Lar LubOVitch’s powerful
Othello,
a dance of love and betrayal, returns to The Joffrey stage
At the Auditorium Theatre, April 24 – May 5
CHICAGO (March 20, 2013) – In celebration of choreographer Lar Lubovitch’s 70th birthday in 2013, The Joffrey Ballet’s season concludes this spring with the return of the native Chicagoan’s three-act dance, Othello. Set to a score by Oscar® winner Elliot Goldenthal, Othello uses an amalgam of classical ballet and modern dance to tell the dramatic story of the Venetian Moor, Othello, his beloved Desdemona and the conniving Iago, in a vibrant tale of passion, jealousy, ambition and betrayal. Live orchestral accompaniment is provided by The Chicago Philharmonic, led by Joffrey Music Director Scott Speck. The Joffrey Ballet presents Othello in ten performances only at the Auditorium Theatre of Roosevelt University, 50 East Congress Parkway, April 24 – May 5.
Othello,
created in 1997 as a co-commission between American Ballet Theatre and
San Francisco Ballet, received its Joffrey and Chicago premiere in 2009,
garnering unanimous acclaim from critics and audiences alike. This
production represents the last time the Joffrey will perform the work
before it’s retired from active repertory.
Lubovitch’s production features a modernist, crystalline set
design by George Tsypin, costumes by Ann Hould-Ward, lighting design by
Pat Collins and digital projections by Wendall K. Harrington. Harrington used still photographs taken in Venice, as well as abstract moving images, to digitally create the elaborate world of Othello
that includes the Palace of the Doges, a cathedral, a fortress, and the
stormy port of Cyprus, the setting of Act II’s feverish “Tarantella.”
Lubovitch’s dance is adapted from three sources: The Moor, a story by Geraldo Cintio in The Hundred Tales, published in Venice in 1566; William Shakespeare’s play Othello, The Moor of Venice, written around 1602; and Guiseppe Verdi’s opera Othello
from 1887. The dance doesn’t recreate any of these sources verbatim,
but rather it relates the legend of Othello through passages of movement
which capture the essence of the characters, their relationships and
the course of their ambitions.
The
story revolves around Othello, a general serving the state of Venice,
who weds the young noblewoman Desdemona, a controversial union among
high society because of Desdemona’s Catholic heritage and Othello’s
Islamic faith. At their wedding, Othello presents Desdemona with a
handkerchief which has been passed down through his family since the
time of Egyptian queens, said to ensure its bearer with eternal love and
fidelity. Iago, a senior ensign under Othello who is enraged when he’s
passed over for promotion in favor of the young Cassio, quietly plots
vengeance against Othello. Iago spins a web of deceit, with the
handkerchief at its center, which ensnares Othello with rage and
jealousy.
“This spring, we welcome the return of Lar Lubovitch,” said Ashley Wheater, Artistic Director of The Joffrey Ballet. “In his full-length Othello,
Lar tells the tragic Shakespearian story using bold contemporary
movement rather than words or pantomime. We watch the tragedy unfold,
helpless to prevent the stunning, dramatic conclusion. Othello
was the first full-length I introduced to the Joffrey in 2009 and is
certainly a masterwork of narrative dance in the new century.”
Tickets and Scheduling
Single tickets, which range from $31 to $152,
are available for purchase at The Joffrey Ballet’s official Box Office
located in the lobby of Joffrey Tower, 10 E. Randolph Street, as well as
the Auditorium Theatre of Roosevelt University Box Office, all
Ticketmaster Ticket Centers, by telephone at (800) 982-2787, or online
at www.ticketmaster.com.
Othello
is performed Wednesday, April 24 through Sunday, May 5, 2013. The
complete performance schedule is as follows: Wednesday, April 24 at
7:30 pm; Friday, April 26 at 7:30 pm; Saturday, April 27 at 2 pm and
7:30 pm; Sunday, April 28 at 2 pm; Thursday, May 2 at 7:30 pm; Friday,
May 3 at 7:30 pm; Saturday, May 4 at 2 pm and 7:30 pm; and Sunday, May 5
at 2 pm.
