Showing posts with label Philip Glass. Show all posts
Showing posts with label Philip Glass. Show all posts

Sunday, March 13, 2011

LATimes.Blogs: 'The Passion of Philip Glass' Benefits From 'the heartfelt work of soprano Janice Chandler-Eteme'

[COSTA MESA, CA MARCH 10, 2011: Soloist Janice Chandler-Eteme sings while Orange County Pacific Symphony conductor Carl St. Clair, conducts The Passion of Philip Glass at the Renee and Henry Segerstrom Concert Hall in Costa Mesa. Philip Glass: Passion of Ramakrishna, which includes solists and the Pacific Chorale. ( Allen J. Schaben / Los Angeles Times)]

LATimes.blogs.LATimes.com
Culture Monster
March 11, 2011
“The composer Philip Glass was on hand Thursday night for a pre-concert talk at Renée and Henry Segerstrom Concert Hall, and then turned up onstage with conductor Carl St.Clair to briefly introduce all three of his works on a program that repeats Friday and Saturday night called 'The Passion of Philip Glass.' Part of an ongoing monthlong Glass Festival in the Los Angeles area that includes the West Coast premiere of 'Akhnaten' by Long Beach Opera, the Costa Mesa event reprised a major late Glass work, 'The Passion of Ramakrishna,' that was premiered by the Pacific Symphony in 2006. An additional performance of 'Ramakrishna' alone is scheduled for Sunday afternoon.

“The piece is a 40-minute choral and symphonic tribute to a simple Hindu holy man whose book, the 'Gospel of Ramakrishna,' greatly influenced the composer. Glass’ score movingly portrays the death and transformation of this 19th century Indian spiritual leader. In its quiet intensity and subtle scene painting, it shows Glass in his element as a theater composer. Since his early 20s, Glass, now 74, has composed 28 theater works. As each one became more daring and boldly expressive, the 'minimalist' label attached to Glass for so many years started to fray, if not quite fall off, especially after his striking 1976 breakthrough opera 'Einstein on the Beach.'

“'The Passion of Ramakrishna' is scored for a very large –- 110-plus –- chorus, full orchestra and five soloists, in small but potent parts. Yet Glass’ thoughtful orchestration and polytonal interweaving of voices, along with St.Clair’s and the Pacific Symphony’s care for balance and dynamics, maintained an intimate quality throughout. This touching 'Passion' also unfolded with memorable dignity thanks to the restrained singing and superb clarity of John Alexander’s Pacific Chorale, and the heartfelt work of soprano Janice Chandler-Eteme, baritone Christòpheren Nomura, bass Kevin Deas, mezzo-soprano I-Chin Feinblatt and tenor Nicholas Preston.

Friday, January 28, 2011

Philip Glass & Tania León Discuss Music; Pianist Adam Kent Plays It, Feb. 8, 7 PM, Brooklyn

[Philip Glass and Tania León]


“Great minds meet in this intimate conversation between two award-winning artists—the legendary composer Philip Glass and Cuban-American composer Tania León. León discusses her fascinating life, art and influences with Glass. Throughout the evening, selections of León’s critically-acclaimed music will be performed on piano by award-winning pianist Adam Kent.

“About the Artists: Tania León
Tania León, born in Cuba, is highly regarded as a composer and conductor who has directed orchestras across the globe. In March 2009, the ballet Inura, with music by León and choreography by Carlos dos Santos premiered at the Skirball Center for the Performing Arts. In 2008, León served as U.S. Artistic Ambassador of American Culture in Madrid, Spain and held a Composer/Conductor residency at the Beijing Central Conservatory, China. Her work, Horizons, was performed by The National Symphony of China, in the opening concert of China’s Beijing International Congress of Women in Music. Recent awards for her work include a Pulitzer Prize nomination (2008) for Ácana, La Distinción de Honor de la Rosa Blanca from the Patronato José Martí for her contribution to Cuban culture in the field of music, a Guggenheim Fellowship (2007), and a Fromm Music Foundation commission. In 2006, León was named Distinguished Professor of the City University of New York. In 2010, in addition to being elected to the prestigious American Academy of Arts and Letters, León was officially invited to Havana by Cuban master conductor Leo Brouwer, where, for the first time, her music was performed in her native country. Her work, To And Fro (4 Moods), was nominated for a 2010 Latin Grammy for Best Classical Contemporary Composition.

“Philip Glass
Philip Glass is one of the world’s best known composers. His landmark opera, Einstein on the Beach (1976), on which he collaborated with Robert Wilson, is one of the works that brought him worldwide recognition as a modern composer. Since Einstein, Glass has expanded his repertoire to include music for opera, dance, theater, chamber ensemble, orchestra, and film. His scores have received Academy Award nominations (Kundun, The Hours, Notes on a Scandal) and a Golden Globe (The Truman Show). Glass has received an Oscar nomination for his Notes score. Symphony No. 7 and Symphony No. 8—Glass’ latest symphonies—along with Waiting for the Barbarians, an opera based on the book by J. M. Coetzee, premiered in 2005. In April 2007, the English National Opera, in conjunction with the Metropolitan Opera, remounted Glass’ Satyagraha, which appeared in New York in April 2008. Glass’ recent opera, Kepler, based on the life and work of Johannes Kepler and commissioned by Linz 2009, Cultural Capital of Europe, and Landestheater Linz, premiered in September 2009 in Linz, Austria and in November 2009 at the Brooklyn Academy of Music.

“Adam Kent
Adam Kent has performed in recital, as soloist with orchestra, and in chamber music throughout the United States, Spain, Switzerland, and South America. A winner of the American Pianists Association Fellowship and Simone Belsky Music Awards, Mr. Kent also received top prizes in the Thomas Richner, the Juilliard Concerto, and the Kosciuszko Foundation Chopin Competitions and is a recipient of the Arthur Rubinstein Prize and the Harold Bauer Award. Mr. Kent made his New York recital debut at Weill Recital Hall in 1989 and has been featured numerous times on radio stations WQXR, WNYC, and WFUV. Recent concerts have included solo and chamber music performances at the Burgos International Music and the León Spanish Music Festivals in Spain as well as Mr. Kent’s fifth annual appearance at Weill Recital Hall at Carnegie Hall in a solo recital co-sponsored by the Spanish Consulate and the Foundation for Iberian Music. Mr. Kent’s solo recordings are available on Bridge and SMF Records.