Tuesday, January 3, 2012

Patrick D. McCoy: 'Interview with tenor Lawrence Brownlee 1.4.12 at 3 p.m.'

[Lawrence Brownlee (Photo Credit: Marty Umans)]


Patrick D. McCoy
The African American Voice in Classical Music
announces his first interview of 2012.

Superstar opera singer, the tenor

Lawrence Brownlee

drops in to speak about his current role
at the Metropolitan Opera,
balancing family and his career,
his early beginnings and much more
with Patrick D. McCoy,
The African American Voice in Classical Music.


PRESS RELEASE


Comment by email:
Lawrence Brownlee is the greatest thing that hit Rossini since Marilyn Horne.  [Dominique-René de Lerma]

 

'Music of H. Leslie Adams' at African American Art Song Convention, UCIrvine 2 PM Feb. 10, 2012


[H. Leslie Adams (b. 1932)]


Composer H. Leslie Adams has alerted AfriClassical to an event at the University of California Irvine at 2:00 p.m., February 10, 2012:
The Music of H. Leslie Adams.
On: African American Art Song Convention;
Claire Trevor Theatre,
University of California Irvine
February 9-12, 2012
"Hymn to Freedom," cantata for soprano, tenor, baritone and chamber
orchestra.
The "Wider View" and "Nightsongs," song groups.
"Lullaby Eternal," "Love Memory" and "Night People,"* individual songs. [Adams music heard on February 10, 2012, 2:00 p.m. For more information, (949) 824-4281.] *First performance.
The H. Leslie Adams Homepage is at: http://www.hleslieadams.com [H. Leslie Adams (b. 1932) is profiled at AfriClassical.com, which features a comprehensive Works List by Prof. Dominique-René de Lerma, http://www.CasaMusicaledeLerma.com]

Countertenor Darryl Taylor in 'An Evening Of Spirituals To Honor MLK Jr.' Jan. 14 University of California Irvine



Claire Trevor School of the Arts
“Join us as we honor the legacy and spirit of Martin Luther King, Jr. with an Evening of Spirituals on Fri., Jan. 14 in Winifred Smith Hall at 8:00 p.m.


Countertenor DarrylTaylor and pianist Brent McMunn are joined by soprano/storyteller Victoria Burnett and Moshe Molin on West African drum to celebrate the rich cultural tradition of the spiritual, married to the exacting work of the art song.

Tickets can be purchased through the Arts Box Office, (949) 824-2787 or online $16 / $14 / $11


Monday, January 2, 2012

Funeral of Tom Jones is Saturday, January 7, 2012 at 10 AM at Angeles Funeral Home


[Tom Jones]

On Dec. 27, 2011 AfriClassical posted: “Death of Tom Jones, Former Clarinetist and Conductor of Afro-American Chamber Music Society Orchestra.”  Today Prof. Janise White writes:

Dear AACMS Family:
The Funeral will be held on Saturday, January 7, 2011 at 10:00am at the Angeles Funeral Home located at 3875 S. Crenshaw Blvd., CA 90008. The Repast will be held at the Wilshire United Methodist Church, 4350 Wilshire Blvd., Los Angeles, CA following the Interment from approximately 1:00pm to 4:00pm. We will share memories of Tom and play music and of course, eat.

Men are needed to help set up tables and chairs for the Repast at Wilshire UMC.
Please RSVP ASAP.
Hope you're having a wonderful holiday season.
Love,
Janise

All the best in this New Year 2012 – Marlon Daniel

'Seven Traceries' of William Grant Still is on CD 'Along The Western Shore' by Pianist Althea Waites


[ABOVE: Seven Traceries sheet music, with William Grant Still on cover. BELOW: Along The Western Shore; Althea Waites, pianist; Althea Waites and Mark Uranker, duo-pianists; Cambria CD-1141 (2003)]

On Dec. 18, 2011 AfriClassical posted: “MusicUNTOLD: Althea WaitesPiano Recital, Long Beach Public Library-Main Library Auditorium onFebruary 4, 2012.” It began, “MusicUNTOLD will present an Althea Waites piano recital at Long Beach Public Library-Main Library Auditorium on February 4, 2012. See http://altheawaites.com/

We have long had a copy of Black Diamonds: Althea Waites Plays Music By African-American Composers; Cambria CD-1097 (1993). The program includes works of Florence Price, William Grant Still, Margaret Bonds and Ed Bland. Price, Still and Bonds are featured at AfriClassical.com. The biographies on Florence Price and Margaret Bonds include paragraphs excerpted from the liner notes of the Black Diamonds, along with the cover art. When John Malveaux of MusicUNTOLD.com told us of the Long Beach recital by Althea Waites, we arranged an interview for later this month.

