HudsonValleyOne.com: Excerpts from Scott Joplin's opera "Treemonisha" Aug. 3

Scott Joplin

Hudson Valley One

by Violet Snow

July 12, 2019

African-American talent will be showcased in two operas at the tenth annual Phoenicia International Festival of the Voice, August 2-4, in the Shandaken hamlet of Phoenicia [New York]. Damien Sneed, who led the previous Festival’s extraordinary gospel concert, conducts excerpts from Scott Joplin’s ragtime-influenced opera Treemonisha on Saturday afternoon, August 3. That night, Donizetti’s comedic Elixir of Love is set in an African village, featuring dancers and a drummer originally from West Africa.

Outside of black companies such as Opera Noir and Opera Ebony, opportunities for African-Americans to sing the traditional repertoire can be hard to come by. However, Festival executive director Maria Todaro said, “We take whoever is knocking our socks off at auditions. We don’t care about the color of their skin.” Baritone Lawrence Craig, who has been featured in past Festival productions, including Of Mice and Men, will sing Dulcamaro in Elixir. Bass Morris Robinson returns on Friday, August 2, for the opening concert, a selection of favorite arias from the past ten years of Festival presentations.

This year’s featured operas provide an abundance of roles specifically for black artists, including singers, dancers, instrumentalists, and the multi-talented Sneed, whose career, not unlike Joplin’s, spans composing, arranging, conducting, and piano-playing, as well as combining classical and popular music.

Scott Joplin was born just after the Civil War, the son of a freed slave. He became the leading composer of ragtime, which was named for its syncopated or “ragged” rhythm, blending European march and dance forms with African polyrhythms. Ragtime gained enormous popularity across the U.S. in the early 1900s, with Joplin’s most famous composition, “Maple Leaf Rag,” selling millions of copies of sheet music, each individual sale earning him one cent in royalties.

Around 1903, Joplin, who had classical training, turned to opera, creating The Guest of Honor, about black leader Booker T. Washington’s controversial dinner with President Theodore Roosevelt at the White House. A tour of the show failed when the box office receipts were stolen. Although the score of Joplin’s next effort, Treemonisha, was praised by a reviewer, he died before he could raise enough money for a full production.