“Abdullah started on clarinet, excelling to the point where he could play in the New World Symphony under Michael Tilson Thomas. He had already flirted with conducting in classes at Aspen and Verbier, but decided to go the whole hog in Miami.” “'Kazem’s this calm, sunny, constructive personality in the service of rather difficult music,' said an impressed Tilson Thomas.” “Black conductors are rare— the last one in a similar position to his was Calvin Simmons, who died tragically at age 32 in 1982. And there are of course other fine conductors out there like James DePriest. But Abdullah envisions more African American interest in classical music during the hopeful Age of Obama, in a 'globalized world where more and more people have access to this art form.' He himself was ignited as a kid catching great black singers like Price, Norman and Battle on radio broadcasts and 'Live from Lincoln Center.' Abdullah is slated to conduct Scott Joplin’s Treemonisha in 2010 at the Chatelet in Paris. 'Joplin was trying to find legitimacy as a black classical composer,' he said. 'So I feel simpatico. To think this son of slaves created such a great opera about the African American experience!'” [Full Post] [James DePreist (b. 1936) and Scott Joplin (1868-1917) are profiled at AfriClassical.com]
Saturday, January 31, 2009
Kazem Abdullah, African American Conductor, Makes Debut at Metropolitan Opera
Collaborative Piano Blog: Raymond Jackson at Bethesda's Strathmore on February 10
Composers of African Descent on the program are Frederick Eliot Lewis (1846- ? ); Samuel Coleridge-Taylor (1875-1912); Hall Johnson (1888-1970); and James Hubert “Eubie” Blake (1883-1993). The post ends with this comment: “I really like the way that Jackson juxtaposes these styles alongside each other, and in my experience audiences have responded highly favorably to this type of programming. Best of luck to Raymond for what looks to be a fascinating recital.”
Friday, January 30, 2009
Jean-Claude Halley: Daniel Marciano Enhanced Image of Saint-Georges With Historical Fact
“This article published on the website of Bill Zick in the USA is not surprising. It brought to mind Daniel Marciano's constant attitude of enhancing the image of Le Chevalier de Saint-Georges, while rigorously adhering to historical fact. I still recall with emotion the first exchanges between Besançon and Guadeloupe and the words of Daniel's invaluable writings. Subsequently, the sequence of events and the findings of researchers showed the qualities of that rare Chevalier enthusiast. Daniel collaborated with spontaneity and efficiency in the little children's book published by Guadeloupe, and always responded positively to all requests. Jean-Claude HALLEY”
Montclaire String Quartet & Pennsylvania Sinfonia Play Music of William Grant Still Jan. 31
[Africa: Piano Music of William Grant Still; Denver Oldham, piano; Koch 3 7084 2H1 (1991)]
The music of the African American composer William Grant Still (1895-1978), who is profiled at AfriClassical.com, will be heard at two performances on Saturday, January 31, 2009. The ensembles will be the Montclaire String Quartet and the Pennsylvania Sinfonia Orchestra:
WVSymphony.blogspot.com/
“On Saturday night (January 31), Kanawha United Presbyterian Church will be the site of the Montclaire String Quartet's second subscription concert. Beginning at 8 p.m., the group will present an array of works by American composers including Charleston-born George Crumb.” “The remainder of the concert will feature other works by American composers including Darol Anger, Zhou Long, Scott Lindroth, Ljova and William Grant Still.”
By SUSAN KALAN
The Express-Times
“It's a new collaborative event -- one that's sure to create quite a 'Clash' in the community. It's a gospel choir competition where the audience will have a say in Saturday's 'Faith! -- A “Clash” of the Valley Choirs' at Allentown Symphony Hall. The event is being presented as a kickoff to Black History Month by the Pennsylvania Sinfonia Orchestra in cooperation with various community organizations. Sinfonia conductor Allan Birney says the event will include music by black composers William Grant Still and Mary Howe.” “Birney says the Sinfonia will be performing works by Still and Howe for the first time. 'It's been interesting getting to know about these pieces,' he says. 'I've been doing a fair amount of listening in deciding what to do and have happily come to terms.' The word is 'lyrical,' he explains, with performances of Howe's 'Sand' and 'Stars,' and Still's 'Serenade' and 'Mother and Child.'” Geoff Gehman of The Morning Call adds: “Throughout the evening the Pennsylvania Sinfonia Orchestra plays pieces by two prominent African-American composers: William Grant Still (1895-1978), who wrote symphonies and arranged music for blues master W.C. Handy, and Mary Howe (1882-1964), who wrote symphonic poems and co-founded the National Symphony Orchestra.”
Montclaire String QuartetPennsylvania Sinfonia Orchestra
William Grant Still
Still's Serenade
Mother and Child
Black History Month
Thursday, January 29, 2009
Daniel Marciano On Discovery of Death Report of Le Chevalier de Saint-Georges
On January 15, 2009 AfriClassical posted “Biographer Pierre Bardin Discovers Death Report of Le Chevalier de Saint-Georges (1745-1799)” Daniel Marciano is a Professor Emeritus at l'Université de Franche-Comté at Besançon, France. Prof. Marciano kindly translated the death report and the accompanying remarks of Pierre Bardin. He is an author of an historical novel and plays, and maintains a website on Le Chevalier de Saint-Georges in French. At the invitation of Jean-Claude Halley of the blog Guadeloupe Attitude, Daniel Marciano gives his opinion of the historical significance of the discovery:
“J.C. Halley invited me to react to P. Bardin’s latest discovery and among other things I wrote: When dealing with fiction, turning a character into a victim on purpose is a dramatic process in order that the reader may feel sorry for such a beautiful soul, alone at the end of his life, forgotten by all after his death. However, biographical rigor forbids one to state anything which was not corroborated by reliable archive documents.
Personally I pitied St-G in my novel as I was working towards a movie but most biographers put a wrong emphasis on St-G suffering from discrimination, unable to found a family, giving the impression at times that his life was a constant ordeal. In fact on the whole he led an enviable life, conducted the best orchestras of the XVIIIth century, was admired by the ladies of the court and was the friend of Kings and Princes. I inserted a long comment on this point in my web site called Victimisation et Oubli [Victimized and Forgotten]. The last document P. Bardin discovered is precious inasmuch as his discovery shows that the most eminent representatives of the fencing community admired him, and grieved for St-G’s death. People were close to him when he died.”
Daniel MarcianoJean-Claude Halley
Pierre Bardin
Le chevalier de Saint-George
le fils de Noémie
ArtZone.co.za: Cape Town City Ballet to dance in the Caribbean
[Cape Town City Ballet]
Adams, Still & Tamusuza Heard at University of Louisiana Monroe Concert
“Concert commemorates February’s Black History Month at ULM
News-Star news services • January 28, 2009
Black History Month
H. Leslie Adams
William Grant Still
Justinian Tamusuza
John Work
Wednesday, January 28, 2009
JazzLives on Composer James P. Johnson: “'CALL 1-800-STRIDE' RIGHT AWAY!”
