Showing posts with label Quincy Porter. Show all posts
Showing posts with label Quincy Porter. Show all posts

Thursday, October 6, 2011

'On An Overgrown Path': Role of John McLaughlin Williams 'is to selflessly champion little known and deserving music.'


[TOP: John McLaughlin Williams BOTTOM: Quincy Porter, Complete Viola Works; Eliesha Nelson, viola; John McLaughlin Williams, violin, piano, harpsichord; Douglas Rioth, harp; Northwest Sinfonia, John McLaughlin Williams, conductor; Dorian Recordings DSL 90911 (73:47) (2009)]

On An Overgrown Path currently displays a cover photo of the above CD under the headline Crying Out For Rediscovery. Clicking on the cover photo takes one to this post:

Sunday, May 02, 2010
“If you like Korngold try this
The programming of Erich Wolfgang Korngold's lyrical Violin Concerto at a BBC Prom on August 10 is confirmation that Korngold is getting the recognition he rightly deserves. But there is still an awful lot of deserving music that is crying out for rediscovery, including that on the newly released CD seen above.

“Quincy Porter (1897-1966) was born in New Haven, Connecticut. He studied at Yale and in Paris and then held a series of high ranking academic positions in America after founding the American Music Centre in 1939 with Aaron Copland and Howard Hanson. His Concerto for Two Pianos and Orchestra (now known as the Concerto Concertante) won a Pullitzer Prize in 1954. Quincy Porter was an early advocate of hi-fi sound, and all the rooms of his retirement home in Bethany, Connecticut were networked for audiophile sound.

“The 1948 Concerto for Viola and Orchestra is the main work on this invaluable new CD. Comparisons between it and Korngold's Violin Concerto written just three years earlier are inevitable but a little unfair. Quincy Porter's own instrument was the viola and he made an important but now overlooked contribution to the viola repertoire. The Concerto is dedicated to William Primrose and the first performance was given by Paul Doktor with the CBS Orchestra conducted by Dean Dixon, the African-American conductor who featured here in October 2008.

“Dorian's disc of Quincy Porter's Complete Viol;a Works maintains the musicians of color connection as the quite superb soloist is Alaskan born Eliesha Nelson and her accompanist, on piano, harpsichord and the podium with the Northwest Sinfonia, is Grammy winner John McLaughlin Williams.”

“An enlighted one is a bodhisattva, described by Jeff Greenwald as 'the mindful and mysterious men, women and children who seem to recognize, almost from Day One, their peculiar function on this planet'. John McLaughlin William is a veritable bodhisattva. His peculiar function on the planet is to selflessly champion little known and deserving music. In his view everything in the music market is the best, from Messiaen (which he won a Grammy for) to Quincy Porter.

“Thankfully the pursuit of musical fashions and playing the anniversary game is not what John McLaughlin Williams is about. As well as Quincy Porter's Complete Viola Works he has just recorded a much-needed disc of music by another American composer, Deon Nielsen Price (if you like Alan Hovhaness try this), conducting this time the National Symphony Orchestra of Ukraine. There are much easier ways to earn a living and you are not likely to find either of these discs in BBC Radio 3's classical chart. But that is not what being a bodhisattva is about.”

Friday, August 12, 2011

ClassicsOnline.com: 'Russian Viola Sonatas explores important, compelling viola literature not commonly heard'

[Russian Viola Sonatas; Eliesha Nelson, viola; Glen Inanga, piano; Sono Luminus DSL-92136 (2011) (71:02)]

On July 30, 2011 AfriClassical posted: “Violist Eliesha Nelson & Pianist Glen Inanga Make Strong Case for Varvara Gaigerova, Alexander Winkler & Paul Juon.” Today we read this on ClassicsOnline.com:

ClassicsOnline.com
“With her debut release of Quincy Porter compositions on Sono Luminus, Eliesha Nelson was immediately recognized as a musician of rare caliber, earning multiple GRAMMY® nominations. Her new release of Russian Viola Sonatas explores important, compelling viola literature not commonly heard on other releases.”

Monday, June 9, 2008

Eliesha Nelson, African American Violist, To Record Complete Viola Works of Quincy Porter

John McLaughlin Williams tells AfriClassical: "Please take a look at Eliesha Nelson's website. She's a violist in the Cleveland Orchestra, one of only two black members there and one of the few African-American musicians who are members of a major orchestra. Eliesha is making a world premiere recording of the complete viola music of Quincy Porter, a member of the generation of great composers active during that golden age of American composition in the 1930's to 1950's. The cd has all of the viola chamber music with harp, violin, piano and harpsichord, a solo viola work, and it is capped by the Viola Concerto, which will be recorded next week in Seattle. The Concerto is one of the very best written for the instrument, highly virtuosic and philosophical in tenor. I'm conducting the orchestra and also playing violin, piano and harpsichord on this recording. In the Duo for Viola and Harp the harpist is Douglas Rioth, principal harp of the San Francisco Symphony. Douglas is yet another absolutely great harpist who studied under Alice Chalifoux. http://www.elieshanelson.com/ There are some sound files there too. The producers are the multiple Grammy-nominated Marina and Victor Ledin of Encore Consultants." http://www.encoreconsultantsllc.com/