Monday, November 30, 2015
Tomorrow is Giving Tuesday! OperaCréole would appreciate your support!
If you love the work we have done, your
support is vital to fund our next major production of an unknown opera
by a composer of African descent.
Your
tax deductible donation will help OperaCreole to continue our research,
hire a transcriptionist to work on one of the handwritten opera scores
we have, rent costumes, sets, and props, and so much more!
Please go to our website and click on the Make A Donation button which will take you to PayPal.
We thank you in advance!
Merci,
Givonna Joseph,
Founder and Director, OperaCréole
Invite your friends to subscribe to our website
Quinton Morris Project Seeks Donations As It Prepares for 270th Birthday of Afro-French Composer Le Chevalier de Saint-Georges (1745-1799) on Christmas Day
Dr. Quinton Morris
Breakthrough Film Premiere: |
|
A
full house came out to celebrate the Breakthrough film premiere and
lecture-recital at the Seattle Art Museum. Quinton wrote, produced, and
made his acting debut in this short film honoring the life and music of
the virtuoso violinist and composer Chevalier de Saint-Georges, a
musician of African origin who against all odds rose to become one of
the most prolific figures of the 18th century. Click here to watch the film trailer!
Chevalier de Saint-Georges
was born on Christmas day 270 years ago—and in honor of this very
special birthday, the Quinton Morris Project has a very special gift up
its sleeve. We’ll be dropping clues on social media. Follow us!
|
Sunday, November 29, 2015
John Malveaux: Liana Valente & Karen Walwyn interviewed on Howard U. PBS television program prior to performances for 150th Anniversary 13th Amendment
Liana Valente
Karen Walwyn
John Malveaux of
writes:
Soprano Liana Valente and composer/pianist Karen Walwyn are interviewed
on Howard University PBS television program - Rock Newman Show - prior to
their performances during the 150th anniversary 13th amendment to US
Constitution Abolition of Slavery Concert, November 21, 2015, DAR
Constitution Hall, Washington DC. See https://www.youtube.com/watch?v=_8SBjLkEjxQ
Textura.com: On his debut album for Navona Records, pianist Clipper Erickson performs an invaluable service in presenting this encompassing portrait
R. Nathaniel Dett: MY CUP RUNNETH OVER
Navona Records NV 6013 (2015)
Navona Records NV 6013 (2015)
On October 21, 2015 AfriClassical posted:
Pianist Clipper Erickson alerts us to this review of his recording published by a music blog in Ontario, where the composer was born:
Textura, an online music blog in Ontario, published this review last week:
On his debut album for Navona Records, pianist
Clipper Erickson performs an invaluable service in presenting this
encompassing portrait of Robert Nathaniel Dett's music. Not only does
the double-CD collection present the American composer's piano works in
their entirety (approximately 150 minutes in total), it accentuates in
doing so the distinctive manner by which Dett (1882-1943) fused African
American folk and European classical idioms in his compositions. Other
composers have famously integrated folk materials into their works,
too—think of Dvorák and Copland, for example—but Dett's music stands
apart from theirs in its incorporation of African American spirituals.
By way of background, Dett grew up in Niagara
Falls, graduated in 1908 from Oberlin College with a double degree in
piano and composition, and complemented honorary doctorates in music
from Howard University and Oberlin with a Master's degree from the
Eastman School of Music. He also was a writer and poet of some merit, The Emancipation of Negro Music
having won him a literary prize at Harvard in 1920. For his part,
Erickson studied at The Juilliard School, Yale University, and Indiana
University and in 2014 received his Doctorate at Temple University for
research done on Dett's piano music. Drawing on that study, Erickson
contributed detailed liner notes to the recording that in providing
historical context and informed analysis bolster the listener's
appreciation of the music.
Enhancing the recording's appeal is the fact
that, the three closing pieces excepting, the collection is sequenced
chronologically, which enables the listener to trace Dett's artistic
evolution from his 1912 Magnolia suite to Eight Bible Vignettes,
created during the last two years of his life. The material reflects a
remarkable range of interests on Dett's part, with some of it
reminiscent in style and character of Liszt and Rachmaninoff and some
deeply grounded in spirituals, gospel, and folk. It's not uncommon for a
piece to be both formal and conservatory-like as well as melodically
direct and unadorned in its presentation (see “Barcarolle-Morning” from In The Bottoms as one example of many), and while a piece such as Enchantment
might be nineteen minutes long, it's comprised of four song-length
parts that makes them and Dett's lyrical music in general all the more
accessible. With thirty-seven separate tracks appearing on the release,
the listener is presented with an uncommonly rich assortment.
