[Padre José Mauricio Nunes Garcia: Te Deum and Requiem in D Minor, Music of the Court of Dom João VI; UFR Chorus and Symphony Orchestra (2008)]
José Mauricio Nunes Garcia (1767-1830) is profiled at AfriClassical.com and was an Afro-Brazilian composer and organist who was the grandson of slaves. Antonio Campos Monteiro Neto is Webmaster of an extensive illustrated Brazilian Website in English and Portuguese with numerous audio samples, José Mauricio Nunes Garcia: http://www.geocities.com/nunes_garcia/JM_Eng.htm The Webmaster begins by noting that 240 works of music by José Mauricio Nunes Garcia have survived, and that early biographers estimate his total output at nearly twice that number.
Garcia wrote his earliest surviving work, “Tota pulchra Es Maria”, in 1783. Garcia joined the brotherhood of Saint Cecilia as a music teacher in 1784. He wrote “Litany for Our Lady in 4 voices and organ”, and by 1788 he was composing anthems and acapella works for church services. He gained fame in 1790 with his “Funeral Symphony”. Garcia was ordained as a priest in March, 1792. The chapel master died in 1797 and was succeeded by Garcia. The Royal Family took refuge in Brazil in March 1808, and clerics who accompanied them tried to remove Garcia from his position because of his race. Garcia was then told to concentrate on composition. His works that year included the “Missa Pastoril”, recorded in 1998 by Ensemble Turicum. Two masterpieces were the “Requiem Mass” and the “Officium for the Dead”.
No comments:
Post a Comment