composed by Fred Onovwerosuoke
commissioned by Coro Allegro of Boston, MA
Tai Oney
counter-tenor
Jonas Budris
tenor
Fred Onovwerosuoke
composer
Coro Allegro of Boston
August 27, 2018
AMERICA, WE NEED TO TALK
Sunday, March 24, 2019 3pm • Sanders Theatre,
Cambridge, MA
Cambridge, MA
FRED ONOVWEROSUOKE:
A Triptych of American Voices: A Cantata of the People
A Triptych of American Voices: A Cantata of the People
A
kaleidoscopic world premiere by an immigrant composer that shines light
on America through the prisms of three great poems: Maya Angelou's "I
Know Why the Caged Bird Sings," Langston Hughes' "As I Grew Older,” and
Michael Castro's "We Need to Talk.” Also on the program is a reprise of
the composer's "Caprice for Piano & Orchestra"
Tai Oney, countertenor
Jonas Budris, tenor
Darryl Hollister, piano
Coro Allegro and the Coro Allegro Chamber Orchestra,
David Hodgkins, conductor & artistic director
Tai Oney, countertenor
Jonas Budris, tenor
Darryl Hollister, piano
Coro Allegro and the Coro Allegro Chamber Orchestra,
David Hodgkins, conductor & artistic director
Visit http://www.fredomusic.com for composer Onovwerosuoke's profile and works.
Visit http://www.coroallegro.org for contact and other Coro Allegro info.
Visit http://www.countertenorcorner.com/tai-oney.html for counter-tenor Tai Oney's profile.
Visit http://jonasbudris.com for tenor Jonas Budris profile.
Visit http://www.coroallegro.org for contact and other Coro Allegro info.
Visit http://www.countertenorcorner.com/tai-oney.html for counter-tenor Tai Oney's profile.
Visit http://jonasbudris.com for tenor Jonas Budris profile.
A Triptych of American Voices: A Cantata of the People, a new work by St. Louis composer, Fred Onovwerosuoke, is a kaleidoscope on prevailing themes of American political
discourse, from the purview of an immigrant composer. It's a musical
narrative told from the prisms of 3 great poems - Maya Angelou's "I Know Why the Caged Bird Sings," Langston Hughes' "As I Grew Older," and Michael Castro's "We Need to Talk." The musical lingua is deliberately diverse, drawing from a variety of cultural influences. Imagery abound - of Native American pow-wows,
early African American holler songs, and ancient chants echoed from
Appalachian mountains - all woven on a sonic tapestry that is
immediately American, but in a broad perspective, universal. The
30-minute work, scored for mixed chorus, counter-tenor and tenor
soloists, and orchestra, was commissioned by Coro Allegro of Boston, MA.
World premiere concert scheduled for March 24, 2019, 3PM at the
Sanders Theatre in Cambridge, MA.
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