Friday, January 27, 2017

Sergio A. Mims - Chi-chi Nwanoku MBE Receives The Association of British Orchestras Annual Award at the Bournemouth International Centre

Chi-chi Nwanoku Receives ABO Award

Sergio A. Mims writes:

Two articles about this amazing honor.

Sergio



Chineke.org

Chineke! Founder, Artistic and Executive Director, Chi-chi Nwanoku MBE, has been awarded the 2017 ABO Award at the ABO annual conference, held this year at the Bournemouth International Centre.

The ABO Award, unique among the many prestigious awards and prizes in the music world because its recipient is nominated by the member orchestras of the ABO themselves, was presented to Chi-chi by Kathryn McDowell, ABO chair, for her work as a performer, educator, broadcaster and champion of diversity.

The Chineke! Foundation would like to congratulate Chi-chi on this wonderful achievement, and to thank the ABO for their recognition of the importance of Chineke!'s work.

Thursday, January 26, 2017

Soprano Brandie Sutton and Flint Symphony Orchestra Perform Duke Ellington's Black, Brown and Beige: Suite Saturday, February 25, 2017 at 7:30 PM


Flint Symphony Orchestra

Saturday, February 25, 2017 7:30PM

The Whiting






Enrique Diemecke - Conductor

Guest Artist:
Brandie Sutton - Soprano

Performing:

Duke Ellington Black, Brown and Beige: Suite
George Gershwin Summertime from Porgy and Bess
Leonard Bernstein I Feel Pretty from West Side Story
Leonard Bernstein West Side Story: Symphonic Dances
George Gershwin arr. Morton Gould Porgy and Bess Suite

Concert Sponsors:
Mr. Edward Davison, Attorney at Law
& Dr. Cathy O. Blight
Edward G. & Donna Henneke
First Merit Bank

Guest Artist Sponsors:
Genesys/Hurley Cancer Institute

The Almanac: Concerts showcase music of African American composers [Zenobia Powell Perry, Margaret Bonds, Florence Price, Jacqueline Hairston, Dolores White, Etc.]


Keyboard collaboration in the name of art is represented here by the hands of retired judge and pianist LaDoris Cordell and Menlo Park pianist Josephine Gandolfi, who with Deanne Tucker founded the African American Composer Initiative. Photo by Laurie Naiman

The Almanac

Sun. Jan. 22, 2017

by Renee Batti / Almanac

The January tradition of musicians and composers coming together for two rousing concerts benefiting Eastside College Preparatory School in East Palo Alto lives on: The African American Composer Initiative concerts are set for Saturday and Sunday, Jan. 28 and 29, at the school.

Among the performers taking the stage at "Let the Knowing Speak: A Celebration of Music by African American Composers" will be the Initiative founders: Menlo Park pianist Josephine Gandolfi, pianist/vocalist (and former judge) LaDoris Cordell, and pianist/vocalist Deanne Tucker.

The concerts feature "music drawn from the traditions of spirituals, jazz, blues, opera and concert music," Ms. Gandolfi writes in a press release. Composers represented include Zenobia Powell Perry, Margaret Bonds, Florence Price, Jacqueline Hairston, Dolores White, Dizzie Gillespie and Bobby Timmons.
Three new compositions will be premiered: "Tapestry," a jazz tribute to Langston Hughes by Valerie Capers; "Disco-cioso," a trio for the Picasso Ensemble by John Robinson; and "Let God Bring Tomorrow," a musical memorial to those killed last year in a nightclub shooting in Orlando, Florida, written by Joshua McGhee.
Modern dancers of Eastside Prep, under the direction of Morgan Mallory, will perform a dance sequence from Zenobia Powell Perry's opera, "Tawawa House," based on the history of a resort hotel in Ohio that became a stop on the Underground Railroad, and was later converted to a school for black youth, eventually becoming Wilberforce University.
The program also includes spirituals for soprano and tenor from that opera; "Troubled Water," by Margaret Bonds, for cello solo and piano; and Dolores White's setting of poetry by Maya Angelou for tenor, soprano and piano.

***

Tickets are $20 for general admission, $10 for seniors and $5 for students.
Click here to buy tickets online through Brown Paper Tickets.
Go to the AACI website, or call (650) 688-0850, for more information.                           

