allison (1913-1972)
__Dawson, William Levi (1899-1990)
__DePreist, James (b. 1936)
__Dett, R. Nathaniel (1882-1943)
__Ellington, Edward Kennedy “Duke” (1899-1974)
__Garcia, José Mauricio Nunes (1767-1830)
__Holland, Justin (1819-1887)
__Jeanty, Occide (1860-1936)
__Johnson, Francis B. (1792-1844)
__Joplin, Scott (1868-1917)
__Lambert, Lucien-Leon, Jr. (1858-1945)
__Lamothe, Ludovic (1882-1953)
__Saint-Georges, Le Chevalier de (1745-1799)
__Sancho, Ignatius (1729-1780)
__Still, William Grant (1895-1978)
__Wiggins, Thomas "Blind Tom" (1849-1908)






Friday, January 9, 2009

Opera And Beyond: 'our new version, Scott Joplin and Treemonisha, adds seven more' roles

[Scott Joplin's Treemonisha; Original Cast Recording; Polygram 435709 (1992)]

Opera And Beyond
Wednesday, January 7, 2009
TREEMONISHA is not small. The cast list has seventeen roles and our new version, SCOTT JOPLIN AND TREEMONISHA, adds seven more. There are over twenty in the chorus and over ten dancers. Lots of the roles have been doubled up. This is balanced by the orchestra of 'Eleven and Piano' which is rather small when compared to a regular opera orchestra.   Posted by Michael Ching.” 

Recent posts listed in the right column of the blog include: Preview of Treemonisha; Treemonisha Cast; Joplin and Lottie; Strange Spam; and Treemonisha Staging.  [Scott Joplin (1868-1917) is profiled at AfriClassical.com]

Highway 61 Radio: Composer William Grant Still 'also made arrangements for W.C. Handy'

[William Grant Still, left, with W.C. Handy]

Jan 4th, 2009 
by Scott Barretta 
On Wednesday Jan. 21 Judith Anne Still and Jackson Symphony director Crafton Beck will be the guests at the Mississippi Department of Archives and History's “History is Lunch” program, celebrating Still’s father, composer William Grant Still. An exhibit about Still will be on display beginning January 20 at the Winter F. Building in Jackson, where the talk will be held; it was recently on display in Columbus and Clarksdale.

A native of Woodville, MS — also home to Lester Young and bluesmen Scott Dunbar and Robert Cage — Still is best known for his classical work including his blues-themed “Afro-American symphony, but he also made arrangements for W.C. Handy and was the musical director for Black Swan Records, a Harlem Renaissance project in the early ’20s. A MS Blues Trail marker honoring Still, Young, Dunbar and Cage was scheduled to go up in December, but has been tentatively rescheduled for some time in February.  [William Grant Still (1895-1978) is profiled at AfriClassical.com, where a complete Works List by Dr. Dominique-René de Lerma is also found]






Thursday, January 8, 2009

The Niagara Falls Review: 'Nathaniel Dett Chorale founder celebrates historic times'

[Nathaniel Dett Chorale and Brainerd Blyden-Taylor]

The Niagara Falls Review, Ontario, Canada
Gospel workshop in the Falls, then off to Obama's inauguration
January 8, 2009
Posted by John Law
The next ten days will be eventful for conductor Brainerd Blyden-Taylor: He’ll start with Niagara, and finish with Obama. First up, the world-renowned artistic director of the Nathaniel Dett Chorale is in town Saturday to participate in The Gospel Train Workshop at St. Andrew’s United Church on Morrison Street, hosted by Niagara chamber choir Choralis Camerata. Then, he’s off to Washington for festivities surrounding the U.S. presidential inauguration. On Feb. 19, the night before Barack Obama is sworn in, the Nathaniel Dett Chorale will perform at the Smithsonian’s National Museum of the American Indian on Martin Luther King Day.

