A Reimagining of
OTELLO
A PREformances
Chamber Music Collaborative
The Town Hall Presents
OPERA AT HOME
A WORLD PREMIERE OF REIMAGINED
VIRTUAL OPERA OTELLO
TO BENEFIT THE CLASSICAL PROGRAMMING
AT THE TOWN HALL
The Town Hall (www.TheTownHall.org) and the PREformances Chamber Music Collaborative have teamed up to bring Verdi’s Otello, virtually, to audiences at home as part of The Town Hall’s new Opera at Home series. The virtual series, beginning November 18 at 8pm,
presents operas in under an hour, sung by a diverse group of singers
who have graced the stages of great opera houses including Metropolitan
Opera and New York City Opera
Now, due to the pandemic, they are singing from their own homes.
At its core, Otello is
about a man who falsely accuses his wife of cheating on him, and
believes this lie so strongly that he eventually takes her life. Opera at Home’s Otello has
captured and brought forth all the important points of the opera so
that audience members get a full and rich experience of Verdi’s
masterwork, while others are left intrigued and compelled to see the
complete version. Although abridged, Opera at Home gives audiences a complete experience and aims to open operatic newcomers to the emotional lure of grand opera.
Otello features Errin Brooks as Otello, Allison Charney as Desdemona, and Jordan Charney as The Narrator. The pianist is Craig Ketter.
Shot in quarantine with all of the performers and crew members working remotely, Opera at Home’s
first production asks the question: Is there a way to create opera
virtually? Can performers truly sing to each other when they’re not in
physical proximity? What must be undertaken by sound designers to make
performers sound like they are in the same space? The PREformances Chamber Music Collaborative undertook this challenge.
Artistic director Allison Charney has reimagined and abridged Otello for
this virtual presentation with a remote production team who worked to
find a way to address the challenges of remote recording. The production
team, including sound engineers and video designers, were able to use
technology that allowed for graphics, outdoor scenes, and other
techniques that a live experience can’t provide. The creative team is
led by Tony-Award winning sound designer, Nevin Steinberg as Executive Producer. Opera at Home
is a new way for opera lovers to experience opera with the most
important values of the form in-tact: performance and storytelling.
PREformances was created to allow artists to perform and workshop pieces of music that they were booked to perform on large stages. The Town Hall and PREformances teamed up in January of this year to present A Season of Hope, a collection of virtual performances featuring high-demand musicians and the works of living composers.
“The Town Hall, once the home of the classical music debut, is very excited to bring accessible opera to the masses,” said Artistic Director Melay Araya.
“The history of classical vocalists at the hall is one of great pride
and diversity in classical music has been a thread throughout the hall’s
100 year history. With a legacy that includes the debuts of Marian
Anderson and Leontyne Price, The Town Hall is excited to bring diverse voices and high-quality, accessible classical programming to a wider audience.”
Opera at Home is a one-of-a kind program and Verdi’s late career masterwork is the perfect beginning for this new program.
All ticket sales benefit the Classical Programming at The Town Hall.
Opera at Home is made possible by a generous contribution from Cowen Inc.
Tickets for Opera at Home
are $35, with $20 tickets for students, seniors and those with
financial difficulties. For tickets and information, please visit: www.TheTownHall.org.
All ticket sales benefit the Classical Programming at The Town Hall.
Opera at Home is made possible by a generous contribution from Cowen Inc.
ERRIN BROOKS (OTELLO)
American tenor Errin Duane Brooks recently made his Metropolitan Opera debut as Mingo in their critically-acclaimed production of Porgy and Bess, and is featured on the Grammy-Award winning recording. He returns to the Met in both Porgy and Bess and Fire Shut Up In My Bones. Brooks’ other notable recent debuts include as the tenor soloist with the National Chorale in Brahms’ Liebeslieder Waltzes,and at Carnegie Hall in the Lord Nelson Mass, Serenade to Music and Chichester Psalms and at The Lincoln Center Theater as Mr. Charles in Intimate Apparel. Mr. Brooks was also featured in The-Mile-Long Opera: a biography of 7’oclock, and in the world-premiere production of Stonewall. Other recent operatic successes include his star turn as Jean de Baptiste in Hérodiade with the New Amsterdam Opera, Canio in I Pagliacci with Boheme Opera, and Robbins in Porgy and Bess
with New York Harlem Productions. Brooks recently won both the Giulio
Gari Foundation International Voice Competition and the George
London-Kirsten Flagstad Grand Prize Award in the George London
Foundation Competition. He has also won top prizes at the Bel Canto,
Luminarts Cultural Foundation, National Vocal Arts and the Metropolitan
Opera competitions. After receiving his Bachelor of Music degree with
honors from Madonna University, his Master of Music degree from Bowling
Green State University and his Artist Diploma from Roosevelt University,
Brooks was named an Emerging Artist with Chicago Opera Theater and now
resides in New York City, where he is represented by Randsman Artist
Management.
No comments:
Post a Comment