John Malveaux: Kehembe V. Eichelberger: Invitation: Free Performance by Kevin Deas, Bass-Baritone, at Howard University Music Department February 2, 2017



John Malveaux of 
writes:


Dr. Eichelberger shared the information below about February 2, 2017 by Bass Baritone Kevin Deas at Howard University. Bass Baritone Kevin Deas donated aria performances of I Made Me A Man from Adolphus Hailstork Opera RISE FOR FREEDOM: THE JOHN P PARKER STORY and NO MAN'S POSSESSION from Ulysses Kay Opera JUBILEE with pianist Victor Simonson during MusicUNTOLD 150th anniversary 13th Amendment - abolition of slavery concert November 21, 2015 at DAR Constitution Hall, Washington DC.


Howard University
The Howard University  Department of Music presents Internationally Renown Bass - Baritone Kevin Deas i
n a performance of The Harry Burleigh Show A Musical Journey Through the History of the Spiritual with pianist Joseph Horowitz Thursday, February 2, 2017 at Lulu Vere Childers Recital Hall 12:40 — 1:30 PM Admission: FREE
 
Kehembe V. Eichelberger, Assoc. Prof.
Voice
Music Business Coordinator
Howard University
Department of Music







 

Wednesday, January 25, 2017

AMA Celebrating Black History: Feb. 3, 6:30 PM, Spoede Elementary; Feb. 12, 3 PM, Kirkwood Presbyterian; Feb. 22, 7 PM, Danforth Center, Washington University

CELEBRATING BLACK HISTORY!
February 3: Sonic Safari for Schools 

Tahira Mari shares interactive African dances, stories and songs
Venue: Spoede Elementary School
425 N Spoede Rd, St. Louis, MO 63141
Time: 6:30 PM

Feb 12:
Celebrating African-American History
with Songs of Africa

Venue: Kirkwood Presbyterian Church
100 E Adams Ave, St. Louis, MO 63122
Time: 3:00 PM
An annual free concert celebrating African-American History with the Songs of Africa Ensemble, featuring diverse choral styles from around Africa and its Diaspora. Help us bring more free concerts to the community by making a donation today!

Feb 22: 
Celebrating African American History
with IMI Chamber Players

Venue: Danforth Center Washington University
World Chess Hall of Fame Monthly Music Series:
IMI Chamber Players Woodwind Quintet Concert
Time: 7:00 PM
The Intercultural Music Initiative is an innovative concert and educational outreach program featuring classical and contemporary works by composers of African, Hispanic and Asian-descent, along with standard repertoire.

Much gratitude to all of you who help us articulate our mission to empower communities through the enriching power of music. Thank you for helping to support children, youth, and audiences in our St. Louis community and beyond. To learn more about what your donation supports visit: www.africarts.org/donate
Thank you for your support!

Houston Ebony Opera Guild: 4:30 PM Jan. 29, Robert A. Henry Lecture, Pilgrim Congregational UCC; 4 PM Feb. 26, African American Music Gala, Westbury UMC


Mary Marks Guillory writes:

Bill,

Lecture and concert are content-related, and celebrate the 75th birthday of composer-conductor Roland Carter.

Thank you and best wishes!

Mary
Mary Marks Guillory

University of Michigan M-Prize: APPLY NOW TO THE 2017 M-PRIZE COMPETITION; DEADLINE 2/1; Grand Prize $100,000



Experience this collage of performances from the inaugural M-Prize, including Semi-Finalists, Finalists, and Grand Prize Winners across Junior & Senior Divisions! 

JUNIOR & SENIOR DIVISIONS.
STRINGS, WINDS, & OPEN CATEGORIES.
competition dates: May 1-4, 2017
application deadline: February 1, 2017

grand prize: $100,000

other prizes: $109,000
open means: vocal groups, new music, jazz combos, electronic music, roots, world, improvising groups, and so much more
age range: high school for juniors, average age 35 or below for seniors
judges: uniformly awesome

M-Prize round: features all three senior first prize winners, performing in concert and conducting an interview on their curatorial vision, all three return to Ann Arbor for residencies in 17-18  

Comment by email:  
Thank you, Bill!  We are so thrilled about our partnership with your wonderful publication.  Thank you for all you do!  All best,  Heather  [Heather G. Kendrick]     

Sergio A. Mims: Los Angeles Times: Review: The resurrection of Julius Eastman: gay, black and brilliant

Bass-baritone Davone Tines performs Julius Eastman's "Prelude to the Holy Presence of Joan d' Arc" at the Monday Evening Concerts in Zipper Concert Hall. (Brian van der Brug / Los Angeles Times)

Sergio A. Mims forwards this article:



Music Critic

January 24, 2017

Julius Eastman was a lost Minimalist and a lost soul. He was a composer, baritone and pianist of blinding, brilliant talent who died in 1990 at age 49, homeless and forgotten, in Buffalo, N.Y.