On Inauguration Day, the group will perform at the Embassy of Canada’s headquarters on Pennsylvania Avenue. It’s an invite that has brought the group international attention this week. Gospel Train Workshop organizer Laura Thomas is relieved she booked Blyden-Taylor before word got out. “I think what I said was, “As long as you’re still available on (January) 10th ... that’s great!’” Named after the black composer from Niagara Falls, the Nathaniel Dett Chorale was formed in 1998 as Canada’s first professional choir dedicated to Afrocentric music of all genres. It has won worldwide acclaim the past decade, marking its 10th anniversary with a tour of the southern U.S. [R. Nathaniel Dett (1882-1943) is profiled at AfriClassical.com]

Wednesday, January 7, 2009

Nathaniel Dett Chorale Performs for Inauguration of President Barack Obama Jan. 20, 2009

[The Collected Piano Works of R. Nathaniel Dett; Summy-Birchard (1973)]

JazzElements.com
Jan. 7, 2009
Written by Cindy Mcleod
Nathaniel Dett Chorale Dedicated to Afro-Centric Music
Canada’s Nathaniel Dett Chorale has been invited to perform at the presidential inauguration ceremonies of Barak Obama as a gift from our nation to the U. S. public. The Toronto based choral group is dedicated to Afro-centric music of all styles, including blues, jazz, classical, spiritual, gospel and folk. The group will perform before and after the Jan. 20 parade in Washington, with their performances expected to take place in the Canadian Embassy garden. The chorale will follow the historic event with a series of concerts across Western Canada beginning late this month.

The Nathaniel Dett Chorale, so named for internationally renowned African-Canadian composer R. Nathaniel Dett (1882-1943), was founded by Artistic Director Brainerd Blyden-Taylor in 1998. Canada’s first professional choral group dedicated to Afro-centric music of all styles, including classical, spiritual, gospel, jazz, folk and blues, the 25 classically trained vocalists have shared the stage with internationally recognized artists such as Juno Award-winning jazz pianist Joe Sealy; opera star Kathleen Battle and the Toronto Symphony Orchestra. The Chorale has also performed at events honoring world leaders Nelson Mandela, Archbishop Desmond Tutu and Muhammad Ali. The chorale have toured across Canada, the United States and Europe and will follow up their appearance at the historic event with a series of concerts across Western Canada. [R. Nathaniel Dett is profiled at AfriClassical.com]

Ulysses S. Kay, African American Composer & Conductor Born Jan. 7, 1917

[Ulysses Kay: Works for Chamber Orchestra; Metropolitan Philharmonic Orchestra; Kevin Scott, Conductor; Troy 961 (2007)]

Ulysses Simpson Kay, Jr. was an African American composer, conductor and professor who was born on January 7, 1917 in Tucson, Arizona. Prof. Dominique-René de Lerma of Lawrence University has generously made his research entry on Kay available to AfriClassical.com He tells us young Ulysses was surrounded by music at home and began learning the piano at six, with the encouragement of an uncle who was a famous musician, King Oliver. The youth started learning the violin as well, at age 10, but at age 12 he dropped the piano and violin in favor of the alto saxophone. Ulysses formed a jazz quintet in which he played saxophone, and for which he composed and arranged music.

The International Dictionary of Black Composers gives this overview of Kay's output as a composer: “Ulysses Kay composed approximately 140 musical compositions for orchestra, chorus, chamber ensembles, piano, voice, organ, and band, and he wrote five operas as well as scores for film and television. Kay’s works appear in numerous published editions and on approximately 21 recordings. Avoiding obvious musical references to his ethnicity, Kay preferred to immerse himself in compositional procedures that were a natural outgrowth of his educational and international experiences. According to Robert D. Herrema, “Kay believes that a composer is the product of his extraction and environment as well as his political and ethnic interests, but should not be limited by them.” In spite of these reservations, however, Kay incorporated the use of black spirituals in the opera Jubilee (1974–76) and in his last opera, Frederick Douglass (1979–85), treated the life of the legendary abolitionist.” Ulysses Simpson Kay died in Englewood, New Jersey on May 20, 1995. The first major release devoted exclusively to the works of Ulysses S. Kay, Jr. is Ulysses Kay: Works for Chamber Orchestra; Metropolitan Philharmonic Orchestra; Kevin Scott, Conductor; Troy 961 (2007).  






