Ulysses Kay (1917-1995)
Ulysses Kay (1917-1995) is profiled
at
AfriClassical.com, which features a comprehensive
Works
List by Prof. Dominique-René de Lerma,
http://www.CasaMusicaledeLerma.com. He writes that Ulysses S. Kay, Jr. received a scholarship,
fellowship and awards which allowed him to take up residence in Rome
in 1949 to undertake studies at the American Academy in Rome. Kay
married Barbara Harrison in the same year, according to Prof. De Lerma. Their daughter Virginia Kay, their
first child, was born in Rome in 1951. She tells her parents traveled to Rome together. Virginia Kay forwards this press release from Columbia University:
ULYSSES
KAY PROJECT @ Columbia University
Columbia
University Chaplain's Office Concert Series at St. Paul's Chapel
On
Monday, October 21, 2013 at 5pm in Room 754 of Schermerhorn Extension
prior to the
concert the Columbia's Rare Books & Manuscript Library, Music
Department and Office of Government & Community Affairs will
sponsor a talk focusing on Ulysses Kay and the African American
composer. The panel will be led by George Lewis, Stephen Case
Professor of Music and include Jennifer Lee, Curator, Performing
Arts, Rare Books & Manuscript Library, Courtney Bryan, composer
and DMA candidate in composition at Columbia and Director of
the Institute of Sacred Music at Bethany Baptist Church
of Newark, NJ and Liz Player, co-founder and Artistic Director
for Harlem Chamber Players. They will discuss Ulysses Kay’s role
as a mid-20th
Century American composer and his impact on other composers and
African American composers in particular.
On
Tuesday, October 22, 2013, at 6:00 pm Columbia University Office of
the Chaplain’s Concert Series will
feature the Harlem Chamber Players at St. Paul's Chapel at Columbia
University 117th Street and Amsterdam. This concert is part of what
the Harlem Chamber Players have titled “The Ulysses Kay Project”.
The concert will feature performers: Tia Roper- Flute Ashley
Horne-Violin; Orlando Wells- Violin; Audrey Mitchell-Viola and
Lawrence Zoernig-Cello. They will perform Kay’s:
Prelude for Unaccompanied
Flute, Flute
Quintet and
Selected String Quartets
It
is a salute to the completion of Columbia University Libraries, Rare
Books & Manuscript Library’s work archiving, as Jennifer Lee,
Curator for Performing Arts noted, “a treasure trove of material
relating to all aspects of the composer's work, from manuscript
sketches to finished scores, including correspondence, photographs,
programs, and his professional files.”
Michael
Ryan, Head of Columbia's Rare Books & Manuscript Library, at the
time the Columbia received these works, commented, that Kay was “[a]
prolific and important composer of contemporary symphonic, chamber,
and choral music, Kay also wrote five operas, the most substantial
and last of which, Jubilee (1976) and Frederick Douglass (1991), were
based on themes from African-American history.” Ryan also noted
that, “Kay
was a formidable and versatile composer.”
It
is amazing that we are approaching the 70th Anniversary of the New
York Philharmonic premiere of Ulysses Kay’s first major work Of New
Horizons: Overture at what was then West Harlem’s stunning Lewisohn
Stadium which is now the cite of City College of New York’s North
Academic building.
Kay’s
connection with Columbia goes back to 1946 when he was awarded the
Alice M. Ditson Fellowship in Composition and studied with Otto
Leunig. He also was the winner of the BMI Prize for his work Suite
for Orchestra,
which Dean Dixon and the American Youth Orchestra premiered in 1945
and A Short
Overture,
which received the George Gershwin Memorial Award in 1946.
This
Ulysses Kay Concert is sponsored by the University Chaplain's Office,
Columbia University Rare Books & Manuscript Libraries, Columbia
University's Music Department and the Office of Government &
Community Affairs.
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