
Music written by Africans for Western symphonic ensembles is not common on recordings or Euro-American concert programs, but several African countries have conservatories with music-making that would seem worthy of further investigation. Fred Onovwerosuoke was born Fred Okorefe Kwaku Onovwerosuoke in Ghana in 1960. His family was Nigerian, and his education in African idioms encompassed the music of many different ethnic groups. At the University of Ife in Nigeria he conducted a choral group, and he studied with Ghana's most famous musical scholar, J.H. Kwabena Nketia. Onovwerosuoke now lives in New Orleans, where many of his manuscripts were nearly destroyed by Hurricane Katrina; admirers recopied them off the soaked pages. The orchestral works heard here are strongly recommended to anyone interested in fusions between the European and African musical languages, for Onovwerosuoke's thinking is subtle and original. His music strikes the listener as characteristically West African, but at first it's hard to tell why this should be -- the traditions out of which his music grew are all heavily dependent upon percussion instruments, but he uses them only sparingly.
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