Tyshawn Sorey
(John Rogers)
Sergio A. Mims forwards this article:
Peter Dobrin
November 21, 2019
Opera Philadelphia’s next composer-in-residence is a musical polymath whose work bridges a wide range of influences and genres.
Tyshawn Sorey
— a percussionist, pianist, conductor, trombonist, composer, and 2017
MacArthur Fellow — will spend the next year or two immersing himself in
the elements of a genre new to him. Sorey grew up in Newark, N.J., and
is a professor at Wesleyan University.
Although he has never written an opera, his appointment grew out of Cycles of My Being, a set of emotionally complex songs he composed for Opera Philadelphia exploring the African American male experience. It premiered at the Kimmel Center in 2018.
“The collaboration with Opera Philadelphia gave me the courage to
pursue this,” Sorey said. “When we finished the song cycle, it became
apparent that we should collaborate further on bigger things.”
The residency begins this week and runs for one year with an option for a
second. After that, the company hopes the residency will lead to the
commissioning of a work from Sorey, says Opera Philadelphia general
director and president David B. Devan.
Sorey’s residency this season is funded by the final year of a three-year grant from the Andrew W. Mellon Foundation.
Until now, Opera Philadelphia’s composer-in-residence program was open
to anyone who wanted to apply. Starting with Sorey, recipients will be
chosen by the artistic team at Opera Philadelphia.
The opera company is laying the groundwork for funding from foundations
and individuals for the second year of the new composer-in-residence
program, says Devan, and is waiting to advance those conversations until
it has more detail on what form Sorey’s residency will take.
“We have patrons who are deeply connected to certain artists’ work, and
people who came in as donors who had no experience with Opera
Philadelphia but were there because there was an artist they cared
about,” Devan said.
Sorey, 39, based in New Haven, Conn., is an assistant professor of
music and African American studies at Wesleyan. He has an undergraduate
degree from William Paterson University, a master’s from Wesleyan, and a
doctorate from Columbia University.
As a composer and performer, he embraces an unusually large set of
influences, including Eastern music, Western classical music,
improvisation, and atonality, according to his MacArthur Foundation
biographical sketch.
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