We also wanted to hear the other CD of Althea Waites, also on the Cambria label, Along The Western Shore (2003). The recording bears the same title as the first work, a world premiere, by Elinor Remick Warren. Althea Waites tells us in the liner notes: “Elinor Remick Warren (1900-1991) ranks among the first women in music history to receive international distinction in the field of composition.” Another world premiere is Five Pieces for Piano by Richard Samuel Saylor (1926-2009) a Professor Emeritus at California State University, San Bernardino. A world premiere by Lloyd Rodgers closes the program. It is Etcetera Variations For Two Pianos, BWV 1087. Althea Waites and Mark Uranker are the duo-pianists for the work. At 21:35, it is the longest piece on the CD.

The work which drew our attention to Along The Western Shore is William Grant Still's Seven Traceries. Althea Waites writes in the liner notes: WilliamGrant Still (1895-1978), another American symphonic composer, lived in California from 1934 until his death. He wrote few works for the piano but his Seven Traceries, a lyrical suite fashioned after seven poems, is a work of abstractions bearing the imprint of mysticism.” William Grant Still (1895-1978) is profiled at AfriClassical.com, which features a comprehensive Works List by Prof. Dominique-René de Lerma, http://www.CasaMusicaledeLerma.com Here is the entry on 7 Traceries:

7 Traceries, for piano (1939). New York: J. Fischer & Bro., 1940 (Fischer edition, 7632; #7632-24). 24p. 1. Cloud cradles [dedication: Helen and Allan]; 2. Mystic pool [dedication: Josephine Harreld Love]; 3. Muted laughter [dedication: Jessie, Marge, Adrian, and Charles]; 4. Out of the silence [dedication: William Duncan Allen]; 5. Woven silver [dedication: Kay Swift]; 6. Wailing dawn [dedication: Militza and James]; 7. A bit of wit [dedication: Florence and James]. Duration: 17:00. Library: Library of Congress (LC 53-43), Spingarn.

Sheet music for Seven Traceries is available from www.WilliamGrantStill.com, which gives this description of the work:

Suite for Solo Piano

William Grant Still: Seven Traceries

Features Still's SEVEN TRACERIES, his second most significant work for piano, with explanatory essay by Dr. Richard Crosby and commentary by Judith Anne Still, the composer's daughter." Sinfonia.org writes of Dr. Crosby: “In addition, his new edition of William Grant Still’s 'Seven Traceries' has been published by William Grant Still Music.”

Althea Waites has constructed a program of works which are not often heard but which form a cohesive program in spite of their very different origins. Although our primary focus was on
Seven Traceries, we have enjoyed the other works as well. We are pleased to have expanded our awareness of Still's compositional output with these impressionistic pieces on this disc.
Disclosure: A review copy of this CD was provided by William Grant Still Music.


Comment by email:
Thanks Bill,  I remain baffled as to why there are not a lot more CD’s by Althea Waites.  It is well worth also mentioning Althea’s earlier CD Cambria 1097 which is definitive http://altheawaites.com/cds/index.html. It includes Still’s ‘Three Visions’ and works by Florence Price, Margaret Bonds and Ed Bland and is very well performed and recorded. I look forward to ‘Along the Western Shore’.  Mike
[Michael S. Wright]

Sunday, January 1, 2012

Grand Ole Opry: 105 Voices From HBCU Schools With Wynonna Judd & Shirley Caesar Sun. Jan. 22, 5 PM

Gainesville Chamber Orchestra Performs 'Afro-American Symphony' of William Grant Still Jan. 20 & 21, 2012


[Afro-American Symphony; Royal Philharmonic Orchestra; Karl Kruger, conductor; Bridge 9086 (1999)]

William Grant Still (1895-1978) is profiled at AfriClassical.com, which features a comprehensive Works List by Prof. Dominique-René de Lerma, http://www.CasaMusicaledeLerma.com. Gwen Fortune alerts us to a performance of Still's Afro-American Symphony by the Gainesville Chamber Orchestra on Jan. 20 and 21, 2012:

“Music from the New World”
January 20, 2012 
Featuring Dvorak’s “New World Symphony” as well as the “Afro-American Symphony” by black American composer William Grant Still. 7:30 in the University Auditorium at University of Florida with SPECIAL GUEST ARTIST ELEANOR BLAIR painting from the stage!