[Victory Stride: The Symphonic Music of James P. Johnson; The Concordia Orchestra; Marin Alsop, Conductor; Music Masters 67140 (1994)]
Prof. Dominique-René de Lerma of Lawrence University in Wisconsin explains the origin of Johnson's best-known and underappreciated classical work Yamekraw: A Negro Rhapsody, “Written in celebration of a black community on the outskirts of Savannah, Yamekraw: A Negro Rhapsody (1927) was first performed by Fats Waller in a Carnegie Hall concert organized by William C. Handy. It seems most likely that Johnson's relative inexperience in orchestral writing prompted him to ask William Grant Still to rework the score in 1928.” Dr. De Lerma adds: “His first stroke in 1940 did not prevent him from presenting a concert of his own works at Carnegie Hall in 1944, but a much more serious stroke occurred in 1951, confining him to bed until his death.” James Price Johnson (1894-1955) was born on Feb. 1 and is profiled at AfriClassical.com
'Scraps From The Operas' by African American Composer Justin Holland Recorded in MP3 Format
[Scraps From The Operas Arranged For Two Guitars By Justin Holland © 2009 Donald Sauter (884502007442)]
Donald Sauter sends news of an MP3 recording of opera arrangements by Justin Holland (1819-1887), an African American composer, guitarist and teacher who is considered the first African American professional in Cleveland, and is profiled at AfriClassical.com:
http://cdbaby.com/cd/jhguitarduo
"Justin Holland was born to free black parents in Norfolk County, Virginia on July 26, 1819," Barbara Clemenson writes in her article Justin Holland: Black Guitarist in the Western Reserve. Guitarist Douglas Back has made a recording which includes five works of the composer, American Pioneers of the Classic Guitar, Mento Music Press SMM 3023 (1994). It can be ordered at his website, http://www.DouglasBack.com Back writes that Justin Holland made his name known in his lifetime to amateur guitarists across the country: “Although Holland seldom performed in public, he developed a national reputation as a composer and arranger for the guitar. To the average amateur guitarist of the day, his numerous arrangements made his a household name. Of his approximately 350 published works for the guitar, which include two acclaimed methods, only about one-third are extant.”
JH Guitar Duo
MP3 Recording
Donald Sauter
Douglas Back
Justin Holland
Innovate2Uplift.net: 'Raisin' the Buzz: At the table with Aaron Dworkin'
"Q: Why did you start The Sphinx Organization?
Dworkin: As a young person, I often found myself to be the only one or one of less than a handful of musicians of color. As a student at the Interlochen Arts Academy, and later, the University of Michigan, in various orchestras and as an audience member, I began to question why this was the case. I decided to do something about it by launching a national competition for young black and Latino string players to address the under representation of these groups in classical music." [Full Post] [Aaron P. Dworkin (b. 1970), is profiled at AfriClassical.com]
Tuesday, January 27, 2009
Celso Machado, Afro-Brazilian Classical Guitarist & Composer Born in Brazil Jan. 27, 1953
Celso Machado is an Afro-Brazilian composer, guitarist, lyricist and singer who was born in Ribeiro Preto, Brazil on January 27, 1953. He is profiled at AfriClassical.com and has a website of his own, http://www.CelsoMachado.com The works he writes and performs are played by guitarists in both classical and world music genres. At age seven Celso began performing in street bands. He first performed in Canada in 1986; he moved there three years later. His many CDs consist of music composed by himself and others. Machado has composed sound tracks for several documentary films. His score for the film In the Company of Fear won a Leo Award in 2000 in Canada. Publication of Machado's sheet music has resulted in many performances by other guitarists. The French firm Éditions Henry Lemoine has published a volume of his music whose title translates to Brazilian Popular Music for Flute and Guitar.
On Nov. 24, 2008 AfriClassical reported: “'Jogo da Vida' Makes Celso Machado World Solo Artist in 2008 Canadian Folk Music Awards”. Earlier we wrote “CoastReporter.net has published an overview of the globe-trotting guitarist's career on November 14, 2008: 'On top of the world music: Celso Machado' by Jan DeGrass, Arts and Entertainment Writer, Reporter. The article reports that the nomination of Jogo da Vida is the fourth honor he has received in 2008." The current repertoire of the Zagreb Guitar Quartet includes two works of Celso Machado, Danças Populares Brasileiras (Brazilian Popular Dances) and Folguedo. The Quartet is scheduled to play Folguedo on February 2, 2009 at the American University of Sharjah in Dubai, United Arab Emirates.
Monday, January 26, 2009
At Juilliard, Ritz Chamber Players Play Alvin Singleton, Jonathan Bailey Holland & George Walker
[Top: George Walker: Orchestral Works; Cleveland Chamber Symphony; Edwin London, Conductor; Albany Records 270 (1998). Center: Jonathan Bailey Holland. Bottom: Alvin Singleton]
THE JUILLIARD SCHOOL presents
February 13 at 6 p.m.
Formed in 2002 by artistic director and clarinetist Terrance Patterson, the Ritz Chamber Players are the first chamber music ensemble in the U.S. made up exclusively of musicians spanning the African diaspora. In addition to performing the classical repertoire, the group highlights works by contemporary African American composers. The Players have performed at prestigious music venues around the country; they made their international radio debut with the BBC in 2005 and appeared on national television as performers at the 37th Annual NAACP Image Awards in 2006. This concert includes works by African American composers Alvin Singleton, Jonathan Bailey Holland and George Walker.
The Juilliard School, Morse Hall, 165 West 65th Street. FREE ADMISSION; no tickets required. For more information: http://www.juilliard.edu [George Walker (b. 1922) is profiled at AfriClassical.com, where one can find a Works List and Bibliography compiled by Dr. Dominique-René de Lerma, Professor of Music, Lawrence University, Appleton, Wisconsin.]
