William Benjamin Ray, Sr. (1925-2019)
Prof. Kehembe V. Eichelberger sends this obituary:
Baltimore Sun
July 14, 2019
By Colin Campbell
William Benjamin Ray Sr., opera star, civil rights activist, former Peabody Conservatory professor, dies at 94
William
Benjamin Ray Sr., a renowned opera singer and civil rights activist who
left the Jim Crow South for Europe, where he compiled a stellar,
25-year performing career before moving to Maryland to teach young
vocalists at the Peabody Conservatory and Howard University, died of
congestive heart failure at the Gilchrist Center Howard County in
Columbia on July 3.
The longtime Odenton resident was 94, according to his son, Alexander Ray of San Jose, California.
A
rich baritone who was fluent in German, Italian and French, Mr. Ray
starred in “A Midsummer Night’s Dream,” “Rigoletto” and many other
productions, which led to television acting roles and music recording
contracts. While catering to audiences unaccustomed to seeing
African-American performers in European opera houses, Mr. Ray sometimes
performed in whiteface.
In
1974, he founded Black Theater Productions, which put on sketches
highlighting racial prejudice and the dismal treatment of minorities, in
Stuttgart, Germany. Twenty-three years later, the gregarious performer
received the National Opera Association’s “Lift Every Voice” Legacy
Award, honoring the contributions of African American Artists to opera.
“My dream didn’t seem very realistic,” Mr. Ray told The Baltimore Sun in 2007. “I’m sure everyone was thinking, ‘Poor thing, how can he possibly think that he could be an opera singer?’”
William Benjamin Ray Sr. was born April 10, 1925 in Lexington, Kentucky, the middle child of Mason Ray, a milkman and horse trainer, and Beatrice Smith, a homemaker.
He
grew up singing, beginning at age 6, at the First Baptist Church of
Lexington, Kentucky, and graduated from Dunbar High School there in
1943.
Harlowe
Dean, a teacher from Boston, offered to coach Mr. Ray after hearing him
in church, even though the notion of a white musician teaching a black
singer was unpopular among many at the time. Mr. Ray credited Mr. Dean
with being instrumental in his development as a singer.
Mr.
Ray was drafted into the U.S. Army after high school and served in the
375th Engineering General Services Regiment in Germany. He received the
Bronze Star, the Purple Heart, Excellent Marksmanship and other awards
before being honorably discharged in 1946, according to his son.
Upon
his return to Kentucky, he attended Kentucky State University for two
semesters, until one of his music teachers encouraged him to apply to a
conservatory: “With that voice, they’ll offer you a scholarship,” Mr. Ray recalled in The Sun’s previous report.
He attended Oberlin College Music Conservatory in Ohio, where he met his wife of 64 years, Carrie Kellogg, an accomplished musician and soprano. The two married in 1949, the year Mr. Ray finished his undergraduate degree.
Continuing
his training under Daniel Harris of the Metropolitan Opera, Mr. Ray was
a soloist with the De Paur Infantry Chorus and eventually performed at
Cleveland’s Karamu House, the oldest African American theater in the
U.S., where he got his big break.
An
agent from Vienna, Austria, was so impressed by the baritone’s
performance of Puccini’s “Il Tabarro” at Karamu House in 1956, that he
offered him a role as King Balthazar in a production of “Amahl and the
Night Visitors” at the Vienna Opera House.
Perpetually high-spirited, with a good sense of humor and a love of travel, Mr. Ray took a chance, his son said.
“He really considered himself a citizen of the world," Mr. Ray said. "It was a bit of a leap, but he took that leap.”
It
paid off. Mr. Ray became the leading baritone at the Cuvilliés Theater
in Munich and the Frankfurt Opera, and appeared in 14 different
German-language roles on stage and on German and Austrian television.
While
touring, he earned his master’s degree in education from the Heidelberg
University, Germany, in 1982. Nearing retirement from performing, Mr.
Ray took a job as a professor of voice at the Peabody Conservatory in
Baltimore and moved back to the U.S., settling with his wife in Odenton.
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