Showing posts with label Diversity in Classical Music. Show all posts
Showing posts with label Diversity in Classical Music. Show all posts

Monday, March 14, 2011

Crain's Detroit: “'Music can be that bridge' – Sphinx seeks to expand global reach with diversity conference”

[Aaron Dworkin]

March 13, 2011 8:00 PM
By Sherri Welch
“The Sphinx Organization plans to establish an international conference on increasing diversity in classical music while showcasing its musicians. 'SphinxFest' would take place in England over a week's time, bringing together key arts, education and diversity leaders from the country to discuss best practices and to hear performances from Sphinx musicians.

“Plans for the conference, which Sphinx seeks corporate funding to support, are part of an international expansion of Sphinx's mission to increase diversity in major orchestras and to expose more underserved youth to classical music. Sphinx musicians have traveled to seven other countries over the past five years. SphinxFest would serve as a convening event much like the Sphinx Competition here in the U.S., said founder Aaron Dworkin.

“If the Detroit-based nonprofit is successful in securing some degree of funding or sponsorships from organizations like the J.P. Morgan Chase Foundation and the U.S. embassy in England, the international conference could take place before the end of this year or early in 2012, Dworkin said. 'Especially these days, there seems to be so many manmade reasons for conflict between nations and/or lack of understanding and tolerance for other cultures,' he said. 'Music can be that bridge of understanding. To be able to take the models and work we've done here that we know have helped to bridge communities in the states and bring that to the international stage could have a major impact on the world.'"

“Sphinx began to dabble in international performances four or five years ago, first in London through its partnership with Southbank Centre, a national arts group akin to the Washington, D.C.-based The John F. Kennedy Center for the Performing Arts. 'As we began to have discussions with Southbank Centre and some of our partners in the other countries ... we learned there was need in underserved communities, among young people and among audiences that weren't typically exposed to classical music,' Dworkin said. 'The conclusion from those conversations was that the work we were doing here in the states was not only relevant in those countries but needed.'

“About 20 Sphinx musicians have traveled to perform at U.S. embassies and in local communities so far, performing in seven countries: Belgium, Bermuda, England, Mexico, Paraguay, South Africa and Venezuela.” “Sphinx's budget for the international activities is about $100,000 this year, up from $50,000 last year, he said, and coming from U.S. embassies, the U.S. State Department and organizations in other countries that bring Sphinx musicians in to their communities.” [Aaron Dworkin (b. 1970) is profiled at AfriClassical.com and has a personal website at http://www.AaronDworkin.com]

Sunday, February 1, 2009

The Birmingham News: 'Harlem Quartet: At the Heart of Diversity'

[The Harlem Quartet, from left, Ilmar Gavilan, Desmond Neysmith, Melissa White and Juan-Miguel Hernandez, was organized in 2006. Each has won the Sphinx Competition for young Black & Latino string players and they are about to release their second CD. They perform Thursday in a concert presented by the Birmingham Chamber Music Society.] 

Posted by Michael Huebner – Birmingham News February 1, 2009 5:30 AM
“In its mission to involve more Latinos and African-Americans in classical music, the Sphinx Organization has spawned a string quartet that's quickly gaining respect in the competitive chamber music market. The Harlem Quartet, a group of 23- to 30-year-olds that plays in Birmingham on Thursday [details below], was assembled in 2006 by Sphinx founder Aaron Dworkin. Unlike most string quartets, who link up through educational, professional or family ties or through auditions, the Harlem was assembled from first place solo winners in the annual Sphinx Competition for young Black and Latino string players.

Every year since 1996, the Michigan-based Sphinx Organization has held the competition with the goal of breaking cultural stereotypes. First violinist Ilmar Galivan won in 2001. 'Everyone in the quartet has won the competition, in separate years,' said Galivan. 'When we won this competition, the thought of being in a quartet wasn't remotely in anyone's mind.' Brought up in Cuba, Galivan studied violin at the Havana Conservatory until he was 14, then studied in Moscow, Spain and New York, picking up pointers from such luminaries as Yehudi Menuhin, Ruggiero Ricci, Isaac Stern and Glenn Dichterow. Other quartet members have equally impressive solo credentials.”