Ritz Chamber PlayersJuilliard School
George Walker
Jonathan Bailey Holland
Alvin Singleton
Black History 2009
Lincoln Center Series 'exploring contributions of African-American artists to New York City Opera'
[William Grant Still (1895-1978) is profiled at AfriClassical.com]
African American Artists
New York City Opera
Lincoln Center
Black History Month 2009
Schomburg Center
Troubled Island
National Public Radio: 'Boys Choir Of Kenya Gets Recording Contract'; Audio Excerpts Heard
[Boys Choir of Kenya: Amerika Jambo; J. Muyale Inzai, Director; AMP Records AGCD 2085]
Yesterday AfriClassical posted: “African Musical Arts, Inc.: 'Obama's Kenyan choir signs deal'”. Today on Morning Edition, National Public Radio's senior national correspondent, Linda Wertheimer, gave a succinct account of the recording deal between the Boys Choir of Kenya and Universal Music, one of the “Big Four” firms in the global market for recorded music. Several brief excerpts of the Choir's singing can be heard in the story, which is 1 minute and 18 seconds long:
Sunday, January 25, 2009
Detroit Free Press: 'Former winner Elena Urioste to solo at Sphinx competition'
[Elena Urioste]
BY MARK STRYKER • FREE PRESS MUSIC WRITER • January 25, 2009
At 22, violinist Elena Urioste is still studying at the Juilliard School, but she's on a fast track. With professional management behind her, she has embarked on a solo career. This week Urioste returns to Detroit for the 12th annual Sphinx Competition for young African-American and Latino string players, the launching pad for her success. Urioste won the Sphinx junior division in 2003 and the senior division in 2007. At this year's event, she'll team up with another former Sphinx winner, Melissa White, at next Sunday's Finals Concert. The pair will perform part of Prokofiev's Sonata for Two Violins. The Sphinx competition, founded by MacArthur fellow Aaron Dworkin, has become a signature national event for its efforts to promote minorities in classical music. The competition doles out more than $100,000 annually in prizes, scholarships and performance opportunities. [Full Post] [The Founder/President of The Sphinx Organization is violinist Aaron P. Dworkin, who is profiled as a Musician of African Descent at AfriClassical.com]
New Blog Devoted to Music of William Grant Still
[Symphony No. 1 (Afro-American) (24:10); William Grant Still; Detroit Symphony Orchestra; Neeme Järvi, Conductor; Chandos 9154 (1993)]
A blogger named Marlene launched a blog in January 2009 on the music of the African American composer William Grant Still (1895-1978). Its title is “Still, William Grant” Several recordings have been reviewed, including the Chandos CD of the composer's most famous symphony, his Symphony No. 1 (Afro-American). As others have noted, William Grant Still is an All-American composer who wrote for radio, television programs and films, and composed the theme for the 1939 New York World's Fair. His classical compositions have been compiled by Dr. Dominique-René de Lerma, who has generously made the Works List available to AfriClassical.com, a website at which William Grant Still is profiled in detail. An excellent source of his sheet music and recordings is William Grant Still Music, operated by the composer's daughter, Judith Anne Still. Today's post follows:
Sunday, January 25, 2009
Still: Symphony No. 1; Ellington: Suite form “The River” Manufacturer: Chandos
Number Of Discs: 1
William Grant Still composed a large body of excellent music that deserves the widest possible circulation. He merged his mastery of the jazz vernacular with classical forms learned at Wilberforce and Oberlin. Even while studying later with an iconoclast like Edgar Varese, Still sought to extend the historical focus of the Harlem Renaissance into his compositions, injecting the "Afro-American" symphony especially with folk-inspired touches of impressionism and neo-Romanticism. The work seeks a broad sweep and bears resemblances to Gershwin and Ellington in the mix of pop and swing elements into the symphonic language. The coupling is a fitting one, in part because Ellington struggled for years to create a large-scale work that could indeed be considered rightfully "orchestral" outside his own big band's works. The Suite from the River is an ideal revelation, taking Ellington's sectionally orchestral thinking (where the orchestra was a conglomerate of different sections playing off each other) to levels that reach Still's well-schooled use of the symphony orchestra as a vehicle. Neeme Järvi does a fine job leading the Detroit Symphony Orchestra in rendering these two unlikely but deserving works. --Andrew Bartlett (Posted by Marlene)
African Musical Arts, Inc.: 'Obama's Kenyan choir signs deal'
[Boys Choir of Kenya; Director Joseph Muyale Inzai signed the contract at Heathrow Airport]
He only saw the choir for the first time at the weekend, after a colleague advised him to watch a clip of them online. Lewis said: "It has been frantic. I didn't know how I was going to get to see the choir - they're not allowed to leave the airport because they're in transit. "At one point, I even considered buying a ticket so I could join them. But we've been allowed into the departures lounge." He added: "I went onto YouTube and I saw their CNN performance and I thought, 'Wow - I do not want anyone else working with them.'" The Boys Choir was formed in Nairobi in 1998 but expanded to members from outside the Kenyan capital in 2004. They now have 40 singers.They were asked to sing at several events surrounding the inauguration of President Obama, whose father came from Kenya - although he never managed to see them perform. The choir's repertoire includes a wide-ranging number of pieces from traditional Masaai and Samburu chants to contemporary songs from around Africa. They will now share a label with the likes of Amy Winehouse, U2 and The Rolling Stones.
Obama's Kenyan Choir signs dealBoys Choir of Kenya
Joseph Muyale Inzai
Universal Classics
Inaugural Choir
African Choir at Inauguration
Saturday, January 24, 2009
The Lydian Singers Display 400 Photos of 'Hiawatha's Wedding Feast' of Samuel Coleridge-Taylor
[Photos © TriniView.com]
On Saturday, October 4, 2008 AfriClassical posted a review of the presentation in Trinidad and Tobago of a work of the Afro-British composer Samuel Coleridge-Taylor (1875-1912): “Newsday: Lydians Present Samuel Coleridge-Taylor's 'Hiawatha's Wedding Feast'”. It opened: “THE STAGE of Queen’s Hall was transformed into a Native American Village as the Lydians with Steel, presented Scenes from the Song of Hiawatha, a trilogy composed by Samuel Coleridge-Taylor.”
Today AfriClassical received an E-mail from Jan of The Lydians, with links to 404 striking and dramatic color photos, © TriniView.com: “Greetings from the Lydians! Dear Mr. Zick, Here are some of the pictures from the Launch of the Opera!
And here are some photos taken at our 6 night performance of 'Scenes from the Song of Hiawatha!'
Sincerely, The Lydians Visit us at our website: http://www.thelydianstt.com” AfriClassical is grateful to The Lydians for this photographic record. Samuel Coleridge-Taylor is profiled at AfriClassical.com
Trumpeter Wilmer Wise Performs Works of Hale Smith & Ulysses Kay at Black History Concert
[African American Trumpeter Wilmer Wise; Photo from website of The Jazz Museum in Harlem]
Wilmer Wise is an African American trumpeter with a distinguished career spanning many decades. He recently made this comment at the discussion forum TrumpetMaster.com, where he is Artist-in-Residence: “Black History Concert, I am playing a concert on February 21 that may interest some of you NYC people. I am playing works by Hale Smith, Jimmy Owens, Ulysses Kay and other composers. There will some discussion about my history. There is limited seating..........act fast. Here's a link-Upcoming Events at Flatbush-Tompkins Wilmer”
Flatbush-Tompkins Congregational Church is located at 424 East 19th Street, Brooklyn, NY 11226 Telephone (718) 282-5353 Fax (718) 940-0988 Email: info@ftcchurch.net The website of the church announces: “Black History Month Celebration, Saturday, February 21, 2009 at 7:00 pm Ticket Cost: Adults $20, Children $10 Special Performances by Tenor Jason Brown and Trumpeter Wilmer Wise” [Hale Smith (b. 1925) and Ulysses S. Kay (1917-1995) are profiled at AfriClassical.com Works Lists and Bibliographies have been compiled for both composers by Dr. Dominique-René de Lerma, Professor of Music, Lawrence University, Appleton, Wisconsin. Prof. De Lerma has generously made them available for use at the website.]
Black History ConcertFebruary 21, 7:00 pm
Wilmer Wise, Trumpeter
Jason Brown, Tenor
Hale Smith
Ulysses S. Kay
Friday, January 23, 2009
Ritz Chamber Players Perform 'Songs for Soprano and Piano' of George Walker Jan. 28, 2009
[Photo Courtesy of George Walker (b. 1922)]
Ritz Chamber Players
Jacksonville, Florida
Terrance Patterson, Artistic Director
George Walker, Composer-in-Residence
Opening Concert
Wednesday, January 28, 2009, 7:30 p.m.
