[(Meridith
Kohut for The New York Times) José Antonio Abreu, the founder of El
Sistema, a Venezuelan music education program.]
Daniel J. Wakin
March
4, 2012
Caracas, Venezuela
“AS he slowly walked through the
adoring and bubbling crowd of young people, the frail elderly man
brushed a cheek, clasped an arm, bestowed a smile. He lingered
affectionately with members of a choir composed of disabled
youngsters. For anyone who observed Pope John Paul II in action amid
third-world crowds during the later years of his papacy, it was a
familiar sight: the charisma, the smiles, the contrast of stooped
holy man and spirited youngsters, the solicitousness for the weak.
“But on this
February day at the Teresa Carreño Theater here, the center of
attention was not a pope. It was José Antonio Abreu, the founder and
influential leader of a classical music education program called El
Sistema. Mr. Abreu was showing off some of its orchestras to visiting
Americans in an elaborately choreographed showcase.
“The endless
explorations of El Sistema, in articles, documentaries and books,
give little attention to one of its more striking aspects: a
similarity to organized religion and, more specifically, the Roman
Catholic Church.”
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