The Noon Recess - Winslow Homer
MELODEON
Marti Newland, soprano
Manami Ono, violin
George Spitzer, baritone
Artis Wodehouse, Mustel harmonium, piano, Schoenhut pianos
Program
For the 1902 Mustel Art Harmonium
19th Century American Synagogue music by Louis Lewandowski (1821-1894) and Jacob Sandler (1860-1931)
The Immovable Do by Percy Grainger (1882-1961)
Songs by Ernst Bacon (1898-1990) for low voice and piano
The Commonplace/Whitman
Grand Is the Seen/Whitman
How Still the Bells/Dickinson
Omaha/Sandburg
It’s Coming-the Postponeless Creature/Dickinson
Brady/Ernst Bacon
Afro-American Spirituals arranged for soprano and piano
Manami Ono, violin
George Spitzer, baritone
Artis Wodehouse, Mustel harmonium, piano, Schoenhut pianos
Program
For the 1902 Mustel Art Harmonium
19th Century American Synagogue music by Louis Lewandowski (1821-1894) and Jacob Sandler (1860-1931)
The Immovable Do by Percy Grainger (1882-1961)
Songs by Ernst Bacon (1898-1990) for low voice and piano
The Commonplace/Whitman
Grand Is the Seen/Whitman
How Still the Bells/Dickinson
Omaha/Sandburg
It’s Coming-the Postponeless Creature/Dickinson
Brady/Ernst Bacon
Afro-American Spirituals arranged for soprano and piano
Hall Johnson (1889-1970):
His Name So Sweet Hall Johnson
Witness
Let’s Have a Union
Take My Mother Home
Margaret Bonds (1913-1972):
Lord, I Just Can’t Keep from Cryin’
Dem Bones
He’s Got the Whole World in His Hands
For vintage Schoenhut toy pianos
Four Notes: a Cycle of Solfegic Pieces by Ernst Bacon
[2013 is the Birth Centennial of Margaret Allison Bonds,
who is profiled at AfriClassical.com,
which features
a
comprehensive
Works List and a Bibliography
by Prof. Dominique-René
de Lerma,
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