In Remembrance of the Dream
The 7th Annual Humanitarian Award and Concert
Honoree: The Honorable Henry Lee Adams, Jr.,
United States District Judge for the Middle District of Florida
Ludwig van Beethoven String Trios, Op. 9 No. 1 in G Major
George Walker Songs for Soprano and Piano
The Bereaved Maid, text by Anonymous
I Went to Heaven, text by Emily Dickinson
I got a letter from Jesus text by Anonymous
Sweet, Let Me Go, text by Anonymous
Anthony Davis In This House of Blues
Schumann Piano Quartet in E-flat major, Op. 47
Founded in 2002 by Artistic Director and clarinetist Terrance Patterson, the Ritz Chamber Players perform chamber works from the traditional European repertoire, as well as highlight works by contemporary African American composers. Composer-in-Residence George Walker is profiled at AfriClassical.com
George Walker
Composer-in-Residence
African American Composer
Henry Lee Adams, Jr.
Classical Music
Four Works of Scott Joplin Heard in the Film 'The Curious Case of Benjamin Button'
[The Curious Case of Benjamin Button; Paramount (2009)]
IMDB.com reports that the soundtracks for The Curious Case of Benjamin Button include four composed by Scott Joplin: Country Club, Elite Syncopations, The Chrysanthemum and Bethena (A Concert Waltz). All but Bethena are performed by Joplin himself, according to the credits. Joplin's creative range is wider than many people realize, as evidenced by tomorrow's opening of Scott Joplin and Treemonisha, a production of Opera Memphis. Scott Joplin is profiled at AfriClassical.com
Joplin Works in Benjamin Button81st Oscar Nominations
Country Club
Elite Syncopations
The Chrysanthemum
Bethena (A Concert Waltz)
Wednesday, January 21, 2009
Prince George's Philharmonic Plays 'Ballade in A Minor, Op. 33' of Samuel Coleridge-Taylor Feb. 7
[Samuel Coleridge-Taylor; Chicago Sinfonietta; Paul Freeman; Cedille 90000 055 (2000)]
Maestro Charles Ellis left this post in the Guest Book at AfriClassical.com on Wednesday, 1/21/09, 7:34 AM: “Just a note to make you aware that I will be conducting the Ballade in A minor with the Prince George's Philharmonic in concert on Feb 7, 2009 at Prince George's Community College in Largo, Maryland. Anyone interested in hearing Coleridge-Taylor's early masterpiece may consult our website for ticket information. Charles Ellis, Music Director, Prince George's Philharmonic, http://pgphilharmonic.org/”
“Charles Ellis, Conductor - Thomas Pandolfi, Piano
Wagner...............................Overture to Rienzi
Paderewski.........................Piano Concerto in A Minor, Op. 17
Coleridge-Taylor..................Ballade in A Minor, Op. 33
Schubert.............................Sym. No. 8 in B Minor, D. 759 'Unfinished'
Detroit Symphony Orchestra Hosts Sphinx Finals Concert February 1 at 2 PM; Tickets Only $12
[Clayton Penrose-Whitmore - 1st Place Laureate 2008]
The 12th annual Sphinx Competition for young Black & Latino string players presented by Chase invites string musicians under the age of 27 to apply for one of the most prestigious competitions nationwide. The first place Senior and Junior Division winners will receive opportunities to appear as soloists with the New York Philharmonic, Detroit, Atlanta, Boston, Baltimore, Cleveland, Seattle and Puerto Rico Symphonies, as well as other major orchestras around the country.
The Finals Concert for Senior Division Finalists hosted by the Detroit Symphony Orchestra, features the three Senior Division Laureates competing for final placement (1st, 2nd or 3rd place). This concert takes place on Sunday, February 1 at 2:00 p.m. at The Max M. Fisher Music Center in Detroit, MI. Tickets only $12! Group discount available. Purchase by phone at 313-576-5111 or visit http://www.detroitsymphony.com/ Detroit native Damon Gupton conducts the all Black and Latino Sphinx Symphony Orchestra. Guest artists include Melissa White and Elena Urioste, past winners of the competition. The Founder/President of The Sphinx Organization is Aaron P. Dworkin (b. 1970), a violinist who is profiled as an outstanding Musician of African Descent at AfriClassical.com
Detroit Symphony Orchestra12th Annual Sphinx Competition
Sphinx Organization
Aaron Dworkin
Damon Gupton
Classical Music
Tuesday, January 20, 2009
Nyaho/Garcia Piano Duo Begins Tour With Works of Onovwerosuoke & Walker in Louisiana Feb. 4
Grand Rapids Symphony Double Bassist Joseph Conyers Joins Atlanta Symphony
“Yet the significant news onstage came without mention. The orchestra has just hired its second African-American musician, a double bassist named Joseph Conyers. A Savannah native, not yet 30, he comes to the ASO from an orchestra in Michigan. As a section bassist, Conyers’ job here will be to blend in with his colleagues —- even as his presence suggests that, yes, the situation can get better, and likely sooner rather than later. (Unlike political campaigns, orchestras are more or less meritocracies, where candidates audition initially behind a screen.)”
“Ulysses Kay’s 1953 'A Lincoln Letter' is a brief, poignant setting of words the president sent a widow who had lost five sons in the Civil War. Morehouse Glee Club director David Morrow coaxed lovely sounds from his a cappella choirs. Morehouse professor Uzee Brown, a bass, sang the solo lines with gravitas. Brown also arranged the evening’s encore: a stirring version of 'We Shall Overcome.'” [Ulysses S. Kay (1917-1995) is profiled at AfriClassical.com]
Grand Rapids SymphonyAfrican American Double Bassist
Atlanta Symphony
Joseph Conyers
Ulysses S. Kay
A Lincoln Letter
Johannesburg Philharmonic Orchestra Performs Mzilikazi Khumalo's Opera 'Princess Magogo'
[J.S. Mzilikazi Khumalo (b. 1932)]
Operatic talent from the Black Tie Ensemble, Tina Mene and Thembisile Twala will alternate in the role of Princess Magogo. Director Themi Venturas teams up with acclaimed artist Andrew Verster on set and costume design, Shembe dancers and the Johannesburg Philharmonic Orchestra. Princess Magogo is at the Nelson Mandela Theatre at 8pm Thursdays and Fridays, and at 3 pm on Sundays. Tickets range from R90 excluding booking fees. [J. S. Mzilikazi Khumalo (b. 1932), South African Composer, Arranger & Choral Director, is profiled at AfriClassical.com]
Monday, January 19, 2009
'Around The Neck' by Chad Becks Links to African American Guitarist Justin Holland's Page at AfriClassical.com
[Justin Holland; Photo Courtesy Douglas Back]
More than just a successful musician, Holland was also a dedicated humanitarian who worked all his life to promote and advance the causes of his race. Adopting the principles that education and assimilation were the best methods of overcoming racial barriers and prejudices, he immersed himself in the Eurocentric middle class culture of the day.
More information can be found on Justin Holland at: http://chevalierdesaintgeorges.homestead.com/holland.html
BlackPast.org, Online Reference Guide to African American History, Adds Barack Obama Page
Dr. Quintard Taylor is Professor of American History at the University of Washington, Seattle. He is also Founder and Website Director of BlackPast.org, a nonprofit organization staffed by numerous academics who volunteer their services. This collection of resources is useful to teachers and students throughout the school year, but has particular relevance to the observance of Black History Month. Several entries were written by us, including Black Composers and Musicians in Classical Music History. Prof. Taylor sends this news today: “I wanted you to know that BlackPast.org (http://www.blackpast.org) has just established a Barack Obama Page which brings together in one central location all links to information on (and off) the website related to our new President. Click the Barack Obama Page button in the upper left corner of the BlackPast.org opening page for access to the Barack Obama Page.”
