George Augustus Polgreen Bridgetower
A detailed historical essay on the George Augustus Polgreen Bridgetower page at AfriClassical.com was authored by our late principal advisor, Prof. Dominique-René de Lerma, http://www.CasaMusicaledeLerma.com
Review: Koh, Wosner build a 'Bridge to Beethoven' at the Herbst in San Francisco
With Herbst Theatre newly reopened after two years of renovations, San Francisco's premier recital hall is once again open for business.
Wednesday evening brought violinist Jennifer Koh and pianist Shai Wosner in a dynamic duo recital, performing the first of four programs titled "Bridge to Beethoven." Presented by San Francisco Performances, it's an intriguing concept, one that pairs Beethoven violin sonatas with specially commissioned new works by contemporary composers.
Wednesday's program featured Beethoven's "Kreutzer" Sonata, paired with the composer's earlier Sonata in D major, Op. 12, No. 1, and Vijay Iver's "Bridgetower Fantasy." Koh, who made her San Francisco Performances debut in 2003, is simply remarkable -- an artist who combines a questing spirit with tonal refinement and a kind of fearless virtuosity. Anyone who witnessed her extended violin solo in Philip Glass' "Einstein on the Beach" at Cal Performances a few years back can attest to her brilliance.
Yet Wosner, making his first San Francisco Performances appearance on this program, was every bit her match. Together, these two musicians traversed the evening's works with superb style and insight.
The performance of the "Kreutzer" sonata was especially fine. Koh sounded fervent and focused in the prayerful opening phrases, and her delicately etched lines supplied alluring contrast to Wosner's expressive playing in the second movement's theme and variations. The finale's headlong rush to the double bar was smoothly calibrated, with both artists delivering Beethoven's impassioned score with verve and precision.
The D-major Sonata, which opened the program, also received a terrific reading. Koh's impetuous, bright-toned phrasing was attractively set against Wosner's flowing, articulate pianism; the second movement's variations deftly captured Beethoven's high-spirited mix of wit and turbulence.
In between the Beethoven sonatas, there was Iyer's "Bridgetower Fantasy." Commissioned by MusicBridge, Inc., it is named for George Bridgetower, the 18th-century Afro-European violinist for whom Beethoven wrote the "Kreutzer" Sonata and who partnered with the composer to perform its 1803 premiere.
Comment by email:
Comment by email:
Dear Bill Zick, Thank you so much for sharing this link. (And thank you also for supporting "Sonata Mulattica" over the past six years!) I remain deeply interested in George Bridgetower, so the news of the Kreutzer being paired with a composition dedicated to the violinist who served as Beethoven's original inspiration for his sonata is a lovely constellation indeed.
For your information, here's a link to the Bridgetower film project that is currently in the works: http://sparkmedia.org/projects/sonata-mulattica/
With all good wishes,