Tuesday, January 6, 2009

Memphis Commercial Appeal: “Take a peek at Scott Joplin opera 'Treemonisha'” Jan. 8

[Scott Joplin's Treemonisha; Original Cast Recording; Polygram 435709 (1992)]

News in the arts 
By Christopher Blank, Memphis Commercial Appeal
Saturday, January 3, 2009 
Fans of ragtime composer Scott Joplin can get the inside scoop on his legendary opera "Treemonisha," when Opera Memphis hosts a preview party Thursday night. Completed in 1910, Joplin's opera about a young woman overcoming the superstitions of her community disappeared until 1970, when it was produced for the first time.

The preview party anticipates the company's own premiere production at the end of the month. Thursday's preview, at the Clark Opera Memphis Center, will include highlights from the opera sung by the cast. Their performances will also be broadcast live on WKNO-TV Channel 10. A reception with hors d'oeuvres begins at 6:30 p.m. Thursday. Show at 7 p.m. Tickets are $5. Call 257-3100 [Scott Joplin is profiled at AfriClassical.com]

'On An Overgrown Path' Posts Link to Fred Onovwerosuoke's Account of Herbert von Karajan

[Dr. Fred Onovwerosuoke, Founder and President of African Musical Arts, Inc.]

Bob Shingleton, aka Pliable, writes one of the world's leading classical music blogs in English, On An Overgrown Path. On Sept. 30, 2008 he posted the text of an interview on Herbert von Karajan from a 1963 issue of Stereo Review. The same day, AfriClassical posted a link to the interview, under the heading “Herbert von Karajan (1908-1989) on Rhythm and Race, in 1963 'Stereo Review' Interview”. Dr. Fred Onovwerosuoke, Founder/Director of the St. Louis African Chorus, just renamed African Music Arts, told us of his admiration for the conductor, who passed away on July 16, 1989, and whose life he commemorated in a poem. He also described a chance meeting backstage in London, during which Fred's astute questioning of similar recordings led the Maestro to tell the young student he should be a conductor. Consequently, we posted “A Young Nigerian's Homage To Herbert von Karajan in 1990”. On An Overgrown Path subsequently published a tribute to the great conductor, so we forwarded the link to Fred's account, as well as the link to a post on the Festival of African and African-American Music (FESAAM 2009), which Dr. Onovwerosuoke is directing in St. Louis, Feb. 12-15, 2009. Both links have now appeared on the major classical music blog On An Overgrown Path, with this introduction from Pliable: “Bill Zick over on AfriClassical gives us these interesting Karajan links” -

AfriClassical very much appreciates the attention Pliable's posting of the links has brought to Fred's personal account of encountering and memorializing Herbert von Karajan, and to the major music festival he will direct next month.

Flickr.com: 'John Blanke, trumpeter at the courts of Henry VII and Henry VIII'

[John Blanke, trumpeter at the courts of Henry VII and Henry VIII, Westminster Tournament Roll, 1511]

Flickr.com
John Blanke, trumpeter at the courts of Henry VII and Henry VIII, Westminster Tournament Roll, 1511
“Black Presence” is an online feature of The National Archives of the United Kingdom, in partnership with the Black and Asian Studies Association. It includes an entry entitled “John Blanke, Black Trumpeter”: “It appears that John Blanke, a Black trumpeter, was a regular musician at the courts of both Henry VII and Henry VIII. Musicians' payments were noted in the accounts of the Treasurer of the Chamber, who was responsible for paying the wages. There are several payments recorded to a 'John Blanke, the blacke trumpeter'. This trumpeter was paid 8d [8 pence] a day, first by Henry VII and then from 1509 by Henry VIII.”