Here is an excerpt from the website: “BlackPast.org, an online reference center, makes available a wealth of materials on African American history in one central location on the Internet. These materials include an online encyclopedia of over 1,500 entries, the complete transcript of over 125 speeches given between 1789 and 2008, over 100 full text primary documents, bibliographies, timelines and four gateway pages with links to 50 digital archive collections. Additionally 75 major African American museums and research centers and over 400 other website resources on black history are also linked to the website.”
Black History MonthBarack Obama Page
BlackPast.org Reference Guide
Prof. Quintard Taylor
African American History
Black History Resource
Sunday, January 18, 2009
Alabama Symphony Performs African American Chamber Music on Inauguration Day 2009
African American Chamber Music
George Walker
William Grant Still
Scott Joplin
Classical Music
Saturday, January 17, 2009
Fishers Chamber Orchestra Plays Works of Coleridge-Taylor Perkinson January 31, 2009
[Coleridge-Taylor Perkinson Conducting the New Black Music Repertory Ensemble;
Photo courtesy of the Center for Black Music Research, Columbia College, Chicago]
Coleridge-Taylor Perkinson, who is profiled at AfriClassical.com, will be included in
the following program of Fishers Chamber Orchestra, http://www.FishersMusic.org
Conner Prairie Recital:
3:00 p.m. Saturday, January 31, 2009, Fishers, Indiana
Sonata for Violin and Harpsichord; J. S. Bach (1685-1750)
Caprice No. 1; Mark O'Connor (b. 1961)
Louisiana Blues Strut (a Cakewalk) (2002); Coleridge-Taylor Perkinson (1934-2004)
Duo for Violin and Viola in G Major; W. A. Mozart (1756-1791)
The Stream Flows (in two movements); Bright Sheng (b. 1955)
Caprice No. 2; Mark O'Connor
Blue/s Forms (1979); Coleridge-Taylor Perkinson
La Folia Variations; Antonio Vivaldi (1678-1741)
Davis Brooks, Violin; Associate Professor, Butler University, Indianapolis
Lisa Evans Brooks, Violin; Associate Professor, School of Music, Butler University
Kurt Fowler, Cello; Associate Professor, Indiana State University
John Glennon, Harpsichord; Completing Doctorate in Music at Indiana University
Sheldon Person, Viola; Indianapolis Symphony Orchestra
Boys Choir of Kenya at Inauguration Conservation Gala January 19, 2009
ICCF International Conservation Caucus Foundation
BOYS CHOIR OF KENYA
Respectfully Co-Presented by the African Musical Arts, Inc of St. Louis
Inauguration Conservation Gala
Monday, January 19, 2009
VIP & General Receptions 6:30 | Dinner & Program 7:30
The Andrew W. Mellon Auditorium | Washington, D.C.
Gala Co-Chairmen:
George H. W. Bush
& William Jefferson Clinton
Gala Honorees:
El Hadj Omar Bongo Ondimba
PRESIDENT, GABONESE REPUBLIC
Ed Norton
ACTOR, CONSERVATIONIST
DuPont
Accepted by Charles O. Holliday, Jr.
Brooklyn Philharmonic Plays 'Five Negro Folksongs in Counterpoint' of Florence B. Price Feb. 15
Friday, January 16, 2009
Biographer Gabriel Banat Comments on Discovery of Saint-Georges Death Report by Pierre Bardin
Dear Bill, Here is the gist of what I wrote to Pierre Bardin congratulating him on his latest find about "our" chevalier'(in English) and welcoming, (thanks to you, Bill letting me have a copy of his message) the opportunity to henceforth continue our mutual correspondence by e-mail.
Thursday, January 15, 2009
Biographer Pierre Bardin Discovers Death Report of Le Chevalier de Saint-Georges (1745-1799)
[Saint-George/Mozart Quatuors à cordes; Quatuor Antarès; Integral Classic INT 221.125/1 (2003)]
The most recent authoritative biography of Joseph de Bologne, Le Chevalier de Saint-Georges, is Joseph de Saint-George, le Chevalier Noir, by Pierre Bardin. It was published in France by Guenegaud in 2006. On January 8, 2009 I received an E-mail from Monsieur Bardin, which I have translated as follows: "Dear Professor Zick, I want to share a discovery I recently made. It will surprise you and will undoubtedly expand on AfriClassical's biography of Le Chevalier de Saint-Georges, in addition to my book, Joseph de Saint George le Chevalier Noir. With my thanks, Regards, Pierre Bardin.” As webmaster of AfriClassical.com, and author of AfriClassical Blog, I am pleased and grateful that Monsieur Bardin has chosen to announce his discovery on my website and blog. Daniel Marciano is a Professor Emeritus at l'Université de Franche-Comté at Besançon, France. Prof. Marciano has graciously provided an English translation of the latest findings, for which I am also very appreciative:
The biography I wrote had already been published when I made an astonishing discovery in the archives of the police while trying to follow the steps of some among the men who enrolled in “The Légion des Américains et du Midy” (aka “The Saint-George Legion”).
The police superintendent of the Montreuil District was on duty on June 10th 1799, when at 8:00 PM, he had four visitors, well-dressed gentlemen who, after introducing themselves, had come to present a request. The first to identity himself was citizen Jean-Pierre Gomard, a fencing master, living on rue du Bout du Monde, No. 18, Division de Brutus. The next one was citizen Philibert Menissier, Jr., another fencing master, who resided on rue Neuve Sainte Eustache No. 12, Division de Brutus. Then came Major Charles François Talmet of the 9th Regiment of Hussards, a resident of Monceaux near Paris; the last one being Pierre Nicolas Beaugrand, a retiree (a former head clerk at the National Assembly), residing in Paris on rue Neuve des Petits Champs, No. 16, Division de la Butte des Moulins.
They all declared that “citizen Joseph Bologne, also called Saint-George, colonel of the 13th Combat Regiment, died today at 1:00 P.M., on rue Boucherat No. 13, division of the Temple and recorded at the City Hall of the 13th District, his body having been carried today in a coffin to the Temple de la Liberté et de l’Egalité of the 8th district. As the informants knew the deceased well and were his close friends, they expressed the desire to exhume his body and place it in a lead coffin. They had thus come to us to carry out their wishes and be certain they were not infringing upon the law, assuring us that all this was sincere and true and signed with us after we read the statement.
GOMARD - BEAUGRAND - Major TALMET - MENESSIER, Jr. -
PILLECAT, police superintendent.
Copies of this statement will be sent to the central and city administrations to close the matter according to the law.”
Thus, this discovery enables us to state, contrary to what has often been repeated, that Saint-Georges did not die alone, abandoned, and then forgotten. The people who appeared at the police station were very likely acting on behalf of a group of friends, among whom were fencing masters. This is shown by the presence of two of the most eminent representatives of the profession. This exceptional initiative proves the complete respect that so many people felt for this man, in refusing to allow his body to be buried in some anonymous place. They wanted to keep his body in the lead coffin and take it to a more appropriate spot. At last, this discovery enables us to know the place where Saint-Georges was buried. Indeed “The Temple de la Liberté et de l’Egalité” (“Temple of Liberty and Equality”) is Sainte Marguerite Church, whose name was changed as was done for so many churches at the time. It still exists on Rue de Chanzy in the 11th district, the adjoining cemetery being one of the most important in Paris at the time. Was the permit of exhumation granted? We may suppose it was, but once again, the relevant documents are missing. They disappeared, like millions of others, in the fires accompanying the repression of “The Commune” during the bloody week of May 1871.
