Showing posts with label Centennial of death. Show all posts
Showing posts with label Centennial of death. Show all posts

Sunday, August 14, 2011

Afro-British Composer Samuel Coleridge-Taylor Born Aug. 15, 1875; 2012 is Centennial of Death

[Samuel Coleridge-Taylor (1875-1912)]

Samuel Coleridge-Taylor, profiled at AfriClassical.com, was born on August 15, 1875 in the London suburb of Croydon, England. His mother was an Englishwoman and his father was an African physician who returned to his home country of Sierra Leone when he found patients in England would not come to him for treatment. Samuel Coleridge-Taylor was a leading Pan-Africanist who collaborated extensively with the African American poet Paul Laurence Dunbar.

Efforts to promote awareness of the life and music of Samuel Coleridge-Taylor have intensified in recent months. This is in anticipation of the Centennial of the composer's death in 2012. AfriClassical.com and AfriClassical Blog have been collaborating with a nonprofit organization based in the U.K., the Samuel Coleridge-Taylor Foundation, http://www.sctf.org.uk/ The group's Executive Chair is Hilary Burrage.

It is working with residents of Croydon who have launched a local effort to honor the life and works of Coleridge-Taylor throughout the Centennial Year of 2012. The plans include a world premiere performance of the Coleridge-Taylor opera Thelma, along with other neglected works. AfriClassical has recently posted news of historian Jeffrey Green's new biography, Samuel Coleridge-Taylor, a Musical Life. The 256-page hardcover book is from Pickering and Chatto Publishers, and has been released this Summer. The price is £60.00/$99.00.

Sandrine Thomas writes in BeyondVictoriana.com on May 23, 2010 that Samuel Coleridge-Taylor was one of 37 delegates to the first Pan-Africanist Conference in London in 1900: “Thirty-seven delegates attended the conference, among them Samuel Coleridge Taylor, John Alcindor, Dadabhai Naoroji, John Archer and Du Bois, and the focus of a great many speeches delivered were aimed at the governments of world powers to introduce legislation to bring about racial equality.”

Coleridge-Taylor rose to prominence in 1898, the year he turned 23, on the strength of two works. The first was Ballade in A Minor. Next came Hiawatha's Wedding Feast, for which he is best known. It is a setting of verses from Song of Hiawatha by Henry Wadsworth Longfellow. He conducted its premier to great acclaim. The work was staged hundreds of times in the United Kingdom and North America during the next 15 years.

The composer made three hugely successful tours of North America, in 1904, 1906 and 1910. Britain had no system of royalties, so Coleridge-Taylor was paid only once for each composition, no matter how successful it became. He held multiple teaching and conducting positions in an effort to support his family. This led to exhaustion which worsened the pneumonia from which he died on Sept. 1, 1912, at age 37. The coming year will witness a number of efforts to bring to light some of the many works of Coleridge-Taylor which have fallen into neglect or were never published or performed.

Tuesday, August 9, 2011

This Is Surrey Today: 'Festival will mark life of composer' Samuel Coleridge-Taylor (1875-1912)

[Samuel Coleridge-Taylor]

Friday, August 5, 2011
“THE world premiere of an opera composed by Croydon's "forgotten" black composer Samuel Coleridge-Taylor is to be staged in the town next year. It will be the highlight of celebrations marking the 100th anniversary of the composer's death.”

“Jonathan Butcher, artistic director of Surrey Opera, said staging Frida, or Thelma as it has been more commonly known, at the Ashcroft Theatre next February would alone cost £50,000. Coleridge-Taylor composed the three-act opera between 1907 and 1909 but he failed to find any opera company prepared to take on what would have been a lavish production. After his death in 1912 at the age of 37, the work slipped into obscurity as the popularity of his compositions diminished over the years.

“The aim of the festival will be to bring his work back into the public eye and re-establish the outstanding reputation he had in his lifetime. He was described by Edward Elgar as 'far and away the cleverest fellow amongst the young men'. Mr Butcher said it was intended to hold at least one recital or lecture a month throughout 2012. Events already being lined up include a performance of Coleridge-Taylor's violin concerto by Croydon's resident orchestra, the London Mozart Players, churches putting on his religious music and a celebration service around his August 15 birthday at Croydon Minster.”

[AfriClassical.com profiles the Afro-British composer and conductor Samuel Coleridge-Taylor. The Samuel Coleridge-Taylor Foundation, http://www.sctf.org.uk/ is a partner in the efforts to commemorate the composer's life in 2012.]

Comment by email:
Bill, I just read your post five minutes ago. Fantastic news it is. I look forward to learning more about the festival. Thanks for being so on top of things! Africlassical is an indispensable resource. Best, JMW (Conductor John McLaughlin Williams)

Monday, January 31, 2011

TalentCircle.org: “composer to score the title sequence, incidental music and a cantata for...'The Samuel Coleridge-Taylor Story'”


[Samuel Coleridge-Taylor: Chamber Music; The Coleridge Ensemble; AFKA SK-543 (1998)]

The Afro-British composer and conductor Samuel Coleridge-Taylor (1875-1912) is profiled at AfriClassical.com. Next year will be the centennial of the composer's death. A notice posted on TalentCircle.org seeks a composer for a short film on his life:

Job Details: Composer
Starts: 07 Feb 2011
Contract Type: Temporary / freelance (Part time)
Duration: 2 Weeks
Payment: Collaboration-Expenses only (no pay)
Details: To commemorate the [centennial] of the death of the first Black English classical music composer, Samuel Coleridge-Taylor, in 2012, I am looking for a composer to score the title sequence, incidental music and a cantata for a short animation film titled 'The Samuel Coleridge-Taylor Story'.

"Synopsis
England, March 1900
At the opening of the 20th century, Samuel Coleridge-Taylor is the most popular classical composer in England. Our drama consists in his premature death that completely robs him of a lifelong career into, and beyond the First World War. Our story begins with him conducting a concert at the Royal Albert Hall. The world of children born to African and Caribbean parents now intrudes upon mainstream British society, as they begin to redefine themselves as first generation English people through music.