Ezekiel Andrew of Hattiesburg, Miss., is playing the lead role of
Harlem’s pioneering pianist Coalhouse Walker Jr. in Revival Theatre
Company’s production of “Ragtime in Concert.” The musical, set in New
York at the turn of the 20th century, will be staged March 8 to 10 in
Sinclair Auditorium at Coe College in Cedar Rapids.
March 3, 2018
CEDAR RAPIDS — Three families whose lives intersect at the turn of
the 20th century face many of the same trials their descendants still
face 100 years later. Issues of racism, classism, immigration and
workers’ rights swirl through personal quandaries and political
quagmires.
That is the timeless aspect of “Ragtime,” which
Revival Theatre Company is presenting in concert from March 8 to 10 in
Coe College’s Sinclair Auditorium, with more than 80 people onstage.
Director Brian Glick grew up listening to the 1998
soundtrack and calls it “the quintessential Broadway show,” heightened
by the fact that the story remains relevant.
“I think it always will be,” he said. “It doesn’t
matter when this is done or would be done, but (it’s) very, very
relevant” and has “a very clear image in the story of what’s going on in
our country, as well.”
Set in New York, the lives of pioneering
African-American ragtime pianist Coalhouse Walker Jr. and Sarah, the
mother of his child, touch the lives of upper-class white suburbanites
Mother and Father, as well as Jewish immigrant and artist Tateh, who
brings his daughter from Latvia to chase the American dream.
All of these fictional characters move among the
real-life icons who changed the face of the country, from activist Emma
Goldman and escape artist Harry Houdini to inventor Henry Ford,
financier J.P. Morgan and Arctic explorer Robert Peary.
“There’s such a well-written opening number that
displays that,” Glick said. “You know in the first 10 minutes of the
show about what is in everyone’s separate world and what the world is
trying to do — and that is mesh these cultures together — and how
everybody treats that and reacts to that. So it’s really kind of cool,
and then the story takes off after that. It’s really smart how they put
it together.”
Glick and musical director Cameron Sullenberger, the
professional troupe’s co-founders, had planned to stage “Ragtime” a
couple of years ago. The production rights were pulled, however, because
a national tour of the show was coming through the area.
This time around, the rights were available and the timing was right.
“It just seemed like all the components were lining
up,” said Glick, 31, of Cedar Rapids. “When we do a concert production,
we look for a show that’s going to have good attributes for a chorus,
and this show definitely does. There are very few musicals that do, so
the list is short and this one was still on it, so it just seemed like,
‘Let’s try it again.’”
CONCERT STYLE
“In concert” doesn’t
mean the cast stands still with their music and scripts propped up on
stands, he said. Instead, the principal actors will appear in full
costumes, the orchestra and chorus will be onstage, and the action will
be enhanced by video projections and lighting effects, rather than
traditional scenery pieces. Props will be at a minimum, and a Model T
car that’s typically used in fully staged productions won’t be rolled
onto the Sinclair stage, but will be represented another way.
“It has production
values,” Glick said of the staging. “We don’t have all the bells and
whistles necessarily. We either do something in its place in a
different, creative way or we just ignore it as a whole.”
Alvon Reed is
choreographing a mix of musical staging, stylistic movement and dance.
“It creates a really interesting, dynamic presentation,” Glick said.
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