Documents consulted: Archives of the police - Aa 173.
Section of Montreuil
Reports of the police superintendents
Le Chevalier de Saint-GeorgesSaint-Georges Death Report Discovered
Pierre Bardin
Joseph de Saint-George: Le Chevalier Noir
Daniel Marciano
Saint-George Legion
Monday, January 12, 2009
Part II. Black History & Classical Music Quiz Based on Biographies at AfriClassical.com
__Akpabot, Samuel Ekpe (1932-2000)
__Alberga, Eleanor (b. 1949)
__Chapman Nyaho, William (b. 1958)
__Machado, Celso (b. 1953)
ANSWERS: Alberga, Eleanor 5; Akpabot, Samuel Ekpe 7; Brouwer, Leo 8; Burleigh, Henry T. 9; Chapman Nyaho, William 17; Dede, Edmond 2; Freeman, Paul 4; Hailstork, Adolphus C. 10; Johnson, James P. 11; Khumalo, J.S. Mzilikazi 12; Machado, Celso 18; Moerane, Michael Mosoeu 3; Morel Campos, Juan 13; Price, Florence B. 6; Sowande, Fela 15; Walker, George 1; Williams, Julius P. 16; Yifrashewa, Girma 14.
Black History & Classical MusicPart II. Black History Quiz
Biographies at AfriClassical.com
Black History Month
Pulitzer Prize
Classical Music
Pittsburgh Symphony Orchestra & Marcus Roberts Trio Perform James P. Johnson's 'Yamekraw'
[Victory Stride: The Symphonic Music of James P. Johnson; The Concordia Orchestra; Marin Alsop, Conductor; Music Masters 67140 (1994)]
James Price Johnson was born in New Brunswick, New Jersey on February 1, 1894. His biography is James P. Johnson: A Case of Mistaken Identity by Scott E. Brown. Brown also wrote the liner notes for the CD Victory Stride: The Symphonic Music of James P. Johnson, Music Masters 67140 (1994). The biographer writes that Yamekraw: A Negro Rhapsody was the first work to bring to life Johnson's dream of being a serious composer: “The foreword to 'Yamekraw' describes the intent of the work as 'A genuine Negro treatise on spiritual, syncopated and “blue” melodies by James P. Johnson, expressing the religious fervor and happy moods of the natives of Yamekraw, a Negro settlement situated on the outskirts of Savannah, Georgia.” James Price Johnson died in New York City on Nov. 17, 1955 after suffering his eighth stroke at home. Johnson is profiled at AfriClassical.com
Pittsburgh Symphony OrchestraThird Annual Tribute Concert
Marcus Roberts Trio
James P. Johnson
Yamekraw: A Negro Rhapsody
CBC Radio 2 Blog: 'The blog Africlassical makes note' of Nathaniel Dett Chorale at Inauguration
Clarksdale Press Register: 'William Grant Still exhibit on display through January 16'
[William Grant Still: Inspired to Inspiring Exhibit, Clarksdale Press Register, Clarksdale, Mississippi]
William Grant Still exhibit on display through January 16
By ANDY ROSS
Staff Writer
Thursday, January 8, 2009 2:16 PM CST
Between the Delta Blues Museum, Theo's Rock 'n' Roll Museum, various Blues Trail markers and other cultural hotspots around Coahoma County, there is no shortage of information for those seeking out the rich musical heritage of Mississippi. The newest exhibit now on display at Carnegie Public Library is yet another location. William Grant Still: Inspired to Inspiring, tells the story of the Woodville, Miss. born composer who was the first African–American to conduct a major American symphony orchestra. Made up of eight free-standing panels, the exhibit begins with Still’s childhood in Miss. and Ark. and runs through his time working with W.C. Handy in Memphis, all the way to his years in Los Angeles creating musical scores for popular TV shows and movies. In addition to writing more than 150 compositions in his lifetime, Still is also known as one of the first composers to merge blues and jazz themes into traditional European classical forms. One of Still’s quotes displayed in the exhibits exemplifies this approach to music. In referring to his best known piece, Symphony No. 1 “Afro-American” Still writes: “I knew I wanted to write a symphony; I knew that it had to be an American work; and I wanted to demonstrate how the blues, so often considered a lowly expression, could be elevated to the highest musical level.” Inspired to Inspiring will be at Carnegie Library through Jan. 16. The exhibit is owned by Delta State University and will be on tour through various other libraries and academic institutions throughout Mississippi this year. [William Grant Still (1895-1978) is profiled at AfriClassical.com]
Zagreb Guitar Quartet to Play Music of Celso Machado at Dubai Concert Feb. 2, 2009
Sunday, January 11, 2009
Answers for Part I. Black History & Classical Music Quiz Based on Biographies at AfriClassical.com
[James DePreist, Conductor]
AfriClassical posted Part I. Black History & Classical Music Quiz on Jan. 10.
Answers:
2 Blanke, John (16th Century)
11 Bonds, Margaret Allison (1913-1972)
12 Dawson, William Levi (1899-1990)
17 DePreist, James (b. 1936)
8 Dett, R. Nathaniel (1882-1943)
13 Ellington, Edward Kennedy “Duke” (1899-1974)
14 Garcia, José Mauricio Nunes (1767-1830)
7 Holland, Justin (1819-1887)
15 Jeanty, Occide (1860-1936)
10 Johnson, Francis B. (1792-1844)
3 Joplin, Scott (1868-1917)
16 Lambert, Lucien-Leon, Jr. (1858-1945)
9 Lamothe, Ludovic (1882-1953)
5 Saint-Georges, Le Chevalier de (1745-1799)
6 Sancho, Ignatius (1729-1780)
1 Still, William Grant (1895-1978)
4 Wiggins, Thomas "Blind Tom" (1849-1908)
Saturday, January 10, 2009
Part I. Black History & Classical Music Quiz Based on Biographies at AfriClassical.com
[Margaret Allison Bonds, African American Composer and Pianist]
Part I. Black History & Classical Music
Assignment or Quiz Based on Biographies at AfriClassical.com
Introduction: Black History is part of the common record of humanity. It proves that people of African descent have been part of Classical Music since at least the 16th Century.
