Saturday, May 14, 2022

Face2FaceAfrica.com: ‘If I can’t join you, then I will lead you’: How Lee broke color barriers on the conductor’s podium

Everett Lee
(Photo: The New York Times)

Face2Face Africa

May 13, 2022

Mildred Europa Taylor

Everett Lee was already a concertmaster leading white theater orchestras when he made Broadway history in 1945. He was appointed music director of Leonard Bernstein’s “On the Town” in September 1945, making him the first Black conductor to lead production on Broadway. Per the Chicago Defender, Lee was the first Black conductor “to wave the baton over a white orchestra in a Broadway production.”

Despite racial barriers, he went on to achieve other firsts. In 1953, he conducted the Louisville Orchestra in Kentucky — the first time a Black man led a white orchestra in the South. Two years later, Lee conducted the New York City Opera, another first for him. He could have done more but for the racism that Black classical musicians faced in the United States. 

He went on to pursue an amazing career in Europe, holding conducting positions in Germany, Colombia, and Sweden. Lee also made guest appearances in many other parts of the world. While making waves internationally, his desire was to return to the U.S. but he wanted to do so only after he had become the music director of a major orchestra, according to The New York Times.

Born on August 31, 1916, in Wheeling, W.Va., to a barber and a homemaker, Lee started playing violin at eight years old. His musical talent inspired his family to move to Cleveland in 1927, where he became an athlete in junior high and led the Glenville High School orchestra as concertmaster. While working as an elevator operator, he met the Cleveland Orchestra’s conductor, Artur Rodzinski, who started mentoring him.

Lee studied at the Cleveland Institute of Music and enlisted in the Army after graduating in 1941. He trained to become a Tuskegee Airman in Alabama but was released after getting injured. In 1943, Lee moved to New York to play in the orchestra for “Carmen Jones,” an Oscar Hammerstein II rewrite of Georges Bizet’s “Carmen”. A year later, Lee moved from the concertmaster’s chair to conduct Bizet’s music when the conductor was snowed in, The New York Times said. Then in 1945, as music director of “On the Town”, he made Broadway history amid Jim Crow segregation in performance.

Lee then played in the violin section of the New York City Symphony for Leonard Bernstein and studied conducting in Tanglewood in 1946. 

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An early pioneer of African-American conductors in the mid-1900s, Lee passed away in his home in Malmö, Sweden on January 12, 2022, at the age of 105. He is survived by his wife, Christin Lee, their son Erik Lee, and his daughter Dr. Eve Lee, whose mother Sylvia Olden Lee was Lee’s first wife.

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