[Samuel
Coleridge-Taylor]
About
eight months ago, James Fitzpatrick made this post on the LinkedIn
Group “Samuel Coleridge-Taylor (1875-1912): Britain's Greatest
Black Composer”:
James
Fitzpatrick
Recently having played through The Atonement, I have decided to
conduct the fifth section of the piece as part of our Good Friday
Liturgy at St. Margaret's Church in Annapolis, MD.
[AfriClassical
After months of discussions with Lionel Harrison, James Fitzpatrick made this
post yesterday]:
James
Fitzpatrick
Lionel, I want to share the thrill and excitement of our first
instrumental rehearsal of "Calvary" from "The
Atonement". Last evening we played this music - perhaps for the
first time in a century that these string parts have been heard. The
small orchestra (6 violins, 2 viola, 2 celli, and string bass, plus
piano) sounded amazingly full and lush. People kept looking for
comparisons - was this more like Rachmaninov or Mahler? Was it as
chromatic in its color as Richard Strauss? Would it be difficult to
imagine and complete the score? Every single musician excited and
honored to be addressing this score and impatient for tonight's
rehearsal with chorus and soli. I am so grateful to you for your
assistance in making this possible and your encouragement on this
marvelous journey.
[Samuel
Coleridge-Taylor (1875-1912) is
profiled
at AfriClassical.com, which features a comprehensive
Works
List and a Bibliography by Prof. Dominique-René de Lerma,
http://www.CasaMusicaledeLerma.com
Major observances of the Centennial of Coleridge-Taylor's death on
Sept. 1, 1912 are underway and are the work of organizations
including the Samuel
Coleridge-Taylor Foundation, http://www.sctf.org.uk]
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