Write the number of each question next to the name of a composer or musician in the list
1 Composer of the Afro-American Symphony
2 Black trumpeter for King Henry VIII
3 The King of Ragtime
4 Blind slave was a musical genius
5 Best fencer in France
6 Britain's first Black voter
7 Classical guitarist who helped the Underground Railroad
8 Composer and pianist born in Canada
9 Haitian pianist nicknamed "A Black Chopin"
10 Led first African American musicians to visit Europe
11 Her work Troubled Water is based on a spiritual
12 Composer of Negro Folk Symphony
13 His Cotton Club Orchestra was on national radio, but only White people could attend its shows
14 Composer of Brazil's first opera
15 Music Director for the President of Haiti
16 Believed to be the first Black composer to make a recording
17 Conductor who received National Medal of Arts in 2005
__Blanke, John (16th Century)
__Bonds, Margaret Allison (1913-1972)
__Dawson, William Levi (1899-1990)
__DePreist, James (b. 1936)
__Dett, R. Nathaniel (1882-1943)
__Ellington, Edward Kennedy “Duke” (1899-1974)
__Garcia, José Mauricio Nunes (1767-1830)
__Holland, Justin (1819-1887)
__Jeanty, Occide (1860-1936)
__Johnson, Francis B. (1792-1844)
__Joplin, Scott (1868-1917)
__Lambert, Lucien-Leon, Jr. (1858-1945)
__Lamothe, Ludovic (1882-1953)
__Saint-Georges, Le Chevalier de (1745-1799)
__Sancho, Ignatius (1729-1780)
__Still, William Grant (1895-1978)
__Wiggins, Thomas "Blind Tom" (1849-1908)
Black History & Classical Music
Educational Resource
Based on AfriClassical.com
Common Record of Humanity
500 Years of Classical Music
Friday, January 9, 2009
Opera And Beyond: 'our new version, Scott Joplin and Treemonisha, adds seven more' roles
[Scott Joplin's Treemonisha; Original Cast Recording; Polygram 435709 (1992)]
Opera And Beyond
Wednesday, January 7, 2009
“TREEMONISHA is not small. The cast list has seventeen roles and our new version, SCOTT JOPLIN AND TREEMONISHA, adds seven more. There are over twenty in the chorus and over ten dancers. Lots of the roles have been doubled up. This is balanced by the orchestra of 'Eleven and Piano' which is rather small when compared to a regular opera orchestra. Posted by Michael Ching.”
Recent posts listed in the right column of the blog include: Preview of Treemonisha; Treemonisha Cast; Joplin and Lottie; Strange Spam; and Treemonisha Staging. [Scott Joplin (1868-1917) is profiled at AfriClassical.com]
Highway 61 Radio: Composer William Grant Still 'also made arrangements for W.C. Handy'
[William Grant Still, left, with W.C. Handy]
Jan 4th, 2009
by Scott Barretta
On Wednesday Jan. 21 Judith Anne Still and Jackson Symphony director Crafton Beck will be the guests at the Mississippi Department of Archives and History's “History is Lunch” program, celebrating Still’s father, composer William Grant Still. An exhibit about Still will be on display beginning January 20 at the Winter F. Building in Jackson, where the talk will be held; it was recently on display in Columbus and Clarksdale.
A native of Woodville, MS — also home to Lester Young and bluesmen Scott Dunbar and Robert Cage — Still is best known for his classical work including his blues-themed “Afro-American symphony, but he also made arrangements for W.C. Handy and was the musical director for Black Swan Records, a Harlem Renaissance project in the early ’20s. A MS Blues Trail marker honoring Still, Young, Dunbar and Cage was scheduled to go up in December, but has been tentatively rescheduled for some time in February. [William Grant Still (1895-1978) is profiled at AfriClassical.com, where a complete Works List by Dr. Dominique-René de Lerma is also found]
Highway 61 RadioJudith Anne Still
Crafton Beck
History is Lunch
William Grant Still
W. C. Handy
Thursday, January 8, 2009
The Niagara Falls Review: 'Nathaniel Dett Chorale founder celebrates historic times'
[Nathaniel Dett Chorale and Brainerd Blyden-Taylor]
Posted by John Law
On Inauguration Day, the group will perform at the Embassy of Canada’s headquarters on Pennsylvania Avenue. It’s an invite that has brought the group international attention this week. Gospel Train Workshop organizer Laura Thomas is relieved she booked Blyden-Taylor before word got out. “I think what I said was, “As long as you’re still available on (January) 10th ... that’s great!’” Named after the black composer from Niagara Falls, the Nathaniel Dett Chorale was formed in 1998 as Canada’s first professional choir dedicated to Afrocentric music of all genres. It has won worldwide acclaim the past decade, marking its 10th anniversary with a tour of the southern U.S. [R. Nathaniel Dett (1882-1943) is profiled at AfriClassical.com]
Wednesday, January 7, 2009
Nathaniel Dett Chorale Performs for Inauguration of President Barack Obama Jan. 20, 2009
The Nathaniel Dett Chorale, so named for internationally renowned African-Canadian composer R. Nathaniel Dett (1882-1943), was founded by Artistic Director Brainerd Blyden-Taylor in 1998. Canada’s first professional choral group dedicated to Afro-centric music of all styles, including classical, spiritual, gospel, jazz, folk and blues, the 25 classically trained vocalists have shared the stage with internationally recognized artists such as Juno Award-winning jazz pianist Joe Sealy; opera star Kathleen Battle and the Toronto Symphony Orchestra. The Chorale has also performed at events honoring world leaders Nelson Mandela, Archbishop Desmond Tutu and Muhammad Ali. The chorale have toured across Canada, the United States and Europe and will follow up their appearance at the historic event with a series of concerts across Western Canada. [R. Nathaniel Dett is profiled at AfriClassical.com]
Ulysses S. Kay, African American Composer & Conductor Born Jan. 7, 1917
The International Dictionary of Black Composers gives this overview of Kay's output as a composer: “Ulysses Kay composed approximately 140 musical compositions for orchestra, chorus, chamber ensembles, piano, voice, organ, and band, and he wrote five operas as well as scores for film and television. Kay’s works appear in numerous published editions and on approximately 21 recordings. Avoiding obvious musical references to his ethnicity, Kay preferred to immerse himself in compositional procedures that were a natural outgrowth of his educational and international experiences. According to Robert D. Herrema, “Kay believes that a composer is the product of his extraction and environment as well as his political and ethnic interests, but should not be limited by them.” In spite of these reservations, however, Kay incorporated the use of black spirituals in the opera Jubilee (1974–76) and in his last opera, Frederick Douglass (1979–85), treated the life of the legendary abolitionist.” Ulysses Simpson Kay died in Englewood, New Jersey on May 20, 1995. The first major release devoted exclusively to the works of Ulysses S. Kay, Jr. is Ulysses Kay: Works for Chamber Orchestra; Metropolitan Philharmonic Orchestra; Kevin Scott, Conductor; Troy 961 (2007).
Ulysses S. KayBorn Jan. 7, 1917
African American Composer
Works for Chamber Orchestra
Kevin Scott
Dr. Dominique-René de Lerma
Tuesday, January 6, 2009
Memphis Commercial Appeal: “Take a peek at Scott Joplin opera 'Treemonisha'” Jan. 8
[Scott Joplin's Treemonisha; Original Cast Recording; Polygram 435709 (1992)]
The preview party anticipates the company's own premiere production at the end of the month. Thursday's preview, at the Clark Opera Memphis Center, will include highlights from the opera sung by the cast. Their performances will also be broadcast live on WKNO-TV Channel 10. A reception with hors d'oeuvres begins at 6:30 p.m. Thursday. Show at 7 p.m. Tickets are $5. Call 257-3100 [Scott Joplin is profiled at AfriClassical.com]
'On An Overgrown Path' Posts Link to Fred Onovwerosuoke's Account of Herbert von Karajan
AfriClassical very much appreciates the attention Pliable's posting of the links has brought to Fred's personal account of encountering and memorializing Herbert von Karajan, and to the major music festival he will direct next month.