We learn from the archives that a son was born to Henry VIII and his wife, Catherine of Aragon, on January 1, 1511. Tradition called for a major celebration of a royal birth, so the King held the two-day Tournament of Westminster later that year: “Among the latter is a Black man. He appears twice on the Roll: once on the way from the court and again on the way back. According to the historian Sydney Anglo, he is almost certainly John Blanke, the 'blacke trumpeter' mentioned in the Treasurer's accounts. Henry VIII's tournament was a costly extravaganza, and here we find a Black man included in one of the most magnificent pageants of his time, dressed formally as a mounted musician, perhaps also belonging to the equestrian corps of the court.” [John Blanke is profiled at AfriClassical.com]

Monday, January 5, 2009

Pianist Rochelle Sennet in Concert/Lecture Friday, Jan. 16, 2009 & Master Class Jan. 17, 2009

[Dr. Rochelle Sennet, Teaching Associate in Piano, University of Illinois Urbana-Champaign]

Webster.edu/
WHAT: Dr. Rochelle Sennet, a Teaching Associate in Piano at University of Illinois at Urbana-Champaign, will perform in concert, including a presentation on standard piano repertoire and American composers, and lead a Master Class to Community Music School students. Students will perform and be coached by Dr. Sennet. Students, teachers, and those with a general interest in music are invited to observe.

WHO: Dr. Sennet is rapidly establishing herself as a well-known performer, teacher, and scholar. Her recital programs showcase her versatility at the keyboard, with frequent performances of works by Bach, Beethoven, and African American composers such as H. Leslie Adams, Adolphus Hailstork, and Pulitzer-Prize winning composer George Walker. Her research interests include the study of American music, and she has interviewed well-known music historians and composers. Her dissertation, entitled “African American Composers and the Piano Concerto,” highlights her pursuits.

Dr. Sennet has won numerous competitions and performed with orchestras across the country. She is a member of Music Teachers National Association, College Music Society, the Center for Black Music Research, Society for American Music, and Phi Kappa Phi honor society. Concert/Lecture – 7:30 pm – Friday, January 16, 2009. Master Class – 2 pm – Saturday, January 17, 2009. Community Music School of Webster University, 535 Garden Avenue, Webster Groves, MO 63119 Both the Concert and the Master Class are free and open to the public. For more information: 314-246-4448 [H. Leslie Adams, Adolphus C. Hailstork and George Walker are profiled at AfriClassical.com







Sunday, January 4, 2009

A-R Editions Publishes Florence Price's Symphonies Nos. 1 & 3, Edited by Rae Linda Brown

[Musicologist Rae Linda Brown, Vice President of Undergraduates, Loyola Marymount University]

areditions.com/
Edited by Rae Linda Brown.
Rashida N. Black of The Myrtle Hart Society alerts AfriClassical to the November 2008 release of Florence Price's Symphonies Nos. 1 and 3. These MUSA editions are published by A-R Editions: “Music of the United States of America (MUSA) is a national series of scholarly editions that seeks to reflect the character and diversity of American music making. Published as a set within the Recent Researches in American Music series, MUSA is a joint venture with the American Musicological Society (AMS).  MU19 / A 66 ISBN 0-89579-638-4 (10-digit) ( November 2008) lii + 296 pp. $225.00 ISBN 978-0-89579-638-7 (13-digit).” 

Florence Beatrice Smith Price (1887-1953), who settled in Chicago in 1927, was the most widely known African-American woman composer from the 1930s until her death. This edition presents two important unpublished orchestral works: the Symphony no. 1 in E Minor (1932) and the Symphony no. 3 in C Minor (1940). The style of these works is quite different. Price's Symphony in E Minor is squarely in the nationalist tradition, and it may be more fully considered in the context of the Harlem Renaissance and the New Negro Movement of the 1920s and 1930s. Cultural characteristics are borne out in the pentatonic themes, call-and-response procedures, syncopated rhythms of the third movement's Juba dance, the preponderance of altered tones, and the timbral differentiation of instrumental choirs (the juxtaposition of the brass and woodwind choirs, for example).