Richard C. Alston: On November 23rd, The Unity Missionary Investors & The Nubian Center presented me with The NubianUnion Legend Award
Richard C. Alston writes:
Hello Bill,
On Monday evening, November 23rd, the Unity
Missionary Investors in collaboration with The Nubian Center, 501(c)3 non-profit
corporations of New York, New Jersey and North Carolina, presented me
with The NubianUnion Legend Award. The award was presented to 4
individuals who exemplify unconditional sacrifice and service to the communities
that they serve and stand as icons of stewardship to everyone. The program
was held at The Alger House, Greenwich Village, New York. It was a
great honor to receive this award!
Sincerely,
Richard
Godwin Sadoh: University of Pittsburgh Graduate Dr. Oyebade Osunmu (Ph.D. 2010) Dies in Nigeria November 24, 2015
Oyebade Dosunmu, Ph.D.
On April 10, 2012 AfriClassical posted:
Dr. Oyebade Dosunmu Leads Fela Sowande Singers in 'An Evening of Sacred Music by Nigerian Composers'
Godwin Sadoh writes:
Have you heard that one of the three Nigerians who got their PhD from
Akin Euba at the University of Pittsburgh, Oyebade Dosunmu (PhD 2010), died mysteriously on
Tuesday, Nov. 24?
His
colleagues at the Department of Music, University of Ibadan went to check on
him at his residence when he didn't show up for work. They knocked on
his apartment door several times with no response. They then decided to
break in; and there they found his body lying lifeless on his bed. He
lived alone, so there was nobody to explain what happened.
Unfortunately,
he returned to Nigeria some few months ago and recently started
teaching in the new Department of Music at the University of Ibadan. He did not last
6 months.
May his soul rest in peace!
Godwin Sadoh
Professor of Music/LEADS Scholar
National Universities Commission
Abuja, Nigeria.
Saturday, November 28, 2015
Moses Bernard Phillips: I had the honor of working with Maestro Freeman at the Sphinx Competition in 2005 as principal flute in the Sphinx Symphony Orchestra.
Paul Freeman (1936-2015)
(ChicagoSinfonietta.org)
(ChicagoSinfonietta.org)
Moses Bernard Phillips writes in the Guest Book of AfriClassical.com
on November 28, 2015:
I had the honor of working with Maestro Freeman at the
Sphinx Competition in 2005 as principal flute in the
Sphinx Symphony Orchestra. I had previously heard of
his legendary reputation and came away from the
experience with a tremendous amount of respect. He
will be missed!
From: Medgar Evers College/CUNY
on November 28, 2015:
I had the honor of working with Maestro Freeman at the
Sphinx Competition in 2005 as principal flute in the
Sphinx Symphony Orchestra. I had previously heard of
his legendary reputation and came away from the
experience with a tremendous amount of respect. He
will be missed!
From: Medgar Evers College/CUNY
Friday, November 27, 2015
Before "The Complete Piano Works of R. Nathaniel Dett," Clipper Erickson Recorded Works of John Work, R. Nathaniel Dett, Fats Waller and James P. Johnson
An American Journey
Clipper Erickson
Direct-to-Tape (1998)
Clipper Erickson
Direct-to-Tape (1998)
1. American Ballads (Roy Harris)
2. Prairie Idylls (Rubin Goldmark)
3. Sonata for Piano (Quincy Porter)
4. Scuppernong (Three Pieces for Country Folk) (John Work)
5. In the Bottoms (R. Nathaniel Dett)
6. Rhapsody in Blue (George Gershwin, arr. by the composerfor piano)
7. Homage to The Lord's Prayer (arrangement by Donald Dumpson)
American Eclectic: An American Journey, Volume 2
Clipper Erickson
Direct-to-Tape (2005)
Direct-to-Tape (2005)
1. Ballad, Op. 6 (1894) (Amy Cheney-Beach)
2. The Fountain of the Acqua Paola Op. 7, No. 3 (Charles Griffes)
3. Clouds Op. 7, No. 4 (Charles Griffes)
4. Numb Fumblin (Thomas "Fats" Waller)
5. Carolina Shout (James P. Johnson)
6. -9. Four Piano Blues (Aaron Copland)
7. Toccata (Roy Harris)
8. A Little Suite for Christmas, A.D. 1979 (George Crumb)
9. -16. Suite for Piano (Daniel Barta)
R. Nathaniel Dett (1882-1943) and James P. Johnson (1894-1955) are featured at AfriClassical.com.
Comment by email:
Comment by email:
Thanks!
