Showing posts with label Great American Orchestral Music. Show all posts
Showing posts with label Great American Orchestral Music. Show all posts

Thursday, June 16, 2011

George Walker: '...token representation is usually the norm for performance opportunities.'

[George Walker: Great American Orchestral Music, Vol. 2; Albany Records Troy 1178 (2010) ]

Earlier today AfriClassical posted: "I would like to respectfully urge the Brevard Music Center to program a significant number of works by Black composers." Composer George Walker (b. 1922) is an African American composer and pianist who is profiled at AfriClassical.com and at his own website, http://georgetwalker.com/ His creativity has continued to manifest itself in recent compositions and recordings, including the 2010 release pictured above, George Walker: Great American Orchestral Music. George Walker addresses the issue of diversity of repertoire at Brevard Music Center:

“Hello Bill,
Perhaps Bruce Murray should have waited to pen a 4th letter that would not appear to be so patently ludicrous. Orchestral programs are obviously not chosen by students and the same is true of chamber music. Piano students are most likely to bring what they know to their lessons at the Brevard Music Camp.

“On the other hand it is naive to expect that any music director, conductor or ensemble will program 'a significant number of works' by any one composer or a group of relatively unknown composers. One has to understand how programs are devised. This well-intentioned request should have been tempered with the realization that token representation is usually the norm for performance opportunities.

“You cannot convert or redesign an existent system. Thomas Wilkins will not spearhead this attempt nor will any of the other conductors and guest artists who have even played music by black composers in the past. They are no more than hired cogs for a few days in this rusty wheel. Brevard is a summer camp that will not do anything different from Tanglewood, Saratoga, the Blossom Music Festival or any other lesser known entities. Murray was awkwardly telling you that 'standard' repertoire sells and is the easiest for everyone to program.

“I am grateful for the fact that my Lyric for Strings is perhaps the most frequently played work by a living American composer. But this has impacted on the performance choices of many other works of mine that are more musically challenging.
Regards.
George”

Thursday, December 16, 2010

Topics.NPR.org: “George Walker: 'NPR has chosen my most recent Albany Recording as one of the five best cds of contemporary music for 2010.'”

[George Walker, Great American Orchestral Music, Vol. 2; Gregory Walker, violin; Andrzej Krzyzanowski, solo flute; Sinfonia Varsovia; Ian Hobson, conductor; Albany Records Troy 1178 (2010)]

When we visited the Topics.NPR.org page this morning we were delighted to find that this was the top article:

“George Walker: 'NPR has chosen my most recent Albany Recording as one of the five best cds of contemporary music for 2010.'
George Walker (b. 1922) is featured at AfriClassical.com and has a website of his own, http://georgetwalker.com/ Today he sent us news of recognition from National Public Radio for his most recent recording: I thought that you might be interested in... Full Article at AfriClassical”