The Symphony in C Minor was inspired by new philosophical, political, and social currents, stemming from the Chicago Renaissance, underway from 1935-1950. The Great Migration (of blacks from the south to Chicago), the Depression, and the adjustment to urban life provided vivid life experiences as subject matter for Chicago Renaissance writers and artists (including Langston Hughes, Richard Wright, and Margaret Bonds). Price's third symphony, which omits overtly black themes and simple dance rhythms, presents a modern approach to composition–a synthesis, rather than a retrospective view, of African-American life and culture.” [Florence Beatrice Smith Price and Margaret Allison Bonds are profiled at AfriClassical.com]

Jackson Free Press: 'History is Lunch: William Grant Still' January 21, 2009 at Noon

[Africa: Piano Music of William Grant Still; Denver Oldham, piano; Koch 3 7084 2H1 (1991)] 

Jackson Free Press
Jackson, Mississippi
Date and Time: Wed. Jan 21, 2009 at 12:00pm
Director and conductor of the Mississippi Symphony Orchestra Craften Beck and Judith Anne Still honor distinguished Mississippi composer William Grant Still
Price: Free, bring your own lunch
Contact Phone: 601-576-6857
Location: William F. Winter Archives and History Building
[Judith Anne Still, daughter of William Grant Still, operates WILLIAM GRANT STILL MUSIC and The Master-Player Library, “The original source for the music of American composer WILLIAM GRANT STILL”, http://www.williamgrantstill.com and http://www.troubledisland.com] [William Grant Still (1895-1978) is profiled at AfriClassical.com, where a complete Works List by Dr. Dominique-René de Lerma is also found]






Friday, January 2, 2009

Myrtle Hart Society: 'The Violin in Black Music History' by Dr. Dominique-René de Lerma


[Le Chevalier de Saint-Georges (1745-1799)] 

Myrtle Hart Society eNewsletter January 2009
Rashida N. Black, Founder/Executive Director
Pop culture can be a fog that obscures a heritage in favor of economic advantage. There are those, for example, who are astonished to learn that Black composers have been making contributions to so-called "European" classical music at least since the mid-1500s, that opera flourishes in Nigeria and, since the end of apartheid, now in South Africa. When I was a guest, along with William Dawson, at the College of the Virgin Islands in the 1970s, the students unhesitatingly rejected Dawson's symphony because there were violins in the orchestra.

The violin had been popular in France well before it was accepted as a legitimate instrument elsewhere, mainly because it had been used for dance music. Within that tradition arose the Chevalier de Saint-Georges (1745-1799), born in Guadeloupe, child of a French father and a slave. His father took the liaison seriously and made arrangements for the little boy to study the violin so that he would prove an acceptable dilettante within social circles when the family moved to Paris. The unexpected happened, and the child proved himself equal, if not superior, to all violinists in Europe. He was director of two major Parisian orchestras, with which he performed his exceptionally virtuosic concertos. He was sought after by Mozart when, as a young man, the Austrian visited France seeking employment, and it was Saint-Georges who led the six "Paris" symphonies by Haydn, and arranged for their publication. Read more: http://myrtlehart.org/content/view/275/5/ [Le Chevalier de Saint-Georges (1745-1799) and William Levi Dawson (1899-1990) are profiled at AfriClassical.com]






James DePreist Bust by Rip Caswell Was Sponsored by Friends and Supporters

[James DePreist Bust, by Rip Caswell, Sculptor]

Photo of bust. Size and Number: Mid-Size; One of a kind. Dimensions: 24x17x11 inches. Price: Not Available for Purchase. Sponsored by friends and supporters of Maestro James DePreist. The Home page of Rip Caswell's website is http://www.RipCaswell.tv/ It reads: “The surprise is not simply the beauty of the piece. The surprise is the life he coaxes from this elemental metal.”

The African American conductor James DePreist is the nephew of the great singer Marian Anderson. His biography at http://www.JamesDePreist.com explains that he is the Permanent Conductor of the Tokyo Metropolitan Symphony Orchestra, Laureate Music Director of the Oregon Symphony, and Director of Conducting and Orchestral Studies at the Juilliard School. He is also profiled at AfriClassical.com. Maestro DePreist has previously led L'Orchestre Symphonique de Québec, the Malmo Symphony in Sweden, and L'Orchestre Philharmonique de Monte Carlo. Maestro DePreist was awarded the 2000 Ditson Conductor's Award by Columbia University. He was a 2005 winner of the National Medal of Arts for his contribution to American musical life as a distinguished conductor. He has also published two books of poetry, “This Precipice Garden” and “The Distant Siren”, which has a foreword by Maya Angelou.