Flickr.com: 'John Blanke, trumpeter at the courts of Henry VII and Henry VIII'
John Blanke, trumpeter at the courts of Henry VII and Henry VIII, Westminster Tournament Roll, 1511
“Black Presence” is an online feature of The National Archives of the United Kingdom, in partnership with the Black and Asian Studies Association. It includes an entry entitled “John Blanke, Black Trumpeter”: “It appears that John Blanke, a Black trumpeter, was a regular musician at the courts of both Henry VII and Henry VIII. Musicians' payments were noted in the accounts of the Treasurer of the Chamber, who was responsible for paying the wages. There are several payments recorded to a 'John Blanke, the blacke trumpeter'. This trumpeter was paid 8d [8 pence] a day, first by Henry VII and then from 1509 by Henry VIII.”
We learn from the archives that a son was born to Henry VIII and his wife, Catherine of Aragon, on January 1, 1511. Tradition called for a major celebration of a royal birth, so the King held the two-day Tournament of Westminster later that year: “Among the latter is a Black man. He appears twice on the Roll: once on the way from the court and again on the way back. According to the historian Sydney Anglo, he is almost certainly John Blanke, the 'blacke trumpeter' mentioned in the Treasurer's accounts. Henry VIII's tournament was a costly extravaganza, and here we find a Black man included in one of the most magnificent pageants of his time, dressed formally as a mounted musician, perhaps also belonging to the equestrian corps of the court.” [John Blanke is profiled at AfriClassical.com]
Monday, January 5, 2009
Pianist Rochelle Sennet in Concert/Lecture Friday, Jan. 16, 2009 & Master Class Jan. 17, 2009
[Dr. Rochelle Sennet, Teaching Associate in Piano, University of Illinois Urbana-Champaign]
WHO: Dr. Sennet is rapidly establishing herself as a well-known performer, teacher, and scholar. Her recital programs showcase her versatility at the keyboard, with frequent performances of works by Bach, Beethoven, and African American composers such as H. Leslie Adams, Adolphus Hailstork, and Pulitzer-Prize winning composer George Walker. Her research interests include the study of American music, and she has interviewed well-known music historians and composers. Her dissertation, entitled “African American Composers and the Piano Concerto,” highlights her pursuits.
Dr. Sennet has won numerous competitions and performed with orchestras across the country. She is a member of Music Teachers National Association, College Music Society, the Center for Black Music Research, Society for American Music, and Phi Kappa Phi honor society. Concert/Lecture – 7:30 pm – Friday, January 16, 2009. Master Class – 2 pm – Saturday, January 17, 2009. Community Music School of Webster University, 535 Garden Avenue, Webster Groves, MO 63119 Both the Concert and the Master Class are free and open to the public. For more information: 314-246-4448 [H. Leslie Adams, Adolphus C. Hailstork and George Walker are profiled at AfriClassical.com]
Dr. Rochelle Sennet
African American Pianist
Concert/Lecture & Master Class
Webster University
African American Composers
Teaching Associate
Sunday, January 4, 2009
A-R Editions Publishes Florence Price's Symphonies Nos. 1 & 3, Edited by Rae Linda Brown
“Florence Beatrice Smith Price (1887-1953), who settled in Chicago in 1927, was the most widely known African-American woman composer from the 1930s until her death. This edition presents two important unpublished orchestral works: the Symphony no. 1 in E Minor (1932) and the Symphony no. 3 in C Minor (1940). The style of these works is quite different. Price's Symphony in E Minor is squarely in the nationalist tradition, and it may be more fully considered in the context of the Harlem Renaissance and the New Negro Movement of the 1920s and 1930s. Cultural characteristics are borne out in the pentatonic themes, call-and-response procedures, syncopated rhythms of the third movement's Juba dance, the preponderance of altered tones, and the timbral differentiation of instrumental choirs (the juxtaposition of the brass and woodwind choirs, for example).
“The Symphony in C Minor was inspired by new philosophical, political, and social currents, stemming from the Chicago Renaissance, underway from 1935-1950. The Great Migration (of blacks from the south to Chicago), the Depression, and the adjustment to urban life provided vivid life experiences as subject matter for Chicago Renaissance writers and artists (including Langston Hughes, Richard Wright, and Margaret Bonds). Price's third symphony, which omits overtly black themes and simple dance rhythms, presents a modern approach to composition–a synthesis, rather than a retrospective view, of African-American life and culture.” [Florence Beatrice Smith Price and Margaret Allison Bonds are profiled at AfriClassical.com]
Jackson Free Press: 'History is Lunch: William Grant Still' January 21, 2009 at Noon
[Africa: Piano Music of William Grant Still; Denver Oldham, piano; Koch 3 7084 2H1 (1991)]
Jackson Free Press
Jackson, Mississippi
Date and Time: Wed. Jan 21, 2009 at 12:00pm
Director and conductor of the Mississippi Symphony Orchestra Craften Beck and Judith Anne Still honor distinguished Mississippi composer William Grant Still.
Price: Free, bring your own lunch
Contact Phone: 601-576-6857
Location: William F. Winter Archives and History Building
[Judith Anne Still, daughter of William Grant Still, operates WILLIAM GRANT STILL MUSIC and The Master-Player Library, “The original source for the music of American composer WILLIAM GRANT STILL”, http://www.williamgrantstill.com and http://www.troubledisland.com] [William Grant Still (1895-1978) is profiled at AfriClassical.com, where a complete Works List by Dr. Dominique-René de Lerma is also found]
History is LunchJudith Anne Still
William Grant Still Music
Craften Beck
Mississippi Symphony Orchestra
Dr. Dominique-René de Lerma
Friday, January 2, 2009
Myrtle Hart Society: 'The Violin in Black Music History' by Dr. Dominique-René de Lerma
Rashida N. Black, Founder/Executive Director
The violin had been popular in France well before it was accepted as a legitimate instrument elsewhere, mainly because it had been used for dance music. Within that tradition arose the Chevalier de Saint-Georges (1745-1799), born in Guadeloupe, child of a French father and a slave. His father took the liaison seriously and made arrangements for the little boy to study the violin so that he would prove an acceptable dilettante within social circles when the family moved to Paris. The unexpected happened, and the child proved himself equal, if not superior, to all violinists in Europe. He was director of two major Parisian orchestras, with which he performed his exceptionally virtuosic concertos. He was sought after by Mozart when, as a young man, the Austrian visited France seeking employment, and it was Saint-Georges who led the six "Paris" symphonies by Haydn, and arranged for their publication. Read more: http://myrtlehart.org/content/view/275/5/ [Le Chevalier de Saint-Georges (1745-1799) and William Levi Dawson (1899-1990) are profiled at AfriClassical.com]
Myrtle Hart SocietyThe Violin in Black Music History
Dr. Dominique-René de Lerma
Le Chevalier de Saint-Georges
William Levi Dawson
Black Composers
James DePreist Bust by Rip Caswell Was Sponsored by Friends and Supporters
[James DePreist Bust, by Rip Caswell, Sculptor]
































































