ABOUT THE TAFEL TALKS PANELISTS
Dr. Christine Gangelhoff (Nassau), leading
scholar on
Caribbean classical composers,
flutist, and founder of C Force chamber
ensemble. Associate Professor of Music at
The University of The Bahamas
and
author of the textbook Tour de Force:
A Musical Journey of the Caribbean.
Tanya Charles Iveniuk (Toronto), violinist
with roots in Saint Vincent and the
Grenadines and member of Ensemble
du
Monde (Ensemble-in-Residence at the
Festival International de Musique
Saint-Georges), Toronto Mozart Players,
Sinfonia Toronto, and the Odin
Quartet.
Faculty member at University of Toronto-
Faculty of Music, The
Regent Park School
of Music, and Axis Music.
Patrick Jordan (Toronto), Tafelmusik
violist and member
of the Eybler Quartet
and Gallery Players of Niagara.
Faculty member at
the Glenn Gould
School.
ABOUT MARLON DANIEL
American conductor Marlon Daniel is
a protégé of the renowned Finnish
pedagogue Jorma Panula. He has
been described as “a natural and
enormous
talent” by the Chicago
Sun-Times and as “fabulous and
exceptional” by
Pravda –
Moscow. He is one of the most
dynamic conductors of his
generation and is a bright light
for diversity in the world of
classical
music. He has performed
in prestigious venues in Asia,
Europe and the
United States, from
Carnegie Hall to the Rudolfinum.
A laureate of the 2018 Bucharest
Symphony Orchestra
International
Conducting
Competition, he has also been a
recipient of the ‘Voice of the
Artist’ Award from the United
Nations in recognition of his
charitable
work bringing
awareness to the crisis in Darfur
and an Honorary Key to
the
City of Chicago for Outstanding
Musical Achievement. Recently,
he
has made acclaimed
débuts with Chineke! in
London, the Havana Lyceum
Orchestra, Sofia Sinfonietta,
Tatarstan National Symphony
Orchestra and
the Orquesta
Sinfónica Nacional de Cuba,
where he was the first
American
to date invited since
President Barack Obama’s
historic lifting of the
U.S.
embargo in 2015, and the
only African American to
conduct the
orchestra in its
sixty-year history.
He is the world’s foremost
exponent and interpreter of
the music of
Chevalier de
Saint-Georges and a
champion of works by living
composers,
especially of
African descent. His
recording “Phoenix Forever”
(music of
Hampson Sisler)
on the MSR Classics label
received rave reviews and
was
in consideration for a
2011 GRAMMY.
He has held positions as
Associate Conductor of the
Praga Sinfonietta,
Principal
Guest Conductor of the
Pazardzhik Symphony
Orchestra and has
been a
Guest Lecturer at Yale
University. Currently, he
is Artistic and
Music
Director of the Festival
International de Musique
Saint-Georges,
Music
Director of Ensemble du
Monde (chamber orchestra),
Director of the
Diversity in
Classical Music Program
at Teachers College,
Columbia
University and
has recently joined the
faculty Fordham University
as
Director of Orchestral
Ensembles.
Next season, he will
make débuts at the
prestigious Havana Mozart
Festival, Opera Créole in
New Orleans and release
a new CD on the French
label, Alpha Records.
ABOUT GORDON SHADRACH
Toronto-based artist Gordon
Shadrach was born and
raised in Brampton,
Ontario in 1966. Gordon
started painting in 2013
and paints in oil and
acrylic
on wood. He has exhibited
in solo and group art
shows in Canada
and the
United States. He works
from photographs at his
in-home studio.
He
received his B. Des.
(MAAD) from OCAD
University and has a
Master of
Education
degree from Niagara
University. In the Spring
of 2018,
Gordon’s
painting, “In Conversation”,
was included in an exhibit
developed by the Royal
Ontario Museum titled,
“Here We Are Here:
Black
Canadian
Contemporary Art” and
toured to Montreal and
Halifax. His work
is
currently exhibited
through the
United Contemporary
Gallery in
Toronto.
ABOUT TAFELMUSIK
Led by Music Director Elisa Citterio and Executive
Director Carol Kehoe,
Tafelmusik is an orchestra,
choir, and experience that celebrates
beauty
through music of the past.
Founded over 40 years ago on the pillars of
passion, learning, and
artistic excellence,
Tafelmusik continues to bring new energy to
baroque
music and beyond. Historically
informed performances of 17th- to
19th-century
instrumental and choral music (led by Chamber
Choir
director Ivars Taurins) share the stage with
vibrant, insightful
multimedia programs, and bold
new music written just for the group. Each
piece is
played on period instruments, underscored and
illuminated by
scholarship.
Through dynamic performances, international
touring, award-winning
recordings, and
comprehensive education programs, Tafelmusik
invites
audiences to engage with beauty and
experience the breadth of emotion
music can
inspire.
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