Scott Joplin (c.1867-1917) is profiled at AfriClassical.com, which features a Bibliography and comprehensive Works List by Dr. Dominique-René de Lerma, http://www.CasaMusicaledeLerma.com.
March 21, 2016
By Denise Coffey, Staff Writer
If there was ever a perfect match for a speaker and an audience, it
was when Rick Benjamin spoke to the Canterbury Historical Society at
their March 11 meeting.
The independent scholar and historian, who
is the founder and director of the Paragon Ragtime Orchestra, was in
his element talking with people who love all things historical.
For
people in the know, Benjamin is a force in the musical world. He and
his orchestra celebrate ragtime music – those scores that were popular
from 1870 to 1920.
"That was where America's music began,"
Benjamin said. "It was a time when the country was beginning to express
itself in sound."
It was also when the country's music industry
started. There were approximately 21,000 silent movie theaters in the
United States by 1916. All of them employed an orchestra. In large
cities, those orchestras numbered 50 or more. New York City had a
110-member orchestra that performed three times a day, for seven days a
week.
Benjamin comes from a musical family. He was so talented
that he received a scholarship to the Julliard School in New York City
to study the tuba. Unfortunately, he broke his jaw that first semester.
Unable
to play his tuba, he started work on an independent study about the
beginning of the Victor Talking Machine Company. One thing led to
another until he found himself in New Jersey, picking through a dumpster
where a demolition company was throwing away old scores from Victor's
orchestral library. One of the first scores he picked up was a
handwritten Scott Joplin manuscript.
That serendipitous finding
put him on a path that's taken him to 48 states, seven countries, and
made the PRO a standard bearer for ragtime. It didn't help him graduate
from Julliard. That's because before that first year was over, he and
some friends organized a ragtime band and came to the attention of
Thomas Frost. Frost was the co-director of CBS Masterworks, and a Grammy
Award winning classical producer. He wanted the band to start
production immediately.
"None of this was planned," Benjamin said.
Since
1988, the PRO has produced 17 CDs and two DVDs. In 1989, the Walt
Disney Company chose the PRO's recordings for its theme music on Main
Street, USA. The orchestra was named a US Ambassador of Goodwill at the
1992 World's Universal Exposition in Spain.
The music has
engendered a loyal following, and it has shone a spotlight on the
development of ragtime, a uniquely American gift to the music world.
Benjamin
and his orchestra have expanded appreciation for the musical form while
adding to historians' knowledge of the historical forces that shaped
it. Ragtime developed in the Midwest with an intermingling of sounds and
rhythms from Africa and marching music from old Europe. Benjamin
described it as "accents in weird places set against a steady beat."
Benjamin
has been thorough in his historical scholarship. More than 20,000
compositions are in the PRO library. More than 10,000 scores that
haven't been catalogued are in storage. He'd like to digitize the work
so it can be preserved for the future.
His work has also led to a
better appreciation of Joplin's musical talent and contribution. Joplin
was a classically trained musician who composed two operas, a ballet,
symphony, and piano concerto, but he is known primarily for ragtime.
***
Copyright
© 2016, Courant Community
Comment by email:
Thanks Bill! That's very kind. Yours, R Rick Benjamin
Comment by email:
Thanks Bill! That's very kind. Yours, R Rick Benjamin
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