About the Artists
One of America's most versatile, popular and highly acclaimed choreographers, Lar Lubovitch
leads the Lar Lubovitch Dance Company in New York City, which he
founded 44 years ago. Lubovitch’s dances are renowned for their
musicality, rhapsodic style and sophisticated formal structures. Born
in Chicago, Lubovitch was educated at the University of Iowa and the
Juilliard School in New York. His teachers at Juilliard included Antony
Tudor, Jose Limon, Anna Sokolow and Martha Graham. Lubovitch made his
Broadway debut in 1987 with the musical staging for the Stephen
Sondheim/James Lapine musical, Into the Woods, for which he received a Tony® Award nomination. In 1993, he choreographed the highly-praised dance sequences for the Broadway show The Red Shoes. In 1996, he created the musical staging (and two new dances) for the Tony Award-winning Broadway revival of The King and I. Most recently he devised the musical staging for Walt Disney's stage version of The Hunchback of Notre Dame
in Berlin. In addition to his work for stage, screen and television,
Lubovitch has also made a significant contribution to the advancement of
choreography in the field of ice-dancing. He has created dances for
Olympic gold medalists John Curry, Peggy Fleming and Dorothy Hamill and
has choreographed a full-length ice-dancing version of The Sleeping Beauty,
starring Olympic medalists Robin Cousins and Rosalynn Sumners. In
2007, to supplement the activities (creating, performing and teaching)
of the Lar Lubovitch Dance Company, he founded the Chicago Dancing
Company, a nonprofit organization whose mission is to present a wide
variety of excellent dance and build dance audiences in his native
Chicago. Lubovitch has choreographed over 100 dances for his own
company as well as companies around the world.
Composer Elliot Goldenthal creates works for orchestra, theatre, opera, ballet and film. In 2006, Goldenthal’s original three-act opera Grendel,
directed by Julie Taymor, premiered at the Los Angeles Opera and had
its east coast debut as the centerpiece of the Lincoln Center
Festival in New York. Goldenthal was named one of the two finalists
for the 2006 Pulitzer Prize in music for his work on Grendel. Goldenthal was commissioned by the American Ballet Theatre to compose a three-act ballet of Othello, which debuted at the Metropolitan Opera in 1997. Goldenthal’s large-scale symphonic piece, Fire Water Paper: A Vietnam Oratorio, was commissioned by the Pacific Symphony to commemorate the 20th anniversary
of the end of the Vietnam War. Goldenthal has composed the music for
more than a dozen theatrical productions including Juan Darien: A Carnival Mass which
was directed by Taymor. It received five Tony® nominations including
Best Musical, and Original Musical Score for Goldenthal when it was
produced at Lincoln Center and an Obie Award Off-Broadway for
Goldenthal. His other theatrical credits include The Transposed Heads, The Green Bird and The King Stag directed by Andrei Serban. In 2003, he was honored with the Academy Award® and a Golden Globe® for Best Original Score for Frida and also received an Academy Award nomination for the film’s original song Burn it Blue, and Oscar nominations for his music for Neil Jordan’s Interview With the Vampire and Michael Collins. Also notable among his more than 30 film scores are Michael Mann’s Public Enemies and Heat, Neil Jordan’s The Butcher Boy and Julie Taymor’s The Tempest, Across The Universe and Titus.
Additionally, he has received two Golden Globe nominations and three
Grammy Award nominations. Goldenthal is composing the original music
for a production of William Shakespeare’s A Midsummer Night’s Dream to be directed by Taymor for Theatre for a New Audience this fall.
The
Joffrey Ballet is grateful for its 2012-2013 Season Sponsors and
Partners. With special thanks to Lorna Ferguson & Terry Clark and
Nuveen Investments, Inc., Othello Production Sponsors; Abbott
Fund and NIB Foundation, co-sponsors of the 2012-2013 Season; United
Airlines, Official & Exclusive Airline; Vanguard Chicago Center for
Orthopedics, Official Healthcare Provider; JW Marriott, Official Hotel
Sponsor; AthletiCo, Official Provider of Physical Therapy Services; MAC,
Official Cosmetic Sponsor; and Joffrey’s Season Partners, Allstate,
Chicago Athletic Clubs and Sara Lee Foundation.
For more information about The Joffrey Ballet and its programs visit joffrey.org.
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