I had recorded In the Bottoms earlier - I think the new one has a
better instrument and acoustics. Textura, an online music blog in
Ontario, published this review last week:
There
is also one coming out in Gramophone next month. Very happy to know
that Dett's piano music is getting some of the attention it deserves!
Now I just need to get it back into print. All best, Clipper [Clipper Erickson]
InsidePhilanthropy.com: Why Is This University Jumping on the Chamber Music Bandwagon?
Aaron P. Dworkin (b. 1970),
is featured at AfriClassical.com
Friday, November 27, 2015
It may not be on par with, say, Beatlemania, but we've been
intrigued by the steady stream of impressive gifts to chamber music
organizations across the last twelve months.
***
Now comes word that the University of Michigan is creating a new
competition, the M-Prize, along with $100,000 for the winner, all in an
effort to focus attention on what the New York Times calls the "rapidly evolving field" of chamber music.
So why, exactly, is the field rapidly evolving? Two answers come to mind.
The first is the fact that chamber orchestras can provide musicians with a viable and sustainable career path. Aaron P. Dworkin,
the dean of the university's School of Music, Theater, and Dance, came
up with the idea for the prize, and noted that "the vast possibilities
inherent in chamber music empower it with the unique ability to serve as
a catalyst for interdisciplinary exploration and, ultimately,
transformational artistic experiences."
That sounds slightly vague, so to see what Dwokin means, we'll turn to the second reason for chamber music's ascendancy—its ability to reach new audiences.
If a symphony orchestra is the stuffy grandfather of the classical
music world, chamber orchestras represent the cool uncle. (Please note,
we're just being hyperbolic solely for effect here.)
***
This brings us back to Mr. Dworkin.
If his name rings a bell, it's no coincidence. He used to run the
Detroit-based Sphinx Organization, whose primary mission is to increase
diversity in the classical music world. (Check out our take on Sphinx's partnership with IMG Artists to pair minority classical musicians with some of the planet's most famous musicians.)
The open-minded, collaborative ethos running through groups like the
Orpheus Chamber Orchestra and the Sphinx Organization lies at the heart
of the M-Prize, which will be open to ensembles with three to eight
members. The prize will include a junior division for musicians under 18
and includes a category that recognizes "open" ensembles, which can
feature percussion, singers, turntables, laptops (!) and styles
including jazz, bluegrass, and other genres that incorporate
improvisation.
The grand prize winner will be selected from three senior-division
finalists, who will perform at a gala concert at the university on May
20th that will be broadcast on Detroit Public Television and made
available to other public television stations around the country.
All in all, the news out of Ann Arbor suggests that despite other stories to the contrary, certain classical music genres seem to be thriving in the state.
Up From The Roots, A Concert Commemorating 150th Anniversary of 13th Amendment, Randye Jones, Damani Phillips, YGB, Fri. Dec. 4, 7:30 PM Grinnell College
Randye Jones
www.artofthenegrospiritual.com
Dr. Damani Phillips
Randye Jones writes:
Greetings, Bill.
Please share the notice below on your blog. Pictures attached. Thanks, Randye
Iowa
area musicians will gather in Herrick Chapel to commemorate the 150th
anniversary of the 13th Amendment with “Up from the Roots.” The program
focuses on the African American influence on music from the end of the
American Civil War to the Civil Rights’ Movement of the mid-20th
Century.
The program will feature soprano Randye Jones and
saxophonist Damani Phillips along with Grinnell College’s Young, Gifted
and Black Gospel Choir.
"We are taking a different approach to
the impact African Americans have had on the history and culture of the
United States," Jones said. "We want to look at the role they played in
shaping the musical development of this country by touching briefly on
the roots, the Negro Spiritual,
and some of its many branches, namely Gospel music, Blues, Jazz, Rhythm
and Blues, and even how African Americans influence the world of
Western Classical music.
