[Leon Bates]
“The first half was comprised of unfamiliar, mid- and late-20th century works by George Walker and Leslie Adams, whom Bates described in his extensive introduction as 'two living African-American composers writing in the classical tradition.'” “Both ‘The Baltimore Todolo' and 'The Charleston Rag' by Eubie Blake were immediate hits with positive responses from the audience, many of whom were animatedly tapping their feet to Bates’ rhythmic playing. The atmosphere continued to heat up with 'Juba Dance' from the suite 'In The Bottoms' by R. Nathaniel Dett, which Bates ended with a slow spread chord and a wry smile, inducing laughter from his listeners.” “Next came a bold and enthralling rendition of James P. Johnson’s 'Carolina Shout.' Cacioppo was highly impressed, saying that he thought it ‘the highlight of the program.' To the audience’s satisfaction, four Duke Ellington tunes that were arranged by Bates himself followed, all of which were keenly played and caused some enthusiasts to stand up and rock to the beat. The nearly two-hour program ended with a tune called 'Things Ain’t What They Used to Be' by Mercer Ellington, the son of Duke Ellington." [H. Leslie Adams (b. 1932), R. Nathaniel Dett (1882-1943), Duke Ellington (1899-1974), James P. Johnson (1894-1955) and George Walker (b. 1922) are profiled at AfriClassical.com]
African-American OriginalsPianist Leon Bates
H. Leslie Adams
George Walker
James P. Johnson
Classical Music
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