But the quartet's diversity goes beyond ethnicity. Its repertoire draws from classic quartet composers such as Brahms, Haydn, Mozart and Ravel, but sprinkles in modernists such as Walter Piston and Judith Lang Zaimont. More telling are quartets by Guido Galivan (Ilmar's father) and a Duke Ellington arrangement of Billy Strayhorn's 'Take the A Train' (the title track of the quartet's first CD). Wynton Marsalis' 'Octoroon Balls,' a work that explores the social and cultural contradictions of Creole life in New Orleans. Composed in 1995 for the Orion Quartet, it was the first classical composition by the jazz great, and it has taken on special significance for the group."  [Full Post]  [The Founder/President of The Sphinx Organization is violinist Aaron P. Dworkin, who is profiled at AfriClassical.com]

Wednesday, January 28, 2009

Innovate2Uplift.net: 'Raisin' the Buzz: At the table with Aaron Dworkin'

Posted by Sidney on January 28, 2009
"Violinist Aaron Dworkin is on unique double mission - to enrich the classical music art form with diverse interpretation, fresh creativity, and artistic excellence and to use classical music education to improve the quality of life for young African Americans and Latinos. He lives this mission as the President and CEO of the Sphinx Organization, a non-profit he founded in 1996. I recently sat down with him to get to know more about him, his work, and his approach to changing our world for the good of all. After reading this interview, please show Aaron Dworkin and the Sphinx Organization some love by offering comments, viewing the Sphinx promotional video, and/or giving support for the impact they are achieving.

"Q: Why did you start The Sphinx Organization?
Dworkin: As a young person, I often found myself to be the only one or one of less than a handful of musicians of color. As a student at the Interlochen Arts Academy, and later, the University of Michigan, in various orchestras and as an audience member, I began to question why this was the case. I decided to do something about it by launching a national competition for young black and Latino string players to address the under representation of these groups in classical music."  [Full Post]  [Aaron P. Dworkin (b. 1970), is profiled at AfriClassical.com]

Monday, December 8, 2008

Wilmer Wise on Black Performers: 'Why not celebrate the players who are in today's orchestras?'

[African American Trumpeter Wilmer Wise; Photo from website of The Jazz Museum in Harlem]

Earlier today AfriClassical posted “Comment On Baltimore Sun Article On Small Number of Black Musicians in U.S. Orchestras”. The comment came in response to our publication of Tim Smith's newspaper article. We are extremely grateful for a very informative second comment from Wilmer Wise, an African American trumpeter who was a pioneer when he joined the Baltimore Symphony: “I reminded Mr. Smith that 43 years ago when I joined the Baltimore Symphony it was front page news. I left the orchestra in 1970 and I haven't heard from them since then. Why not celebrate the players who are in today's orchestras? In 1965, the year in joined the BSO, there were NO black trumpet players in ANY American orchestra. Today, Billy Ray Hunter is the Co-Principal Trumpet of the Metropolitan Opera Orchestra. Tage Larsen is a member of the Chicago Symphony trumpet section. Langston Fitzgerald joined the Baltimore Symphony Trumpet Section in 1970. Let's celebrate what we have, not what we would like to see, I'm sure there will be positive results.
Wilmer Wise
Baltimore Symphony 1965-1970
Brooklyn Philharmonic 1971-2004
December 8, 2008 6:32 PM

Friday, July 18, 2008

“Goosepimples arrived as Aaron Dworkin of Sphinx began his talk” in London


A blogger tells of a presentation at Southbank Centre, a London cultural complex:
Highlights of The Week (Monday to Friday)
by lemn sissay on Fri 18 Jul 2008 09:07 PM BST
“On Wednesday I attended a talk at The Southbank centre. It was inspirational. It was about the power to make change. Goosepimples arrived as Aaron Dworkin of Sphinx began his talk 'I was brought up with white adoptive parents'. He was explaining about how to get minorities into classical music.” [Aaron P. Dworkin is an African American violinist as well as Founder/President of the Sphinx Organization. He is profiled at AfriClassical.com]