Jones holds her Bachelor of Arts
degree in Music Education from Bennett College in her hometown of
Greensboro, North Carolina, and her Master of Music degree in Vocal
Performance from the Florida State University, Tallahassee. She is
currently a doctoral student in Vocal Literature at the University of
Iowa in Iowa City. Jones has gained recognition for her research of and
published writings on African American vocalists and composers and as a
performer and lecturer through her projects, The Art of the Negro
Spiritual, Afrocentric Voices in “Classical” Music, and the recently
published The Spirituals Database. She regularly presents
lecture-recitals and concerts or has served as a panelist at events such
as the Research, Education, Activism and Performance (REAP) National
Conference on Spirituals, African American Art Song Alliance Conference,
the National Association of Negro Musicians conference, and the
Phenomenon of Singing International Symposium VIII in St. John’s,
Newfoundland and Labrador, Canada. Jones currently serves as the media
room supervisor for the libraries at Grinnell College.
Philips
is a native of Pontiac, Michigan, where he began playing at the age of 10.
Formerly on the music faculty at Grinnell College, he currently serves
as Assistant Professor of Jazz Studies and African-American Studies at
the University of Iowa. He has earned Bachelor and Master of Music
degrees from DePaul University (Chicago) and The University of Kentucky
in classical saxophone, and a second Master of Music degree in Jazz
Studies from Wayne State University (Detroit). Phillips completed the
Doctor of Musical Arts degree in Jazz Studies at the University of
Colorado at Boulder. An active performer, pedagogue and composer,
Phillips has taught and performed throughout the United States, England
and Japan and is actively sought as a guest artist, clinician and
adjudicator. As a performer, Phillips has performed with artists/groups
such as Lewis Nash, Christian McBride, Terrence Blanchard, Wycliffe
Gordon, Dianne Reeves, Marcus Belgrave, Terrell Stafford, Maceo Parker,
Pat Bianchi, Ira Sullivan, The Temptations, Red Holloway, Greg Gisbert,
the Lexington (KY) Philharmonic, the Pontiac-Oakland Symphony, the
touring Dave Matthews cover band “Crush” and many others. As a recording
artist, Phillips released his debut CD "Yaktown Nights" in 2004, “The
String Theory” in November of 2010 and “The Reckoning” in December of
2013. His most recent recording project "Duality,"a double album
featuring a unique synergy between straight-ahead jazz and hip hop
music, was released in August of 2015.
In addition to Young,
Gifted and Black, Jones and Phillips will be joined by pianists Marlys
Grimm and Ha Na Song, vocalist Gary Jackson, Sam Salamone, Hammond B3
organ, and Tim Crumley, drums.
"Up from the Roots" is
co-sponsored by the Grinnell College Office of Intercultural Affairs,
Grinnell College Libraries, and the Grinnell College Office of Diversity
and Inclusion. The program is free and open to the public.
--
-=*=-=*=-=*=-=*=-=*=-=*=-=*=-=*=-=*=- | | Randye Jones |) | Soprano and Researcher /| | The Art of the Negro Spiritual ( | ) | research@artofthenegrospiritual.com | | www.artofthenegrospiritual.com | Phone: 641-821-0188
Thursday, November 26, 2015
Brandon Keith Brown @MaestroBKB #thankful to join the Paris/London based firm @CLBManagement's roster. Here's to new beginnings!
Brandon Keith Brown
Brandon Keith Brown @MaestroBKB Tweeted:
Biography
Brandon Keith Brown grew
up in Chicago, where he studied violin and composition from the age of
nine. He soon developed a wider interest in all instruments, and the
range of sounds associated with each of them; as a result he took the
path of conducting. Brandon went on to study in Baltimore, where he
graduated from the Peabody Institute of Johns Hopkins University. His
early mentors included the likes of Lorin Maazel, David Zinman and
Gustav Meier.
Winner of the
prestigious 2012 Sir Georg Solti International Conductors' Competition
in Frankfurt, the young maestro received invitations to conduct the
Badische Staatskapelle and the Rundfunk-Sinfonieorchester in Berlin (who
have re-invited him this season). He was also invited to lead the Neue
Philharmonie Westfalen in a successful tour of seven concerts throughout
Germany, "playing with a freedom that we had not heard for years,
the Neue Philharmonie Westfalen was reborn under the baton of Brandon
Keith Brown "(Recklinghäuser Zeitung - February 2014). In 2013, he
was observed by Kurt Masur who invited him to Leipzig under the
Mendelssohn Scholarship, where he studied alongside the German master,
conducting the Leipziger Symphonieorchester in concert.