Two decades earlier he had helped to usher in the Los Angeles Philharmonic’s first contemporary music festival at the Music Center, Contempo ’71. Performing with Music Director Zubin Mehta, Eastman was called by critic Martin Bernheimer in these pages “a young man who can do anything with his voice.”

He could do much more. He was a composer ahead of his time, which is what mainly led to his self-destructiveness and subsequent neglect. But attention is now being paid, as the Monday Evening Concerts series proved by opening its season at the Colburn School’s Zipper Concert Hall with an all-Eastman program. The hall was packed with new music old-timers and many younger newcomers.

AACI: Final notice to buy tickets ahead for January 28 and 29 concerts, "Let The Knowing Speak"


Mason & Hamlin from Peninsula Piano Brokers of Palo Alto being moved onto the Eastside stage in preparation for our concerts this weekend. 

African American Composer Initiative writes:
The AACI concerts are this weekend, Saturday and Sunday, January 28 and 29 at 3pm!

As seating is limited, we encourage you to purchase your tickets online to be sure you can experience this wonderful program of music (and dance!).  Purchase your tickets online via Brown Paper Tickets.

Be sure to select the date from the pull-down menu. If you have already purchased tickets, please check that you selected the date you wanted. If not, get in touch with us ASAP at info@aacinitiative.org to arrange an exchange.
Our theme for this concert is “Let the Knowing Speak.” We draw from a wide range of music born of African American history and experience, expressed in spirituals, jazz, blues, opera, song, and instrumental music. Returning to the Eastside stage to perform with our AACI musicians are our beloved guest artists Valerie Capers and John Robinson.

We have sold out the concerts for the last few years. Don't delay, Click Here for tickets.
Here’s the link to more information about our 2017 concert on the AACI website:
http://aacinitiative.org/lettheknowingspeak/
We hope you will join us as we bring you the wonderful music of African American Composers.
With best wishes,
LaDoris Cordell, Jodi Gandolfi, Deanne Tucker and all the musicians of AACI        

John Malveaux: "GAY GUERILLA: A PORTRAIT OF JULIUS EASTMAN", Jan. 23, 2017 at Colburn School included Eastman's The Holy Presence of Joan d'Arc (Prelude)

The New Yorker: Eastman, all but forgotten at century’s end, is now seen as a brazen pioneer.  Courtesy R. Nemo Hill Collection

John Malveaux of 
writes:

Prior to attending "GAY GUERILLA: A PORTRAIT OF JULIUS EASTMAN", January 23, 2017 at Colburn School Zipper Hall I met with Bass Baritone Devone Tines and later quickly read the New Yorker story about Julius Eastman. See http://www.newyorker.com/magazine/2017/01/23/julius-eastmans-guerrilla-minimalism. The Colburn program included Julius EASTMAN: The Holy Presence of Joan d'Arc (Prelude) 
Julius EASTMAN: The Holy Presence of Joan d'Arc*

A week prior I discovered Crazy N_____ (four pianos) on YouTube and felt prepared for the evening. Devone mentioned in our meeting that he was singing an a acappella part and I did not ask any questions.

The program began with 10 cello players walking onto lite stage. Then i noticed high above the rear of the stage (second level) stood Devone Tines. A spot light focused on Devone and the stage light went dark on the conductor and cello players. . Devone delivered a recycling 12 minute a cappella spellbinding performance coming from above with the limitation of only about 12 different words to sing or recite. Then the spotlight on Devone went dark and the stage light returned to the ten cello players for The Holy Presence of Joan d'Arc. Hear/visualize Prelude To The Holy Presence Of Joan D'Arc https://www.youtube.com/watch?v=YpuCaQRHzRo