And - A Special matinee performance on Jan. 21, 2012 at 2:00 p.m. in Santa Fe's new Fine Arts Hall.


Jan. 15 is World premiere of Act I of Nkeiru Okoye's 'HARRIET TUBMAN: When I Crossed that Line to Freedom'


NkeiruOkoye writes:

Happy New Year, 
Mine is starting with three exciting events to which you are invited:

Sunday, January 15th, will be the world premiere of Act I from HARRIET TUBMAN: When I Crossed that Line to Freedom. The event is a concert staged reading directed by Beth Greenberg of New York City Opera and produced by Downtown Productions. It’s at St. Mark’s in the Bowery, NYC @ 5 pm.
Monday, January 16th, the Philadelphia Orchestra will perform my piece VOICES SHOUTING OUT for their annual Martin Luther King concert at MLK High School in Philadelphia, 3 pm.
Sunday, February 5th, I’ll be hosting “A Ride on the Underground Railroad,” a concert in celebration of African American History Month at Hofstra University. The concert has familiar and newly composed music about the Underground Railroad. Some of our amazing performers are Soprano Diana Solomon-Glover, contralto Nicole Mitchell, tenor Robert Anthony Mack, the internationally touring Hempstead High School Select Chorale, many of my colleagues and students at University, and a special performance by Roy Eaton, the definitive master of Joplin’s Ragtime works. The concert will be at Hofstra University in Hempstead, LI, NY in the John Adams Playhouse. For ticket information, contact the Playhouse Box Office at 516-463-6644.
I hope to see you at some of the events. With my warmest wishes for a
wonder-filled New Year
Nkeiru

L'Académie: 'Chevalier de Saint-Georges' Violin Concerto in D major in April 2012'


[Leslie Kwan; Le Chevalier de Saint-Georges (1745-1799)]

The life, fencing and music of Le Chevalier de Saint-Georges (1745-1799) are presented at AfriClassical.com:

The Three Musketeers
Danger, swordplay and — a string section?


April 20, 2012 8pm
April 21, 2012 8pm


Church of the Redeemer, Chestnut Hill


$25 General Admission
$12 Students/Seniors

Program
Joseph Boulogne, Chevalier de Saint-George:
Violin Concerto in D Major, Op. 3, No. 1
Joan Plana,
violin
Jean-Marie Leclair:
Scylla and Glaucus Suite
Antoine Dauvergne:
Concert des simphonies in A Major, Op. 4, No. 2

“It’s not everyday that you come across a composer that’s known as 'the god of arms.' Afro French composer Chevalier de Saint-Georges was a public figure, a preeminent fencing champion, gifted violinist and composer.”


“Dear Friends of L'Académie,
As 2011 draws to a close, we wanted to take a moment and thank you for your support and appreciation this year.

"This was a of year 'firsts' for L'Académie. We performed at the Boston Early Music Festival and received a great review from the Early Music America Journal. We were graciously supported by the French Brand, Christofle (which included a party in October to kick off our season) and presented our first opera production Les Plaisirs de Versailles by Charpentier which garnered a glowing review in the Boston Musical Intelligencer. The rest of season includes a Boston premiere of gambist Andrew Arceci's Suite for Gamba (a modern work) in February 2012 and the performance of Afro-French composer Chevalier de Saint-Georges' Violin Concerto in D major in April 2012, also a first performance in Boston on period instruments.

"So, as you can see, we've been pretty busy and have been quite successful. To that, we owe it all to you, our supporters. Thank you so much for being an integral part of our season. We could not have done it without you."  "We'll see you at Church of the Redeemer on February 10th and 11th, 2012, for The Vivaldi Code!
With much admiration and appreciation,
Leslie Kwan
General Director and Harpsichordist"