In
the US, he has received invitations from the Detroit Symphony
Orchestra, the Civic Orchestra of Chicago, the Baltimore Symphony
Orchestra, the Waterloo-Cedar Falls Symphony Orchestra and this season
will direct a program devoted to Mozart with the Cayuga Chamber
Orchestra.
In recent seasons,
Brandon has been invited by the Castleton Festival in Virginia, under
the direction of Lorin Maazel and the American Academy of Conducting at
Aspen, alongside David Zinman.
Fascinated
by the opera repertoire which he studied alongside Lorin Maazel,
Brandon Keith Brown has been working as assistant conductor in
productions by Mozart, Puccini and Britten.
October 2015
Comment by email:
Onwards and upwards! Congratulations!! Sergio [Sergio A. Mims]
John Malveaux: Peace & Goodwill from President Lincoln & MusicUNTOLD
President Abraham Lincoln
(Wikipedia)
(Wikipedia)
John Malveaux of
writes:
PEACE
AND GOODWILL TO ALL!
|
Comment by email:
My Thanks - Warm family days to you as well. Kehembe V. Eichelberger
David France, Revolution of Hope: I was challenged today to say "THANK YOU" to someone I could never repay and immediately you came to mind.
David France of Boston's Revolution of Hope writes:
Happy Thanksgiving
I was challenged today to say "THANK
YOU" to someone I could never repay and immediately you came to mind.
Your support of our mission to transform the lives of inner city youth
through a world-class orchestra has created a musical home for these
incredible young people after school. The connections in our orchestra
family are stronger than they've ever been and the commitment to their
instruments matches their love for each other.
We are so incredibly thankful for being gifted the opportunity to have our FIRST office space in the new Workbar in Union Square.
In the next few weeks we have some excited events. On December 1st we will be the 1st charity featured in Boston's new "24 Days of Charity." People all over the country will bid on an exclusive trips and the proceeds benefit our program. Also, on December 9th we will host our 2nd annual Aspire: Young Professionals Holiday Party. This is a fun evening of food and drinks featuring the Roxbury Youth Orchestra with proceeds benefiting our program. Thanks for being a part of our family!
Here are a few highlights from this fall and a some memorable quotes from our students
We are so incredibly thankful for being gifted the opportunity to have our FIRST office space in the new Workbar in Union Square.
In the next few weeks we have some excited events. On December 1st we will be the 1st charity featured in Boston's new "24 Days of Charity." People all over the country will bid on an exclusive trips and the proceeds benefit our program. Also, on December 9th we will host our 2nd annual Aspire: Young Professionals Holiday Party. This is a fun evening of food and drinks featuring the Roxbury Youth Orchestra with proceeds benefiting our program. Thanks for being a part of our family!
Here are a few highlights from this fall and a some memorable quotes from our students
- Performance at soft launch of Beta Burger
- Office space at Workbar Union Square
- Performance at City Year
- Fall Service Project feeding 120 homeless in Boston/Cambridge
- Hosted "Dare to Aspire String teacher workshop" with 90 teachers from the East Coast
- New faculty members:
- Kiyoshi (New England Conservatory of Music)
- Ashley (Boston Conservatory)
Here's what the students have to say
"I hope we don't have too many snow days this winter 'cause I really like coming to this program after school." -Jahime
"See how much I like this program? Tomorrow I have 3 tests, a binder review, and a project due and I STILL came!" -Ellie
This orchestra brings so much joy to the kids. Together we are transforming lives and building brighter futures—but without you, it just wouldn't be possible. Thank you so much for your support!
For the JOY of our youth,
David France
Comment by email:
Hey Bill, Wow! Thanks so much for the support! Happy Thanksgiving! [David France]
Wednesday, November 25, 2015
John Malveaux: Looking Back-June 2010 MusicUNTOLD presented the first African music concert in the history of the Long Beach Performing Arts Center-Salif Keita
Looking Back-June 2010 MusicUNTOLD presented the first African music concert in the history of the Long Beach Performing Arts Center-Salif Keita from Mali, Africa. The concert included performance of Yambo, Yambo. See later performance of Yambo, Yambo https://www.youtube.com/watch?v=gz2WMvHCJOU
Thanks
John Malveaux
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