Friday, August 9, 2019

Naxos USA unCLASSIFIED: Artist Spotlight: Flutist Demarre McGill

Demarre McGill

Naxos USA


Demarre McGill is a leading soloist, recitalist, chamber and orchestral musician. A winner of an Avery Fisher Career Grant, he has appeared as a soloist with Philadelphia Orchestra, Seattle Symphony, and Baltimore Symphony Orchestra, as well as Chicago Symphony Orchestra at the age of 15. Now Principal Flute of the Seattle Symphony, he previously served as Principal Flute of the Dallas Symphony Orchestra, San Diego Symphony, Florida Orchestra, and Santa Fe Opera Orchestra. Also, he recently served as Acting Principal Flute of the Metropolitan Opera Orchestra and earlier with the Pittsburgh Symphony Orchestra.

Additionally, Demarre is the co-founder of The Art of Élan and, along with his brother, clarinetist Anthony McGill, and pianist Michael McHale, founded the McGill/McHale Trio in 2014. Their first CD, “Portraits,” released on Cedille Records in August 2017, has received rave reviews.

A native of Chicago, Demarre McGill began studying the flute at age 7 and attended the Merit School of Music. In the years that followed, until he left Chicago, he studied with Susan Levitin. He received his Bachelor’s degree from Curtis Institute of Music and a Master’s degree at The Juilliard School.

What inspired you to record Michael Abels’ work Winged Creatures?
During the early stages of planning the repertoire for this album, we reached out to Michael Abels to see if he was interested in composing a work for us. As soon as he expressed his interest in doing so, we were thrilled to record this wonderful piece. It was definitely a feeling of coming full circle, since many years ago, my brother Anthony and I were fortunate enough to premiere another work by Michael Abels for flute, clarinet, and orchestra. (Check out our interview with Michael Abels here!)

What was the most significant thing you learned as a member of the Chicago Youth Symphony Orchestra?
I learned so much during my time with the Chicago Youth Symphony Orchestra. From my first experience traveling to Europe with the orchestra playing some of the great orchestral literature, I at once fell in love with the idea of traveling and sharing music across the world, and with playing in an orchestra. The level of the orchestra was so incredibly high that if you pair that with a love of playing, and have enough drive to consistently work hard, it was very easy to grow as a musician.

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