Ronald Hoehn
/ https://www.antoinetclark.com/photos
By Jennifer Hambrick
•
Nov 20, 2019
Columbus conductor and clarinetist Antoine Clark wants women musicians and musicians of diverse racial and ethnic backgrounds to be heard.
Clark is bringing his vision to the McConnell Arts Center Chamber Orchestra’s (MACCO) 2019-20 Masterworks series, Amplified: Do More than Listen, Hear Our Voices. The focus of the series’ three concerts – Voices Past and Present, Voices of Hope and Voices of Freedom –
will be on works by women composers and composers of color, all
presented alongside works by major composers of the classical music
canon.
Clark, who serves as artistic and music director of the McConnell Arts Center Chamber Orchestra in
Worthington, conducts around the state of Ohio and serves on the
faculties of Kenyon College and Ohio Wesleyan University, is a fellow of
the Chicago Sinfonietta’s Project Inclusion Conducting Freeman
Fellowship Program, which seeks to eliminate institutional bias along
the lines of race, ethnicity and socioeconomic background from classical
music ensembles.
Part of that work involves programming music by
women composers, composers of color and composers of diverse ethnic and
socioeconomic backgrounds.
“Being a part of that program helped
me to understand that, if no one else is doing this, then it really
should fall on me, a person of color, to really promote these voices,”
Clark said in a recent phone interview. “I felt, as an African American,
that I should be one who could really help support those voices that
are not being heard in the classical community.”
MACCO will present Voices Past and Present on Nov. 24,
featuring music by present-day composer Jennifer Jolley alongside works
by three well-known composers of the Classical era.
“The
idea is to show that, even in the past, we’ve had voices that we need
to know more about, and in the present we need to be aware of the voices
that are now…and how these generations intermingle and influence each
other,” Clark said.
The concert will begin with a symphony by
Joseph Boulogne, an influential black composer, conductor and violinist
working in Paris during the time of Mozart and Haydn, then end with one
of Haydn’s Paris symphonies.
“Boulogne was actually instrumental in helping to commission the Paris symphonies of Haydn, and he was the person to premiere those works,” Clark said.
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